In today's film industry, Jia Ling's film "Hot and Hot" is setting off a boom. Whether it is from the box office, word-of-mouth or discussion and other aspects, this movie has stood at a height and is eye-catching. The miracle created by Jia Ling has not only caused a sensation in the film industry, but also attracted much attention in the director circle.
"Hot and Hot" is not only a simple ** theme movie, but also a praise and call for female power. The film makes female audiences empathize with the various dilemmas faced by women. For example, when Le Ying was harassed by the owner of the barbecue restaurant, Jia Ling's camera handling was very unique.
Compared with previous domestic movies, Jia Ling did not focus the camera on the victim, but focused on the face of the harassing man. The viewer gradually examines the disgusting face and feels the silent accusations, which is impressive. Jia Ling is good at arousing the audience's anger against the perpetrator, thus highlighting the seriousness of the incident even more.
What's even more refreshing is that when Le Ying faced harassment, she did not flinch, but fought back decisively. Jia Ling subtly shows Le Ying's clenched fists through the camera, and then quickly switches to the scene where she strikes the fatal blow, a moment that will undoubtedly be felt by female viewers, because they see the helplessness and anger that they may have in the face of harassment, as well as the power of resistance.
Jia Ling's delicate treatment of women's plight in the film is the key to the film's great success. In contrast, Zhang Yimou's works of the same period seem to be late in life. Although they were also involved in sexual harassment, they handled it in very different ways. Jia Ling focuses on the perpetrator, while Zhang Yimou almost focuses on the victim, which will undoubtedly make some viewers feel estranged from the victim and even inspire unhealthy emotions.
In Zhang Yimou's films, the frequent appearance of scenes of sexual violence makes the audience feel uncomfortable. He seems to have overlooked the importance of properly dealing with these sensitive circumstances, overemphasizing the suffering of the victims and ignoring the crimes of the perpetrators. This approach not only repulses viewers, but also deepens misunderstandings and perceptions of sexual violence.
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In contrast, in Jia Ling's films, the sexual harassment plot is handled in a more nuanced manner. She not only shows the helplessness and anger of the victim, but also empathizes and angers the audience through the image of the perpetrator. This treatment not only makes it easier for the audience to understand and accept the storyline, but also is more conducive to arousing social attention and reflection on the issue of sexual harassment.
It can be said that Jia Ling's camera handling in the film demonstrates the power of women, and she successfully presents the plight of women's lives in front of the audience through delicate and nuanced techniques, which has aroused widespread resonance and discussion. I believe that in the future, Jia Ling will continue to shine on the international stage and become an outstanding representative of female directors.