In the entertainment industry, post-90s Xiaohuadans such as Yang Mi, Zhao Liying, Di Lieba, Yang Zi, Zheng Shuang, etc. have become the current traffic actresses of film and television entertainment, and have been sought after by the majority of audiences with their dual advantages of appearance and acting skills. However, in addition to the glittering post-90s traffic actresses, there is also a group of beautiful and moving post-70s actresses, who have become well-deserved representatives of beauty with their unique charm and style.
Wang Yan, as one of the representatives of the "most beautiful person" in ancient costumes, has created many classic roles on the screen, and each role shows her beauty and acting skills. Whether it is Bai Feifei in "The History of Martial Arts", or Zhao Yuer in "Young Zhang Sanfeng", or Princess Ning Xiang in "Invincible County Order", and Gao Jiping in "New Meteor Butterfly Sword", every role of Wang Yan has become the most beautiful scenery. Her beauty is so dynamic that it takes your breath away.
Huang Yi became famous in one fell swoop by playing the role of the chivalrous girl "Li Yuju" in "Marrying the Right Man in the Wrong Sedan Chair", and interpreted the role of Little Swallow in "Huanzhu Gege's Third Heaven and Earth", gaining a large number of fans. Huang Yi's beauty is touching, and her acting skills and image are unforgettable.
Jiang Qinqin, her beauty is a stunning beauty, and it is also a dynamic beauty. In "Xi Shi", she played the beauty of the "sinking fish and falling geese" of the beauty Xi Shi on the shore of Xizi Lake. In "Fengyun", she is not only Nie Feng's confidante Mingyue, but also the second dream of loyalty to love under the appearance of cold ice sculpture. Jiang Qinqin's beauty is the beauty of the heart, and it is unforgettable at a glance.
Ruby Lin, Xia Ziwei played in "Huanzhu Gege", shows her unique beauty. In order to find her biological father, she came to the capital from Jiangnan, and her beauty is also unique in the capital, a place full of beauties. Not only that, Princess Jianning played in "Xiaobao and Kangxi", and Sikong Xinger in "New Chu Liuxiang" are also beautiful. Ruby Lin's beauty is both touching and unpretentious.
Alyssa Jia's beauty has a kind of chivalry and nobility, she played the role of Zhao Min in "Heaven and Dragon Slayer", not only interpreting the willfulness of the county lord, but also showing the seductive side. She is fashionable and noble, and she is outstandingly intelligent. At the same time, in "The Divine Doctor", her role as Chun Yu Tiying also won the love of the audience. Alyssa Jia's beauty is both inside and outside.
The beauty of these post-70s actresses is not only in appearance, but also shows their efforts and talents on the road of acting. Compared with the post-90s Xiaohuadan, the post-70s actresses are also leaders in the entertainment industry, and their beauty and charm still attract the attention of many audiences.
On the Internet, discussions about these post-70s actresses are also common. Some people think that their beauty classics represent the demeanor of the previous generation of actresses; Some people think that their beauty is outdated and cannot be compared with the post-90s Xiaohuadan. Different views and opinions have sparked a series of controversies and discussions.
At the same time, there have been some similar incidents in the entertainment industry. Many veteran actresses have been replaced by young Xiaohuadan, and the actresses who were once glamorous have gradually faded out of the screen. This has also triggered people's thinking and discussion about the changes in the entertainment industry.
The beauty and charm of these post-70s actresses not only have a great attraction to the audience, but also affect the aesthetics of society to a certain extent. They show the charm and style of mature women, and set an example for the younger generation of actresses. At the same time, they also represent the persistent pursuit of beauty and acting career of the previous generation of actresses, and they are a unique landscape in the entertainment industry.
In general, the beauty of the post-70s actresses is different from that of the post-90s Xiaohuadan, but it is equally eye-catching. They represent the classics and style of the previous generation of actresses, and have had a certain impact in the entertainment industry. Whether it is a post-90s Xiaohuadan or a post-70s actress, they all have their own charm and style. Therefore, we should treat them with tolerance and appreciation, and jointly promote the development and progress of the entertainment industry.
Now let's discuss together, in your hearts, whose appearance is more representative? Or are there any other representatives of the post-70s actresses in your hearts? Everyone is welcome to participate in the discussion!