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Text|Chen Sanxia.
In 1933, writer Mao Dun published the long story "Midnight". In writing this book, Mao Dun had an intention to discuss the nature of Chinese society, and to dissect the nature of Chinese society to the public. In 1948, the writer Ding Ling published the long story "The Sun Shines on the Sanggan River", which artistically reproduced the great struggle against the feudal land system in the countryside. In 1960, writer Liu Qing's "History of Entrepreneurship" was published, reflecting the historical outlook and the transformation of farmers' thoughts and emotions in the process of China's agricultural socialist transformation. In 1993, the writer Chen Zhongzhong's masterpiece "White Deer Plain" was published, and the writer took Bailu Village in Bailu Plain, Guanzhong District, Shaanxi Province as a microcosm, reflecting the historical changes from the end of the Qing Dynasty to the seventies and eighties of the twentieth century, which lasted for more than half a century. These four ** play an important role in the history of Chinese literature, and there are many commonalities, such as being praised as epic works.
Young scholar Zhang Yuqi has recently published a new book, Unfinished History: The Transformation of New Chinese Literature from Midnight to Bailuyuan. After reading the representative works of these writers, Zhang Yuqi took "feudalism and anti-feudalism" as the main line of research, and found a commonality between these works, that is, these works all deal with the social nature of China in different periods to varying degrees, and what kind of impact the remnants of feudal thought have on our country.
From Midnight to White Deer Plain, these classic literary works are not only profound reflections on the history of modern revolutions, but also profound reflections on China's social transformation. Through these works, we can see more clearly how the wheel of history has moved forward, and how our country has developed from a backward feudal society to a modern country today. The new ideas and concepts contained in these works play an important role in bringing people together and awakening the masses in this era.
By revisiting a series of classic works of Chinese new literature in the last century, the book "Unfinished History: The Changes of Chinese New Literature from Midnight to Bailuyuan" takes "feudalism and anti-feudalism" as the main line of thinking, focuses on the changes of the concerns of the times, and leads us to re-follow the ideological path of Chinese historical evolution in the 20th century. In this process, we can see more clearly the profound influence of the history of China's modern revolution on modern Chinese literature, as well as the role of the new ideas and concepts contained in these literary works in the historical process.
In the creation of new literature, these Chinese writers deeply excavated the practical problems of Chinese society, paid attention to the lives and emotions of the people, and expressed their worries about the fate of the country and the nation in words. They pay attention to the development and transformation of society, actively promote the future and hope of the country, and strive to open up new ideas and directions for the development of new Chinese literature.
By creating a series of literary works with ideological depth and artistic charm, these Chinese writers of the 20th century not only demonstrated the unique charm of Chinese new literature, but also left a valuable cultural heritage for the history of Chinese literature. Their works not only record the development process of New China, but also provide a unique spiritual power for the people of Chinese. The spiritual connotations conveyed by these works inspire the Chinese people to forge ahead bravely in the face of difficulties and challenges.
Zhang Yuqi's new work not only analyzes a series of classic works in depth, but also allows us to see the development of Chinese new literature over the past century, and reproduces the great changes in China in a century from all angles.
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This article was published in the late December 2023 issue of Xiaokang.