Film and television dramas whitewash the historical villains, and the three of them become good people
Television is one of the main ways we get information about the world in today's society, and almost every home has a TV. Watching TV has also become a part of our daily life, and some TV dramas often adapt historical figures for artistic effect, change their original historical image, and carry out artistic innovation.
This makes many viewers deeply affected by it after watching the TV series, thinking that the image of historical figures is exactly the same as the image in the TV series, but they don't know that the image of historical characters in some TV series is modified by the screenwriter for the needs of the plot and the development of the character plot, which is very different from the image in history.
Ji Xiaolan, He Shen and Liu Luoguo are all "notorious" characters in ancient history, but after the packaging of the TV series, their images have undergone earth-shaking changes.
Ji Xiaolan, He Shen and Liu Luoguo, the images of these three characters in ancient dramas are deeply rooted in the hearts of the people. Ji Xiaolan played by Zhang Guoli is witty, iron-toothed and copper-toothed, and always opposes He Shen, while He Shen is played by Wang Gang, who is cunning and greedy, with thief eyebrows and mouse eyes, and a knife hidden in his smile.
Their image is deeply loved by the audience and is known as the "two living treasures".
Ji Xiaolan in the TV series is personable and talented. However, what is Ji Xiaolan like in history? He is not only talented, but also a romantic talent.
Although the screenwriter in the TV series weakened this, Ji Xiaolan's private life in the historical record can be said to be quite colorful. He likes to entangle with different women, which can be called ***
In history, Ji Xiaolan had a wife and six concubines, but his love for women and poetry and books is real. This is very different from the image in the TV series.
Two: Miyue's growth process: From a carefree girl to a ruthless politician, the real Miyue transformed from an innocent girl to a thoughtful politician after the palace coup.
Although Mi Yue had two unforgettable romances, pure love with her childhood sweetheart Huang Xie and a leisurely time with Yiqujun, in the end she chose to return to Qin, because she understood that only through her own efforts could she achieve success.
There is a significant gap between the image of Miyue in history and film and television works. In real history, Mi Yue and Huang Xie are not childhood sweethearts, the two are more than 20 years apart, but the TV series forcibly matched them.
As for Mi Yue's second relationship, although it is recorded in history, her relationship with Yiqujun is private and not public, which is very different from the warm and romantic display in the TV series.
The reason why Mi Yue had an affair with King Yiqu was so that his son could get the support of King Yiqu, but he didn't actually love King Yiqu, and this relationship was not as romantic as described in the TV series.
King Qin Zhaoxiang conspired with Empress Dowager Xuan to attack Yiqu. Mi Yue skillfully used King Yiqu to help his son consolidate the throne. However, in order to prevent future troubles, she killed her own flesh and blood born to King Yiqu, showing her decisiveness and ruthlessness.
Mi Yue's heart is like iron, calm and rational, and she never loses her goal because of her children's affection. Her resourcefulness and determination make people sigh. The Empress Dowager Xuan in history will not give up until she reaches her goal, and she is ruthless and awe-inspiring.
The real Ming Yingzong Zhu Qizhen in history is not the image of a virtuous and capable Mingjun depicted in the play. He inherited the throne at the age of 9, but at a young age he could not control the power of the emperor, but was always controlled by others.
Zhu Qizhen in history, after the Tumubao Incident, was gloomy and unwilling to live in a corner, so he united his subordinates to launch a mutiny and regain the throne. But unfortunately, he did not understand the truth that "it is easy to fight the country and defend the country", and gave full play to the truth of "in his position, not seeking his government", although he tried his best to get the throne, but he made no achievements in politics, and even favored the traitors, brutalized the loyal and good, and did all kinds of evil, resulting in the hardship of the people under his rule.
What is puzzling is that this monarch who is so unbearable in history is often glorified as a virtuous and virtuous monarch who is for the country and the people in film and television dramas, which will undoubtedly greatly mislead the audience.
In the process of creating film and television works, there is nothing wrong with the appropriate modification of the image of historical figures, because artistic creation requires imagination and innovation. As Albert Einstein said"Imagination is more important than knowledge because knowledge is limited, and imagination encompasses everything in the world, drives progress, and is the source of knowledge progress. "
However, in historical-themed film and television dramas, the audience needs to have their own view of history and cannot completely rely on the creation of the screenwriter. Because the screenwriter will integrate his own thoughts into the work and create a flesh-and-blood image of a historical figure.
Therefore, in order to truly understand historical figures, it is necessary to go back to history itself, understand the true image of characters in history through books and documents, and explore and understand the essence of characters from the evaluation of later generations.
And not just through the TV series. "