1. Bourville, Robert Hirsch, Gianni Bonagula, Monique Tarbes, Michelle Drey, Edmund Beauchamp, "Blockbuster 1968".
Very creative, French humor is quite funny. The most joyful comedy in my memory, CCTV 6 was released in the third year of junior high school, and I haven't laughed like that for many years, it's really a cramp of laughter.
2. Toto, Aldo Djufrey, Ernesto Almirante, Riccardo Antolini, Giulio Cali, Cops and Thieves, 1951
The real conflict begins with the police almost starting with the policeman making his son and the thief's son, and rises to a struggle between two men to maintain his father's dignity, ending with a false reunion of the poor to get God's help, and the misfortune of the thief's struggle at home is sympathetic to another little person.
3. Pupera Macchio, Armando Blanchea, Margarie Noel, Chicho Ingracia, Nando Orfey, Amarcote 1973
Fellini's "small-town style painting", compared with the heaviness and solemnity of Rome, is like a blue thunderbolt on the seashore, there is no violent mood like a violent wind, but a gentle romance of catkins fluttering. Spring, summer, autumn, winter and spring, the four seasons change and weave memories of childhood. The whole process is in a state of obsession, and joy and sorrow flow naturally. Bidding farewell to Grantisca's gaze again and again, the answer to "how do you remember me" emerges - with a smile, but also very silent, a calm and relieved loss but not sad. Effortless but full of magic strokes, the director's technique has entered the realm and is at his fingertips. I love the two scenes in the fog, and my grandfather asks me where this is, as if I look back at myself in my twilight years, "Where is my home?" "You're right on your doorstep. Then there was a dance, dancing a lifetime of lightness and grace.
IV. Vittorio Gassman, Catherine Spark, Volco Lully, Gian Maria Wolonte, Maria Grazia Bucella, "Knight 1968".
The more I look at it, the more I feel that the details are interesting, and every time I start from the grandest picture in my mind, I find that there is no drama halfway through, so I make do with it, but the next moment I tell it to others, and it becomes the grandest picture. Ironic enough. Gassman's eyebrows are simply stunning!