If my heart is simple, I will write my life on paper, let the years go by and be old and cold, I am rich and happy.
When the wind comes, it has its own dark fragrance, falling in the tea cup, condensing in the poem, brushing through the fingertips, and on the heart.
Life is like dust, fluttering with the wind, life is a life, grass is spring, coming like wind and rain, going like dust.
Ignorant and understanding of floating life, the world is one after another, all pay the dust, people in this life, hurry, busy, come like wind and rain, go like dust.
Life in the world, looking at the world, vigorous and mighty and mighty go back and forth, but in fact, the flowers fall silently, and there is no trace.
The remnant sun entered the west, and the thatched hut visited the lonely monk.
Where are the deciduous people, a few layers of Hanyun Road.
Knock on the ** chime alone, leaning on a vine.
In the dust of the world, I would rather love and hate.
- Don Li Shangyin, "Northern Qingluo".
As the sun set down on the mountain, I went into the hut to visit the lonely monk.
The fallen leaves are flying, I don't know where the person is, I am in the middle of the cold cloud mountain road, and I don't know how long it will take to find him.
* At the same time, I only listened to him knock on the rock alone, leaning on a green vine leisurely.
The whole world is in that little dust, what reason can I have to love and hate?
Li Shangyin was exhausted in the fierce party struggle between Niu and Li all his life. His wandering life and lonely situation made him feel the misfortune of living in the red dust, and he urgently needed to get in touch with the pure Buddhist world.
In this secluded and ethereal, far more quiet place than the earthly world, he finally realized that all thoughts are empty, everything is just dust, and there is no need to love or hate.
Life inevitably has ups and downs, big openings and closings, but tell yourself that you should not be happy with things and not sad with yourself.
There are 3,000 worlds in a tiny dust, and 80,000 springs in half an instant.
If you go back and forth and live like you, you don't know who is the host and who is the guest.
- Song Shi Xinyue's "Shen and Signature Dream".
In the microcosm of fine dust, there are 3,000 grand plans of the world; In a short half moment, it seems that 80,000 years of spring and autumn have passed.
Everything in the world is so reincarnated and safe that people can't help but wonder: in this endless change of time and space, who is in charge of everything? Or are we all passers-by in this vast universe?
The poet uses the wonderful metaphor of "3,000 worlds in a tiny dust, 80,000 springs in half an instant" to reveal the relativity between the macro and the microcosm, the eternal and the instantaneous, and we should learn to perceive the vast from the subtleties and grasp the eternity from the moment.
The world comes and goes, bustling, stops in an instant, and turns to the end of the world.
In the face of the ups and downs of life, we should maintain a detached attitude, not obsessed with personal gains and losses, and not too concerned about the changes on the surface of things, so as to achieve inner peace and open-mindedness.
Spring comes with color and darkness, first to the poetry and wine.
The willow shore is slightly dusty and rainy, and the apricot orchard is swaying and blooming.
Wen Jun was depressed when he traveled alone, and he rode out on horseback in the evening.
The drunken poet has the same year, and the spring sighs that Hanlin has no time.
Yun Fu first advocated Han Yuyin, Wei Zhangji and Chun Souyin.
At this time, I also sat behind closed doors, and I had three thoughts in one day.
——Tang Bai Juyi, "Answering Lu Yuanwai with Qian Yuanwai and Lu Yuanwai Traveling Alone in Qujiang in Early Spring to See Long Sentences".
Spring is quietly coming, the colors are gradually rich in silence, and poetry and wine are the first to awaken in this full vitality.
The willow bank is drizzling and lightly dusty, and the spring breeze in the apricot orchard is warm, and the flowers are blooming.
I heard that you were traveling alone to enjoy the Qujiang River, and I felt a little depressed in my heart, and I didn't go out on horseback to swim until the sky cleared in the evening.
I was drunk and missed those like-minded poets, many of whom were friends of the same year, but they all had no time to spend spring together because of the busyness of the Hanlin Academy.
Yunfu began with a poem as cold as jade, and Weizhang sang and harmonized, a song of spring searching, full of poetry.
At this moment, although I am sitting alone behind closed doors, the spring scenery of the day has touched the hearts of the three of us, each tasting and comprehending.
Bai Juyi used this spring scene to express his deep nostalgia for friendship and his feelings for his busy life.
Every change and every breath of spring reminds us that the beautiful moments in life are as short and precious as dust, and we should cherish friendship, grasp the moment, and even if we are busy, we should not forget to appreciate the beauty of the subtleties of life, so as to cultivate our hearts and achieve the realm of indifference and detachment.
