When the official announcement of "South to North", Jin Chen was confirmed as the heroine, which aroused questions from many netizens.
The debate over whether Jin Chen is suitable for playing the role of Ma Yan quickly heated up on the Internet.
Many netizens agreed that Jin Chen's face exudes a strong technological atmosphere, which is far from the setting of her character Ma Yan.
One of the problems that some people criticize Jin Chen is that she is too thin, some describe her as thin as a paper man, and even worry that her small waist may be broken during the labor scenes in the play.
Some viewers expressed concern about this, believing that Ma Yan's figure did not match the character setting, so they were worried about the whole plot.
Jin Chen's face has sparked controversy, not just because of his figure.
People described her face as snake-like and uncomfortable.
Netizens pointed out that her nose looks translucent, while her apple muscles are stiff and lacking in vitality, so they think that this kind of face is difficult to show the agility and liveliness that Ma Yan's role requires.
The audience questioned Jin Chen's choice to play the heroine, also because they were picky about the actor's appearance, thinking that this might become the failure of the whole show.
The audience commented after the play: "Jin Chen's nose looks as if it can poke the face of the actor opposite, and I suggest that people who have had plastic surgery do not come to act." ”
In the drama "South to North", the audience found that the plastic surgery face did not only appear on the heroine Jin Chen, but also for the role of the wife played by Hu Ke, some viewers thought that her face would inevitably look stiff.
Her facial expressions may not be flexible due to cosmetic surgery, and some people even feel that her facial expressions lack a sense of naturalness and difficulty conveying the emotions of the characters.
Jiang Yan's performance in the play also caused discussion, and some viewers described her face after plastic surgery as a steamed bun, which left a deep impression on people.
This image of the effect of plastic surgery has caused some viewers to discuss, on the one hand, that the effect of plastic surgery is exaggerated, and on the other hand, to blame the negative impact of plastic surgery on character building.
Nowadays, in the entertainment industry, plastic surgery for female celebrities has become commonplace.
However, recently, it has attracted widespread attention and discussion because of the so-called "plastic surgery face" of the protagonist Peng Xiaoran in the promotion of the drama "Thrush".
The audience thrust her into the limelight, criticizing her for her stiff and unnatural facial expressions, as if she were a robot.
The popularity of plastic surgery in the entertainment industry has made celebrity plastic surgery no stranger, but when the effect of plastic surgery is too obvious and facial expressions lose flexibility, audiences begin to question the negative impact of plastic surgery on character performance.
Peng Xiaoran's facial expression is stiff, and it seems to make people feel that they are in a mechanical performance, rather than an emotional character.
This makes the audience think deeply about whether plastic surgery should focus on the pursuit of natural beauty.
From another point of view, the male protagonist in "Liao Zhai's New Compilation of Infant Ning" is also regarded as a model of plastic surgery.
Viewers can see his silicone face up close, and what is even more surprising is that his big and small eyes make him look like a man in his forties, when in fact, his birth year is 1996.
The audience was baffled by this obvious plastic surgery effect and began to question whether the plastic surgery should be so exaggerated and whether it fit the character setting.
In addition, the heroine Ma Hui's daily ** has been over-processed, and in the play, her left and right facial expressions are extremely unbalanced, which further highlights the facial incongruity caused by plastic surgery.
The audience began to wonder if plastic surgery was pursuing beauty while ignoring the balance between nature and performance, which attracted their attention.
In the entertainment industry, the appearance of actors has always been a high-profile topic.
In this field, director Zhang Yimou has a unique view, and he once made it clear that as long as the actor's face moves slightly, the overall effect will change.
Zhang Yimou's unique concept of artistic creation and character performance is reflected in his attitude of insisting on the natural face of an actor.
Zhang Yimou once again reiterated his refusal to have plastic surgery when promoting the role in the film, insisting that his actress must have a pure natural appearance.
His attitude not only shows his pursuit of art, but also his trust in the actor's performance ability and inner temperament.
Zhang Yimou is convinced that there is a wealth of performance potential in the facial expressions and movements of actors, so it is easier to touch the hearts of the audience by interpreting the characters through natural facial expressions.
Although plastic surgery is prevalent in the entertainment industry, Zhang Yimou emphasized the importance of natural beauty.
He is not only concerned with the external image, but more importantly, the inner depth of the character and the acting talent of the actors.
In his films, many actors have won the recognition of the audience with their unpretentious appearance and excellent performances, and also won unanimous praise for his directing style.
For those actors who are anxious about their appearance, Zhang Yimou's stance may give them some inspiration.
He conveys an important message by refusing to have a plastic face: actors should focus on their inner acting ability and character depth, rather than overemphasizing their external looks.
This attitude also helps to change people's traditional perception that "plastic surgery is beautiful", allowing actors to focus more on cultivating artistic accomplishment and improving acting skills.
Zhang Yimou insisted on and pursued the natural beauty of the actor in the entertainment industry, and refused plastic surgery.
Through his own directing practice, he conveyed to the industry his deep thinking on the path of acting, guided actors to pay more attention to the internal performance quality, and made unique contributions to the development of film art.
It is hoped that producers and directors can be more cautious in the selection of actors and be cautious in the selection of actors.
What the audience expects is not only a person wearing a mask, but more importantly, an actor who can move people with a sincere performance and natural demeanor.
The reproduction and emotional expression of the character are crucial by the actor's face and overall image.
Excessive plastic surgery by an actor can lead to a lack of flexibility and naturalness in the character's performance, and it will be difficult for the audience to resonate.
Therefore, when choosing actors, more attention should be paid to the actors' acting ability, temperament and role fit, rather than overemphasizing the change in appearance.