In 1929, Lin Huiyin was full of fairy spirit and beauty for a rare pregnant photo .

Mondo Fashionable Updated on 2024-02-01

In the early spring of March, the warm sun sprinkles the earth. In an old courtyard, under a small parasol, a young girl is intently reading a book on her desk. She was dressed in a long light purple dress, and her long black and bright hair swayed gently in the breeze.

Sensing my gaze, she gently looked up, casting a gaze at me full of confidence and intelligence. This is Lin Huiyin, who is only in her early twenties, a beautiful, intellectual and confident future female architect.

With her superior family background and good educational background, she is slim and elegant, like a towering tree. Even in the turbulent period, she still sticks to her heart and dedicates her wisdom to the cause of Chinese construction.

With her profound research skills, she wrote a widely acclaimed collection of essays "April Day in the World". That kind of warm, tranquil, fresh and natural text, like the spring light in April, has infected the hearts of countless readers.

This is Lin Huiyin, a proud and upright female soul. She revealed a firm will with warmth and warmth, and wrote a chapter of her legendary life. In the photo**, Lin Huiyin is wearing a hood and smiling in his eyes, as if he has walked into an elegant painting.

Through these, we can see not only her personal style, but also the style of an era. At the age of 16, although she was young and immature, in Venice in 1920, she had already shown her elegance and charm.

Dressed in a simple and elegant black and white dress, she stands on the empty St. Mark's Square, with breadcrumbs in her hands and a slender figure. Although she is only 16 years old, she has already shed the youthfulness and immaturity of a girl, showing a kind of maturity and stability.

The breeze blows, and the skirt and hair sway gently. She gazed at the church and bell tower at the other end of the square, her eyes shining confidently and calmly. This kind of outfit shows oneself honestly, which is rare in China and at that time.

She is not confined to tradition or blindly pursues trends, but skillfully integrates Chinese and Western cultural elements to form a unique personal style. This kind of intellectual and glamorous dressing, just like her original architectural design career in the future, spreads its wings and transcends tradition, heralding a bright future.

Lin Huiyin, standing elegantly by the tree-lined path, is dressed in a light long skirt with soft lines, outlining her increasingly plump figure. Her posture is tall, and her gestures exude the elegance of motherhood, even if she is pregnant, she is still elegant and beautiful.

She is like a white swan about to fly, exuding an aura of happiness and contentment. Under the plump skirt are two slender and straight legs. The light little leather shoes are stepped on, the neck is slightly bent, and the expression is calm.

Even if she is pregnant, her gestures also reveal a unique charm. It is an interweaving of motherhood and femininity, both quiet and flexible. I was captivated by the serenity and grace of the back, which was the most feminine and moving gesture of life.

Born into a wealthy family, she is elegant and upright. This photo of the "confinement" Lao **, taken in 1929, records Lin Huiyin, who had just given birth, on a hospital bed in Beijing, with a tired but satisfied smile, and his eyes full of joy of the arrival of a new life.

Despite her messy hair, her happy glow belies the hard work of production and is still beautiful.

Although her body is not yet fully **, she is still actively engaged in her work and travels around to investigate. Frequent travel and outdoor life took a toll on her lungs, and two years later she suddenly fell ill, emaciated and weakened.

The doctor diagnosed that she needed lifelong medication to control her condition, but she was unable to**. Seeing her face full of happiness in **, I can't help but feel sorry for her bumpy fate in the future.

This precious mother-daughter photo from 1930 records Lin Huiyin's appearance after giving birth to her daughter, she wears delicate braids, and the sun shines on her, forming a soft halo.

She squinted slightly, and despite the dazzling sun, this smile was like a spring breeze, gentle and serene.

In the spring sunshine, Lin Huiyin was holding his one-year-old daughter in his arms, and the eyes of the two were full of love, as if they were a pair of sweet chicks in the forest. Lin Huiyin's face was filled with a happy smile, his eyes were full of maternal tenderness, and the innocent appearance of his one-year-old daughter was even more endearing.

Lin Huiyin's figure is still well-proportioned and slender, full of youthful vitality, her face is fair and delicate, revealing the brilliance of motherhood. The picture of the mother and daughter has become the most precious moment of happiness, frozen in the warm light and shadow of this spring day.

Lin Huiyin and her children rode a donkey for their honeymoon in Europe, and the sun shone on their bodies, full of happiness and warmth.

In this breezy green valley, Lin Huiyin, as a mother, left her identity as an architect. She accompanies the children and enjoys the joy of family.

* In her, quietly holding the donkey, smiling so brightly and beautifully at the camera, it seems that the whole world is illuminated by her smile. Her eyes were full of love, like a clear spring, washing away the noise and tiredness of the world.

This vague ** freezes a happy moment in Lin Huiyin's life. That gentle smile, as if still echoing in the valley, is like an idyllic song, adding a bit of warmth and tranquility to spring.

Many years have passed, and Lin Huiyin's ** is still intoxicating. Jin Yuelin, the master of philosophy, devoted himself to her until he died and refused to marry. The external beauty is always easy to fade, but Lin Hui's inner bearing and beauty have become more and more mellow with the precipitation of the years.

This indescribable charm has made her the "first talented woman". It is usually difficult to have both beauty and talent. However, Lin Huiyin has found a balance between intellectuality and sensibility, like a long music poem that is both soaring and domineering, but also graceful and affectionate.

Even in **, we can still feel the bright demeanor of this talented woman of the 20th century.

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