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The Spring Festival stalls in 2024 are a bit unusual.
Four films announced their withdrawal due to unsatisfactory box office, and what was even more unexpected was that on the tenth day of the Spring Festival, the competition for cinema films almost came to an end, and one film actually started a counterattack-
Article 20.
Hot and Hot" and "Flying Life 2" are working towards 3 billion, and "Article 20" has just exceeded the box office of 1.5 billion, but the single-day box office has surpassed the previous two films.
It can only be said that the stamina of this movie is too strong, integrating the big truth into the dialogue with the simple plot and characters, and the realism and comedy are filmed.
Moreover, the actors' performances are also quite in place.
The protagonist Han Ming is the key figure in reversing the direction of the plot, and the director condensed the three story lines into Han Ming's passionate speech, but if Lei Jiayin didn't carry the scene, the whole film was ruined.
But when Lei Jiayin spoke for the victim at the end of the film, his emotions progressed layer by layer, and after a short period of foreshadowing, he completely exploded, saying every line into the hearts of the audience.
Should I say it or not, Zhang Yimou's casting vision is too unique, not only the acting skills of the protagonist, but also the supporting roles with few scenes are particularly outstanding.
The brilliance of these actors completely surpasses Lei Jiayin.
Li Maojuan played by Ma Li and Han Ming played by Lei Jiayin are a match made in heaven. Han Ming is a good old man with no temper, and Li Maojuan is a temper tantrum at a moment.
His son was a scoundrel when he acted bravely, the other party's parents were unreasonable, Li Maojuan slammed the cup on the table with a glass of wine, and held back her anger.
Seeing that the other party was reluctant to call the police, Li Maojuan couldn't bear it anymore, stared at the other party and stood up at the "Teng", without saying a word, grabbed the mobile phone, and gave the other party a few clicks intentionally or unintentionally in the process.
The last one fell and sent himself to the detention center, and it seems that his son's temper is genetic.
However, Li Maojuan's irascible appearance has a kind heart.
was eating the vinegar of her husband and ex-girlfriend, and when she heard that Hao Xiuping's orphan and widow lived in a small hotel and were helpless, she immediately packed her things and went to visit.
When I got to the house, I quickly took out the things I had prepared, and after knowing that the other party couldn't hear them, I gestured while talking, and my eyes were full of distress and kindness.
The temper is bigger than anyone else, the heart is kinder than anyone else, and the slightly contradictory character becomes real and funny under Ma Li's interpretation, Ma Li's role in the film is wonderful.
It is very appropriate to use "impressive" to describe the feelings that Zhao Liying brings to the audience.
Before the official release of the film, the filmmaker released a lot of clips of Zhao Liying's acting skills, and the audience saw a lot of similar operations, thinking that Zhao Liying had become a victim of marketing again, but she brought the audience a huge surprise.
In the original script setting, Hao Xiuping is a normal person, and her daughter is deaf and mute, but after reading the script, Zhao Liying proposed that Hao Xiuping could also be changed to a deaf and mute.
After thinking about it, the director felt that the idea was very good and accepted Zhao Liying's proposal, but this increased the difficulty of her performance, however, Zhao Liying proved with her strength that she played this role well.
The village tyrant chained her husband to the door like a dog, ** her, Hao Xiuping stood at the door of the house in her torn clothes, blood and tears intertwined on her face.
She looked at her husband with a hideous expression and gestured "I want to die", the silent pain was deafening.
Hao Xiuping entrusted her daughter to Li Maojuan to find witnesses, but she didn't expect the village bully to find Hao Xiuping earlier, she knew that her daughter was lost, and her suppressed emotions completely exploded.
She "questioned" Han Ming in her own language, her movements trembled, her mouth opened wide but she couldn't say a word, and she made a "ahhhhh
At this time, Hao Xiuping was angry and helpless, Zhao Liying's performance was very tense, deeply touching the audience's heart with complex emotions, and in "Article 20", Zhao Liying once again burst out with unlimited potential.
After "Hurricane", the role of "sister-in-law" is deeply rooted in the hearts of the people, and after "Article 20", Gao Ye has the representative role of "Lu Lingling".
Lu Lingling is the only person in the film who insists on finding the truth from beginning to end, and once this kind of role is not played well, it will become an old-fashioned person who does not know how to be flexible.
But Gao Ye's interpretation of Lu Lingling is holding back her breath and insisting on breaking the casserole to ask the end.
So when she realized that Han Ming had also compromised with life and handled the case in a daze, Lu Lingling looked at the other party coldly, with tears in her eyes, she couldn't believe it, and she was more disappointed.
And after the suspension, she asked Han Ming why Hao Xiuping jumped off the building, and the words she shouted hoarsely with tears hit the audience's heart, and her tears at this time were disappointed in herself and guilty of Hao Xiuping.
Gao Ye gave Lu Lingling a soul and performed the softest and most tenacious side of the character, which is great.
Zhang Yi did not have many roles in the film, but he left a deep impression on the audience with his superb acting skills.
He plays the role of an unreasonable school director and a parent of a bully, but from his point of view, he is just a father of a victim.
As soon as Zhang Yi appeared, he sat down on a chair with a shelf, and the pretentious leadership had already come out, and he was so frightened by Li Maojuan that he couldn't speak, so angry that his chin trembled, nonsensical and interesting.
During the mediation process, his ex-wife was constantly mentioned, and he no longer maintained the so-called decency, writing his anger on his face, and was unable to fight back and was knocked down by Li Maojuan's elbow.
The actor-level acting skills are also enough in comedy, and Director Zhang Yi's interpretation of Director Zhang is indeed very good.
Article 20 tells the audience: When the supporting roles are too amazing, there is really nothing to do with the protagonist.
The film has called on a group of powerful celebrities, and even the supporting roles that only show one side in the film are acting bigwigs like Yu Hewei, Li Naiwen, and Fan Wei, which film can compare to "Article 20" in the same schedule.
Article 20 mixes comedy, life and law themes together, and the actors in the film "perform their duties", with laughter and tears, and in the end, it is the relationship between law and fairness and justice.
The actors' performance styles seem to be very different, but when they are put together, there are no shortcomings, allowing the audience to substitute the emotions of the characters in laughter, and a play is completed.
Overall, for the actors, this movie is worth watching.
Longteng New Year film recommendation