The moonlit night in front of the Mingyue Temple is still as bright as silver.
Ming Mingyue is the predecessor. turned back into a smile, cold thousands of springs.
It shines through the vast and clear like water, and it has also shone through the dust.
Don't change the circle for the eyebrows. Three or five nights in the world, I missed the person in the mirror.
- Qing Chen Zengshou "Linjiang Immortal".
Under the bright moonlit night in front of the Mingyue Temple, the moonlight as pure as silver is as good as ever.
This bright moon seems to be the predecessor of the world, looking back into an indifferent smile, cold and eternal through thousands of springs.
This moonlight shines through the world, clear as water, and also illuminates every speck of dust in the world.
Don't let the perfect moon phase change into a frown because of the changes in the world, every three or five full moon nights in the world, if you are troubled by mundane things, you may miss the true self in the mirror.
Chen Zengshou used "Linjiang Immortal" to depict a deep understanding of the moon and the philosophy of life.
In this poem, he uses the bright moonlight to symbolize eternal truth and inner clarity.
Every "dusty" individual looks small and precious under the moonlight, warning people not to ignore the most real world in their hearts because of worldly troubles.
We should grasp the beautiful moment of the full moon every time, do not let ourselves lose our true nature in the passing time, and maintain an open-minded and detached state of mind.
Fei Cai traversed the land of Tsinghua and realized the Buddha's body until he was full.
The floating name is not tried, and the three thousand worlds are a speck of dust.
- Song Xia Zhu, "Occasional Success".
Even if he is talented and learned, he has experienced prosperity and prosperity until he comprehends Buddhism before he knows how to be satisfied and stop.
Tell yourself that you don't have to pursue those vain fame and fortune anymore, because in the vast three thousand worlds, all of this is as impermanent and ephemeral as a speck of dust.
Xia Zhu's self-proclaimed non-talent means that he does not think highly of himself and thinks that he is not a talented person.
He mentioned in the poem that he traveled through the land of Qinghua, which can be understood as his travel to famous mountains and rivers to seek the true meaning of life.
Eventually, he realized the teachings of Buddhism and believed that enlightenment was the destiny of his life.
Xia Zhu's experience of traveling to Tsinghua Land, where "Tsinghua Land" refers to the beautiful scenery of mountains and rivers, and can also be understood as a place of fame and fortune in society.
By traversing these places, Xia Zhu meant that he had pursued fame and worldly success, but in the end he found peace of mind in Buddhist thought, believing that enlightenment was the real place to stop.
Fame and fame are not tried, and three thousand worlds are a speck of dust", expressing Xia Zhu's indifferent attitude towards fame and fortune.
He believes that there is no point in chasing flashy fame and fortune, because in the vast universe, the entire human world is only an insignificant speck of dust. The three thousand worlds here can be understood as the existence of the entire universe.
The whole poem conveys Xia Zhu's detachment from the world and his understanding of Buddhist ideas in concise language.
By expressing his own reflections on the pursuit of fame and fortune, the poet conveys the quest for inner peace and transcendence. This detachment of mind is in line with the teachings of Buddhism and shows a shift in the thinking of the Song scholars.
I don't know sleep in my dreams, and I don't sleep after sleeping.
Let's ask about the sleeping body and the dream body, that can only be right.
When you are drunk, someone wakes up, and when you wake up, no one gets drunk.
It is necessary to know the three thousand and the great thousand, not outside the dust.
- Song Chen Qiang, "Divination Operator: Sleepless in Dreams".
I didn't realize that I was sleeping in my dreams, and when I woke up, how could the sleep in my dreams ever exist. Let's ask which of these sleeping bodies and dream bodies can be truly relative and independent?
After being drunk, some people come to their senses, but after they wake up, no one is intoxicated anymore. If you want to comprehend the mysteries of the three thousand worlds and the vastness of the great world, you don't really lie outside the dust.
Chen Qiang's "Divination Operator: Sleepless in Dreams" uses a vivid metaphor for the illusion of life and the vastness and profundity of the universe.
Through the dialectical reflection on "sleep" and "dream", as well as the observation of the transformation between "drunk" and "awake", it is revealed that everything in the world is as impermanent as a dream, and all experiences are as transient as dust.
Whether it is the drunken awakening of the short life or the vast three thousand and the great thousand in the world, its essence is the same truth as the nature of the manifestation, there is no need to seek outward, but should realize in the heart that the essence of all phenomena is empty, so as to transcend love and hatred, sorrow and joy, and achieve spiritual freedom and liberation.
