Chinese painting
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Mr. Zhang Lichen's mention of "Chinese painting is not realistic, and in the expression of imagery, it is often 'painting the meaning without painting the form', 'painting the spirit without painting the form', and 'having both form and spirit'" is an in-depth interpretation of the characteristics of Chinese painting. This sentence involves some core aesthetic concepts and creative principles of Chinese painting.
First of all, Chinese painting does not pursue strict realism. This is not to say that Chinese painting does not attach importance to reality, but that it pursues an artistic truth, rather than a natural truth. It focuses more on the expression of the painter's subjective emotions and aesthetic ideals, rather than the accurate representation of objective objects. Therefore, in Chinese painting, we can see that painters often refine, generalize and recreate natural objects according to their own understanding and feelings, thus forming a unique artistic style.
Secondly, "painting without form" and "painting without form" reflect the unique pursuit of Chinese painting in the expression of imagery. In Chinese painting, painters do not stick to the accurate depiction of objects, but pay more attention to the conveyance of the inner spirit and temperament of objects. Through the change of brush and ink and the arrangement of composition, they create a unique artistic conception and atmosphere, which arouses the viewer's association and imagination. This kind of expression not only makes the picture full of poetry and rhythm, but also gives Chinese painting a unique aesthetic charm.
Finally, "having both form and spirit" is the highest state pursued by Chinese painting. The "form" here refers to the external form of the object, and the "god" refers to the inner spirit and temperament of the object. Chinese painting emphasizes that when representing objects, it is necessary to grasp the characteristics of its external form, but also to show the charm of its inner spirit and temperament. This kind of expression of "both form and spirit" not only makes Chinese painting highly artistic and ornamental, but also makes it an art form that can penetrate into the hearts of the people and touch the soul.
To sum up, Mr. Zhang Lichen's sentence is a highly generalized and accurate interpretation of the characteristics of Chinese painting. It reveals the uniqueness of Chinese painting in terms of aesthetic concepts and creative principles, and also provides a key for us to appreciate and understand Chinese painting. At the same time, it also reminds us that when appreciating and creating Chinese paintings, we should pay more attention to the conveyance of the inner spirit and temperament of objects, as well as the pursuit of the highest state of "both form and spirit".