The icy name "Ice Hunting" seems to be whistling with a cold wind, outlining a thrilling picture. At the beginning of the episode, a fashion show was shown, a bold girl in a yellow wig and a short black leather skirt appeared in front of the audience, and it was Yao Anna, the second princess of Huawei, who was eye-catching!
Her transformation is undoubtedly remarkable, and it can be seen from this move that she has put a lot of effort into the role. However, no matter how hard she tried, the audience didn't seem to buy it, and their complaints about the princess rose higher and higher. This tells us that the performing arts don't just have a change in style to move people's hearts. In stark contrast to this is Zhang Songwen's steady performance.
His performance is like a spring breeze, and as soon as he appears, he shows the steady atmosphere of ** Lake. The character he plays in the play is a two-faced and three-stabbed drug lord with a deep city government. His gestures and expressions are vividly expressed, especially the confrontation with his partner, he is smiling with a spring breeze, but when he turns around, his face is suddenly gloomy, this kind of transformation in and out of the play is breathtaking.
Such acting skills make people love and hate, admiring his superb performance, but worried because of the insidiousness of the character. Comparing these two actors together, it's a world of difference. One is an old actor with seasoned acting skills, and the other is a newcomer who is still young. The audience couldn't help but shake their heads, questioning the director's vision, how could the two be matched like this? We know that acting requires not only good looks, but also real skills.
However, "Ice Hunting" seems to be unbalanced at this point, making people feel that this drama is like Zhang Songwen's one-man show, and Yao Anna has become his foil. This obvious contrast is worrying, I don't know if the follow-up plot can bring surprises, whether it can make Yao Anna completely subvert the image and give the audience a slap in the face. In addition, the production team of "Ice Hunting" can also be called a "luxury cruise ship".
Director Gao Qunshu is famous for his masterpieces such as "Conquest" and "The Wind", and this time he actually took the ship of "Ice Hunting", which is a little confusing. With such a senior director joining, the plot and quality should be guaranteed. However, the current ** doesn't seem to agree with this. Is it when the director also misses? Or is this "experiment" too bold for the audience to be ready to accept it?
I thought it would be a fascinating anti-drug drama, but the result was confusing. The audience was full of praise for Zhang Songwen's performance, but they complained about Yao Anna's acting skills and plot. The development of the plot is very tense, and people are looking forward to whether they can make up for these shortcomings in the future, so that Yao Anna's role will be changed, and the talent of the screenwriter will be displayed.
However, as things stand, writers and directors may need to work overtime to try to steer the plot in a better direction. Otherwise, "Ice Hunting" is likely to become an "unfinished building", and not only the capital, but also the audience's hearts will be cold. Yao Anna's character setting and performance challenges in "Ice Hunting" are also worth discussing. Let Huawei's second princess play the role of a policewoman, the crew really dares to challenge.
From the previous image of a sweet princess to a tough guy policewoman, this transformation is really amazing. However, judging by the audience's reaction, this big jump seems to have gone too far. Throughout the series, Yao Anna's expression is almost always expressionless, is this interpreting the "iceberg beauty"?
Or is it true that there is not enough stock of expressions? Yao Anna's efforts are undeniable, and her dress and attempts show that she is trying to break her own stereotype. However, acting skills are not obtained by hard work alone, and sometimes you need to be born with a certain drama genes. As for whether she can break through the predicament in the follow-up episodes, it is eye-catching, and she can only wait and see and wait for the result.
In addition, the plot and character depth are also an issue. "Ice Hunting" seems to have completely handed over the main line to Zhang Songwen, as if the entire series was his one-man show. Yao Anna's presence in the play is sometimes even marginalized. Zhang Songwen's performance is layered, making people love and hate, while Yao Anna is a little inferior. This kind of plot design is puzzling and sometimes even incomprehensible to its logic.
Did the screenwriter want to use this contrast to create a sense of "alternation between the old and the new"? However, such an attempt clearly failed to gain the approval of the audience. Good plots and characters need logical support and emotional resonance, not just two extreme performances that can be made up.
Finally, let's compare the difference between Zhang Songwen's role in "Ice Hunting" and previous works. Zhang Songwen's performance does have the shadow of Gao Qiqiang in "Hurricane", but this time his role is more insidious and cunning, and he lacks some handsome temperament. This transformation is both a challenge and an opportunity for him. An actor can prove his strength by being able to switch freely between different roles.
However, whether this attempt is successful or not depends on the feedback of the audience. After all, the audience is the ultimate judge of the actors. It is still unknown whether Zhang Songwen can use his acting skills again to make the audience forget about Gao Qiqiang and fully accept the image of the drug lord in "Ice Hunting". However, judging by his past performances, we still have expectations for him.
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