In the past, I went to Lingshan not to feast, but now I want to seek pearls in the sea.
The top of Lenga is cool, and the good-eyed immortals remember me.
The bitter sea is lost for no reason, and the east has passed through this few dusts.
When tens of billions of lotus flowers, one by one lotus flowers see the body of the Buddha.
- Don Li Shangyin, "Two Songs for Zhenshi".
In the past, leaving Lingshan did not touch the seat, but now he came to the vast sea to seek immortal pearls.
On the top of Ranga is a cool place, and there is an immortal with good eyes who often misses my immeasurable merits.
Even when I was lost in the bitter sea, I went to these tiny dust lands in the East.
When can you climb to the top of hundreds of millions of lotus flowers, one by one lotus flowers can see the figure of the Buddha.
This poem expresses the state of mind and desire of practitioners who have left the spiritual mountain and are lost in the sea of suffering.
The poet hopes that by seeking the fairy pearl, he can be recognized and blessed by the good-eyed immortals. Even in the midst of his misadventures, the poet still retains the courage and determination to move forward.
He longed to be able to climb to the top of the billions of lotus flowers, meet the Buddha, and reach the highest state of life.
This poem uses the technique of allegory, using the process of practitioners searching for fairy beads as a metaphor for people's search for spiritual and moral pursuits in the human world.
Through the contrast between Lingshan and Canghai, the poet expresses his determination and courage to leave his homeland and enter the unknown.
The cool place on the top of the Ranga and the care of the good-eyed immortals symbolize wisdom and guidance.
The description of the lost path in the sea of suffering highlights the hardships and confusions of the practitioner on the path of cultivation.
Finally, the poet expressed his yearning for the state of life, hoping to reach the peak of the lotus flower and meet the Buddha.
Whether it is the joys and sorrows of the world, or the exploration of the truth of Buddhism, they are as ephemeral and insignificant as a speck of dust.
Only by transcending love and hatred and having a pure heart can we truly gain insight into the mysteries of life and comprehend the profundity and vastness of the world in every subtle detail.
There is no disdain for the dust, and yesterday the mound door avoided the table.
The quiet language is close to the Qing Temple, and the cloak is like a nine-story platform.
A few annoying prostitutes float in the stream, and then Xu Xu on the poem into the wine glass.
Since then, the dust knows how to fall in love, and the seven true platforms look at the three platforms.
- Tang Zhao, "Back to the Daozhong to send Shuzhou Li Jue Xianggong".
In the midst of this troubled world, there is no barrier between ugliness and miserliness, and yesterday I came to your door and humbly avoided the table as a sign of respect. Your words are quiet and profound, as if the sound of the temple is coming slowly;
Your demeanor is like climbing on a nine-story platform, with a flying cloak and extraordinary bearing.
Once upon a time, you did not hesitate to work with courtesans to sail on the stream and invite me to share the beautiful scenery; Again and again I promised to discuss the Psalms with me and raise a glass to drink.
Since then, I have felt the warmth and attachment of the world like a speck of dust, looking at the three stars that symbolize the noble status from afar on the Qizhen platform, and my heart is full of gratitude and yearning.
In "Returning to the Road to Shuzhou Li Jue Xianggong", Zhao Yi described the scene of his interaction with Li Jue, showing a gentleman's friendship that transcends the worldly dust and is informal. The poet uses "fine dust" as a metaphor for his own insignificance, expressing his deep gratitude to Li Jue for his support and care, and also revealing a Zen philosophy
Even if you are an insignificant person in the mortal world, you can also feel grateful for the kindness and teachings of others, so as to achieve spiritual sublimation and growth.
Zhao Yi met Li Jue in his early years, and they both pursued moral truth and stayed away from the hustle and bustle. Although Zhao Yi is inferior to Li Jue Xianggong in terms of social status, he expresses his appreciation and admiration for Li Jue Xianggong in his poems.
In the poem, Qingqing Mangyuan and Shuzhou Li Jue are the expressions, pick up the pen, return to the worldly city, give up the children and concubines, collect children, compose poems, drink, and speak all the words.
By depicting the author's state of mind and the beautiful situation away from the hustle and bustle, it reflects the pursuit and yearning of the Tang Dynasty scholars for morality, ethics and the pursuit of truth.
By depicting the quiet environment far from the world and the pride in the pursuit of truth, the author expresses the author's admiration for his friend Li Jue Xianggong and his yearning for the pursuit of truth.
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