The green mountains are close at hand - Wu Zhao's painting sketch.
The sound of the Yue Se River is driven away, where is not the township;
Yundan Mountain Qing'an pen inkstone, close at hand is the end of the world.
The past of Qingshan is vivid, looking back on the travel sketches in 2023, as far as the eye can see, recording the traces of Ping; I have to draw a few books, but I am comforted.
The east wind meets the flowers, and the fireworks on the west coast of Qingdao in February break through the quiet night sky, and the bustling competition is bustling. The peach blossoms in March bloom in the depths of the Daigu Valley in Linyi, as if the clouds are full of clouds, the crowd is watching, and the spring breeze is surging.
Yimeng Mountain Sketch - Daigu Peach Blossom Source - 34x45cm - ink and color on paper.
The green sandalwood of Jinan Lingyan Temple is tender and green Xinshu, the shadow of the green mountain tower, the sound of the spring dingdong, the wind combs the willow, the pine and cypress are in the waves, the orchid is written all over the grass in February, the mountain does not remember the year, and the spring is long.
Sketch of Lingyan Temple-Lingyan Scenery-34x68cm-Ink and color on paper.
Taidai is hidden on the window again, and the ancient cypress stele of Dai Temple is full of time. The vines of May are like dragons, and every stroke is prosperous without thanks, and the coming days are long, and they are slowly painted again.
Jinan Lingyan Temple - Qingtan Pagoda Shadow - 34x45cm - ink on paper.
The high slope of the loess of the Yellow River at the mouth of the moraine is not desolate, and the lights of the ancient town are as if they are in another world. The sound of the Yue River, accompanied by the majesty of Xintianyou, the abundance of the people of Wufu, the yellow sky and the thick soil of Lijiashan, and the simplicity are still the background color of oriental aesthetics. The iron bones of the jujube tree are prose poems written to the sky, zigzag upward; The river meanders, the line of writing to learn Qu Tie, carry forward the past and forge ahead, slowly flowing, my generation of companions, willing to pass on the mountains and rivers, each add color to the pen.
Sketch of the ancient town of Mokou - Ancient Ferry of the Yellow River - 34x68cm - ink and color on paper.
Shanxi Luliang Sketch - Yue Se River Sound - 34x85cm - ink and color on paper.
Lv Liang Sketch - On Lijia Mountain - 34x68cm - ink and color on paper.
Modern people travel all over the world, and the vicinity that is gradually lost is far away.
There are many mountains and forests in the western mountains of the suburbs of Beijing, and the Shuiquan Courtyard is particularly quiet in the Perfume Biyun Temple, like the rhyme of ancient paintings. Midsummer pine shade lotus fragrance, Xiangshan Jingcui Lakeside, do not set up a fence, although the garden belongs to the old palace garden, the layout is enough to show the painting environment, a number of painting friends, the pen inkstone is often carried, so far Fang An, temporarily forget the hot flame, can clear the heart, is said to be quiet.
Sketch of Xiangshan - with water screen mountain - 68x34cm - ink and color on paper.
Xiangshan Sketch - Biyun Temple, Shuiquan Courtyard - 100x45cm - ink and color on paper.
Xiangshan Sketch - Qingwei Range Rover - 34x138cm - ink and color on paper.
Inside and outside the Great Wall, every wind often thinks about the mighty. Qinhuangdao Funing Guanshan is magnificent, the mountains and the Great Wall are majestic, the mountains and rivers are dwarfed, the stone walls of the chaotic knife valley are steep, the valley is deep, but the stone bones and shrubs are seen, the north is thick, the hills and ravines are open and closed, and I am strong.
Funing Sketch - Guanshan Gaoyuan - 68x34cm - ink and color on paper.
Funing Sketch - Xiongguan Mandao - 68x34cm - ink and color on paper.
Sketch of the Great Wall of Funing Ming Dynasty - Ancient Pass Qingxi - 34x138cm - ink and color on paper.
Sketch of Funing Randaoyu - Zhicun Gaoyuan - 34x138cm - ink and color on paper.
Baiyangdian is green, the clouds and water are vast, the sound of the oars is rippling in the Mid-Autumn Festival, the lotus dew and ink, the water is in the morning and twilight, and the paintings are not endless.
Xiong'an Baiyangdian Sketch - Fresh Air Filling - 34x68cm - Ink and color on paper.
The distance is close at hand, and it is the mind and body that go. In the depths of the 100,000 mountains in Liuzhou, Guangxi, Gaoyou Dong Village seems to be separated from the red dust, the Hetian Tea Mountain, the twilight of the Qinglan, the green step song, the chickens and dogs smell each other, the attic is lined up in the group of Lan, déjà vu in the ancient paintings, you come to paint is an idyll.
Liuzhou Sanjiang Sketch - Gaoyou Ancient Village - 68x34cm - ink and color on paper.
Sanjiang Gaoyou Dong Sketch - Dong Zhai Qunlan - 34x138cm - ink and color on paper.
Yangshuo landscape armor Guilin, between the mountains and rivers, in the painting. What you see on the Lijiang River, the inscription in Huang Binhong's painting and Xu Xiake's travelogue essay, you can sing and harmonize. On the bank of the Yulong River, move to change the scenery, the green water floating hill, the two banks of the ring row, the boat hides the dew between the verdant bamboos, and the number of people in the boat is the scenery of the landscape. Under the Fuli Bridge, the moon shadow pierces the boat, the ancient trees are azure, and the other side calls each other. Xianggong Mountain, the clouds rise to the soles of the feet, ascend and pitch, the mountains and rivers are beautiful, the mountains are arranged, and the clouds and smoke disappear in the sky.
Guilin Yangshuo Sketch - Banana Rain Clouds - 68x34cm - Ink and color on paper.
Yangshuo Li River - Yangshuo Qinglan - 34x138cm - ink and color on paper.
Yangshuo Sketch - Yulong River - 34x138cm - ink and color on paper.
The mountains and rivers return, the sketch is still wet, although the sketch is a travelogue, the foreign teacher "creates", it is precious and fresh, Vientiane is the teacher, and is willing to turn into a "heart source", and the accumulation of time belongs to the pen inkstone, year after year to pay me Danqing, the magnificent tour of the hills and ravines, and the painting can be sent. I like what Mr. Gu Tinglin said, "There is no cone of soil in life, there is always a heart of the four seas", "start with interest, end with perseverance".
Years of sketching, sharpening the sword and waiting for time. Sketch the past, all as a prologue, and continue in the new year.
Wu Zhao is in Beijing.
Yangshuo Sketch - Green Mountains and Clear Water - 34x45cm - Ink and color on paper.
Yangshuo Sketch - Fuli Qiaotou 34x68cm - ink and color on paper.
Yangshuo Yulong River - Yangshuo Mountain Residence - 34x138cm - ink and color on paper.
Yangshuo Sketch - Xianggong Mountain - 34x138cm - Ink on paper.
Wu Zhao. Independent painter and freelance writer, born in Xinyang in 1987, living in Beijing. Painting classical landscapes, scholars' flowers, classical figures, good at seal carving, prose. His published works include "Elegant Sketches, Small Freehand Techniques Course", "Lin Quan's Ancient Search: Selected Chinese Paintings", and "The Gate of the Great Craftsman: Wu Zhao's Chinese Painting Sketch Collection". Articles and drawings have been published in magazines and newspapers. In recent years, his works have been extensive, and he has held many cultural activities such as solo exhibitions and group exhibitions, and his works have been collected by many institutions and individuals at home and abroad.
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