Today, Uncle Ying recommends it to everyone5 restricted films that have not been released in China, a classic, it's a pity not to watch one. Let's see how many you've seen?
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no.5
Kill Bill
kill bill: vol. 1 (2003)
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A bloody work full of carnage, coupled with a brilliant film soundtrack, make up this classic of violent aesthetics.
The severed arms and stumps of blood plasma completely open up the imagination of revenge in the depths of human nature are the ultimate presentation of Quentin's personal style and violent aesthetics.
The film's skillful use of a variety of technical means and the rapid editing of the killing action scenes make the bloody rendering reach an extreme height.
This movie is very magical, full of rituals, obviously so bloody, sprinkling blood is like sprinkling water, but I feel that there is a strange sense of beauty, and it is absurd.
The heroine slashed the enemy with a long knife all the way, killing blood and stumps and jumping around, which made people dazzled, and her heartbeat was all tied to her katana.
The soundtrack is thrilling and gripping, and the rhythm is the icing on the cake.
Kill Bill is piled up with all of Quentin's signature styles, a hodgepodge without messing around.
no.4
Mad Max 4: Fury Road
mad max: fury road (2015)
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One of the most authorial and stylized Hollywood action films, and with a high degree of completion, its existence is miraculous.
Dick bombs the sky and shakes the doomsday road movie, and the hot-blooded action** and feminism are perfectly integrated.
The violent path of blood and fire, blue sky and yellow sand, the apocalyptic cult that violates various aesthetics but makes people's chests explode.
Theron is beautiful and persistent, and can also fight against men, and the goddess should be like this.
After the matter is gone, the merit and fame are hidden, and Mr. Tang is really a chivalrous man.
George Miller took the scene design of Hollywood action blockbusters to a new level, with a variety of car chase scenes, climax after climax, and no urine spots in the whole process.
The special effects and colors of a scene in the sandstorm scene are the best, and the emotional scenes of the literary drama are over.
The rhythm is smooth and unhindered, all kinds of elements are perfectly intertwined, and there is no love scene to be more divided!
no.3
New World
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The inner battle and involuntary involuntariness of the undercover police are just the regular dramas of gangster undercover films, and the excellence of this film lies in its determination and domineering in the end, which not all movies dare to play like this.
The cross-border friendship between two men is bloody but really touching.
The fatalism that mixes "Infernal Affairs" and "Extremely Evil and Non-Dao" also has the judgment of "The Godfather".
Marveling at Lee Jung-jae's performance, the kind of puppet's crazy backlash against the matchmaker has become the absolute highlight of the film.
The story is very tense, and the image presentation is also very mature.
Ding Qing executed the undercover agent in front of Li Zicheng, Ding Qing was assassinated, and Li Zicheng ascended the throne" These three scenes are particularly exciting.
This may be the last influence of Hong Kong films on Korean films.
no.2
Memories of killing
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A suffocating but irresistible work, I like the performances of all the actors, the pinnacle of Korean cinema.
Not only the murder case, but also the memories of South Korea from that era are also integrated into the background.
When the entire police station is locked into an argument over whether the suspect is being detained, the love song that is played on demand before every murder softly sounds, and it turns out that it is raining outside again - the moment is really terrifying.
A story that didn't find **, the choreographer made it suspenseful and profound, seemingly ordinary but outstanding.
The pace is slow, but it's enough to hold the audience's breath.
The movie is not just an unsolved case, the story reflects more of the various things in South Korea at that time, there are many things worth figuring out, and there is a lot of information, among which the black humor and strong contrast make the director's performance more profound.
It is worth mentioning that actor Song Kang-ho's superb performance at the end can be said that without the last ten minutes, this movie would not be so good.
It was terrifying to think that the real murderer might sit in the movie theater as if nothing had happened, and to meet Song Kang-ho's tearful eyes in the last shot of the movie.
no.1
Vulgar**
pulp fiction (1994)
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Quentin Tarantino's masterpiece, the 1994 Palme d'Or at Cannes.
A masterpiece of non-linear narrative cinema.
The structure is clever and full of meaning, and the dialogue is wonderful.
Everyone in the film has good qualities, but they are hopelessly dark and confused.
Each paragraph is not divided into beginning and end, complementing each other, and the beginning and end are connected, suggesting that the plot similar to the one in the film is always happening in reality and never stops.
In every turn, Quentin subverts the audience's prejudgments drawn from experience.
It is very simple to make the characters and the plot deviate from people's cognition, the difficult thing is how to surprise and then come back to make people acceptable, and even more difficult is how to integrate the twists and turns into a story with a unified plot and theme.
Quentin accomplished a task that was very difficult and even more difficult than anyone had ever thought of.
I like some of the seemingly casual dialogues and small details inside
All right. That's all for the films recommended by Uncle Ying today.
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