The original version of Funina is supposed to be crazier and darker, and the social contradictions of Fontaine will be heavier, which can be seen from some of the early set copy. Keeping an unspeakable secret under this kind of pressure, and relying on one mouth and acting with all parties to hold on to it for five hundred years under the blessing of no divine power at all, is not a miracle, and it is unimaginable beyond the ability of screenwriters. Fufu didn't become a tyrant who went to the opera house every day to sentence him to death and play, but he still has to thank the 12+ plot restrictions.
If you want to say that you have lived a long time and have strong willpower, not to mention the far, there are Wendy, Zhongli, and Shadow these examples in the close, not to mention maintaining the original intention, but in addition to wear and tear for hundreds of thousands of years, it has not affected the great change in temperament, because they are the real earthly rulers, and even Wendy, who seems to have the worst combat power in the main line, has also shown the miracle of blowing away the peak of the pointed hat, which is in line with their own identity. Otto's willpower to resurrect Karen next door is also based on his understanding and manipulation of imaginary numbers, otherwise "I can't do anything" would torture him to death.
Let's talk about Funina, that's really a serious ordinary person (pure water elves), except for immortality, without their power, she wants to play the god of water, but what she has is fake, she has a big lie, acting day after day, and the precept of Fucarus: if you don't play well, everyone will be finished. I don't know if you've ever lied (yes, questions), but the anxiety that sustains the torment of lies and the anxiety of being seen through is really tormenting.
Lies don't become a "fact" over time, and in the past 500 years, there has been no need for you Funinga to show miracles? You must know that in addition to Wendy, who is free-range in Mondstadt, Liyue also has the Immortal Ritual to make the appearance of the Rock Prince, and there is a blockade of thunderstorms around Inazuma, and a god who has not shown any miracles for 500 years is enough to make people suspicious, I don't know how Funinga will prevaricate in this situation, but it is enough to make Funinga return to the border between lies and reality, and I am terrified about it.
For example, in the scene at the opera house, Funina's fear of a crisis of confidence is revealed and her despair is revealed) Funina's real rarity is that she still keeps the game alive even when she is not capable of achieving some qualities, and even Velette does not notice this problem (but if the water dragon is a little rebellious, Funina alone can't solve it). It's easy to play a person, but it's even harder to play the person you can't do, you let me play the genius of Wei Shen, I can play the ignorance and incomprehension of the world (Wei Shen is real, and I am clear stupid).
If you ask me to solve the problem, I can only say kill me, friend, this can't be done. The rooster lays eggs, it's not my job, I can't do it. Becoming another person is purely a dissolution and wear out of the self, and it is not something that I can do by feeling that I am strong-willed. In view of the identity of the pure water elf of Funingna, it can be explained a little, but the pure water elf also has ideals and pursuits, otherwise how would it give birth to the desire to become **, which can be seen. In addition, I don't know much about the story of Farusanne, but for the example given by the subject, it is more like the situation of "cultivation has no years, and there is a nail in an instant" in Xiuxian **, blurring the time scale, and Faruzan herself has spent a hundred years immersed in decryption and dazed, which is not very good compared with Funina on a normal time scale.
The demon forbidden was numb to death hundreds of millions of times, and Nagato repeated it 15,532 times in the endless August. Starting point**Some protagonists can still hold on for hundreds of millions of years when they are locked in the void, to put it bluntly, they are all numbers written by the screenwriter, and there is no difference between 500 years and 500 million years. is detached from reality, in fact, no one knows how difficult it is to insist on playing for 500 years, and in some works, there can also be a bridge where the immortal species is addicted to power and unwilling to let go, which is just a setting.
Therefore, you can generously blow the screenwriter's emotions well, instead of using the setting data of the virtual character to blow it awkwardly. Virtual characters: 500 million years of persistence, in fact, is not as good as your reality insistence, do more push-ups, and have strong willpower.