Oriental Painting Praise Monument Yan Zhenqing HD Song Ta Tablet Appreciation

Mondo Culture Updated on 2024-02-06

Yan Zhenqing's calligraphy is one of the outstanding representatives of calligraphy art in the Tang Dynasty. His regular script is dignified and majestic, and his calligraphy is natural and bold, creating a precedent for "Yan Ti" regular script. And his inscriptions are highly respected by later generations, among them, "Oriental Painting Praise Monument" is one of his masterpieces.

Oriental Painting Praise Monument is an inscription written by Yan Zhenqing for his friend Dongfang Qiu, which describes Dongfang Qiu's life deeds and literary achievements. This inscription is strong and majestic, full of Yan Zhenqing's unique artistic style. In the history of calligraphy, it is known as the pinnacle of "Yanti" regular script, and is cherished and respected by later generations of calligraphers and enthusiasts.

And the "Oriental Painting Monument" we see now is a high-definition copy of the Song Dynasty rubbing. Although the original monument has been destroyed, through this rubbing, we can still appreciate the charm and charm of Yan Zhenqing's calligraphy.

When admiring the "Oriental Painting Monument", we will first be attracted by its dignified and majestic font. Yan Zhenqing's regular script font structure is rigorous, the lines are thick and powerful, and the glyphs are plump and elegant. Every word is vivid and powerful. This unique artistic style is the realm of "majestic, strong, elegant and elegant" pursued by Yan Zhenqing's calligraphy.

In addition to the beauty of the font itself, Yan Zhenqing's pen when writing is also very distinctive. His penmanship is strong and powerful, and the turns are natural and smooth, with both the roundness of the seal script and the squareness of the official script. This unique brushwork makes Yan Zhenqing's calligraphy unique in Tang Dynasty calligraphy and has become a model for later generations to study and research.

In addition, the momentum and charm displayed in the "Oriental Painting Monument" are also its charm. The whole inscription is magnificent, like a river rushing, in one go. Every word is full of vitality and vitality, as if beating the notes of life. This kind of charm and momentum is the realm of "spirit, rhyme, qi and potential" pursued by Yan Zhenqing's calligraphy.

When appreciating the "Praise of Oriental Painting", we can not only appreciate Yan Zhenqing's unique artistic style and exquisite calligraphy skills, but also feel his deep friendship with his friend Dongfang Qiu and his love and pursuit of literature and art. This sincere emotion and persistent pursuit of art are the qualities and qualities that Yan Zhenqing possesses as a great calligrapher.

In short, as one of Yan Zhenqing's masterpieces, "Oriental Painting Monument" not only shows his excellent calligraphy skills and unique artistic style, but also contains his sincere emotions and lofty spiritual pursuit. When appreciating this inscription, we can not only appreciate the charm and charm of Yan Zhenqing's calligraphy, but also feel his quality and quality as a great calligrapher. At the same time, "Oriental Painting Monument" is also a bright pearl in the treasure house of Chinese calligraphy art, which is worthy of our in-depth study and research.

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