The great changes in the entertainment industry and the silence of old drama bones have triggered thinking about the balance between acting skills and popularity. In recent years, some well-respected old drama bones have gradually faded out of the screen, but some traffic stars have become the focus. This change has made people reflect: behind the pursuit of popularity, is acting being marginalized?
Pu Cunxin once attracted much attention as Sun Ce in "Romance of the Three Kingdoms". His acting skills are even more outstanding in the field of drama, but Pu Cunxin's acting career has suffered repeated setbacks. Family misfortunes caused him to temporarily retire from showbiz, and his subsequent return was not all smooth sailing. His mother, suffering from Alzheimer's, again forced him to leave his job. Although he is an acting actor, he is also facing the embarrassing situation of having no drama to play.
Li Baotian was "** He had an outstanding performance in costume dramas, but he was dissatisfied with the script "water injection" and had conflicts with the producer, which eventually led to being **. Such an encounter reminds us of the tragedy of an actor who loses the stage because he insists on his principles.
Feng Yuanzheng was ** because his acting skills were too good. His stellar performance in Don't Talk to Strangers has earned him much acclaim, but he has been marginalized in the market demand. In an interview, he said that the market demand is traffic rather than acting, which also makes people think deeply about the current situation in the entertainment industry.
Liu Yijun is a late-blooming actor, and although he started his acting career before the turn of the millennium, he has not been able to become popular. After a decade of hard work, he was finally recognized in 2015 for his outstanding performances in "The Pretender" and "Langya Bang". Although he is now more active, he can still only play a supporting role in some works. Such a fate makes people sigh the bitterness of being a late bloomer.
The silence of these old actors is not only their personal regret, but also a loss to the entertainment industry. Behind the pursuit of popularity and traffic, do you ignore the true value of acting? Zhang Tong may not be well-known to the public, but his acting skills have left a deep impression in "Bright Sword" and "Awakening Age". Although his performance was highly recognized, and even won the Outstanding Actor Award at the 2018 Feitian Awards, he still failed to be shortlisted for the Magnolia Award. This phenomenon highlights the lack of recognition of acting skills in the entertainment industry.
He Zhengjun has attracted much attention for his role as Commissar Zhao in "Bright Sword", but since then, his frequency of appearances has decreased significantly. Although his film contract is still good compared to other old actors, he can only become a foil for the new generation of actors. , an old actor with well-known acting skills, is now gradually fading out of the audience's sight.
These veteran actors, all of whom have become the mainstay of the industry with their solid acting skills and years of accumulation. With the changes in the entertainment industry market and the adjustment of the audience's tastes, they have gradually been marginalized and even encountered. This is not only a neglect of their personal value, but also a weakening of the diversity of the entire industry.
The development of the entertainment industry requires not only traffic stars and hot topics, but also solid acting skills and profound skills. And these old drama bones are the representatives of this precious resource. Their disappearance is not only a sorrow for the entertainment industry, but also a loss for the development of the industry.
In the pursuit of traffic and popularity, do we ignore the core value of acting? Should the status and role of acting actors be re-examined and respected? This may be a question worth pondering.
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