The TV series "South to North" has attracted much attention since its launch, and the outstanding performances of Bai Jingting, Ding Yongdai, Jin Chen, Zuo Xiaoqing, Jiang Yan, Hu Ke and other actors have made the audience unable to take their eyes off it. Among them, the performance of the two actresses, Hu Ke and Zuo Xiaoqing, in the play has caused widespread discussion. The two middle-aged actresses have their own characteristics, Hu Ke's character is kind and hardworking, silently giving, while Zuo Xiaoqing shows a gentle and caring image. Although they are getting older, their performance charm is becoming more and more prominent. This article will focus on the importance of the actress's appearance in the performance, through the comparison between Hu Ke and Zuo Xiaoqing, the influence of the appearance on the performance of the role, and the outstanding performance of the two actresses in the play.
The role of Wang Sufang played by Hu Ke in the play is a strong and kind mother image. Faced with her husband's predicament, she took on the responsibility of the family and silently supported the whole family. In Wang Sufang, the audience saw the greatness and tenacity of maternal love. When Hu Ke created this role, the effort regardless of the image was impressive. She deliberately downplays her appearance, not seeking appearance, but only the realism of the role, this kind of professionalism is undoubtedly awe-inspiring. In the development of the plot, Wang Sufang's smile and smile reveal the tenderness and power of maternal love, and the audience can't help but be moved.
Hu Ke's role change shows the actor's intentions in shaping the image, and her appearance and costumes in the play perfectly fit the setting of the role, making the role of Wang Sufang lifelike. Hu Ke's understanding and interpretation of the role makes people believe that an excellent actor not only relies on his appearance to win, but also needs an in-depth interpretation and true expression of the role. Hu Ke's performance in the play makes people see the image of a mature and stable actor, and it is this steady performance style that has won the love and recognition of the audience and given more connotation to the role.
Shen Xiuping, played by Zuo Xiaoqing in the play, is full of intellectuality and elegant temperament, and has become a beautiful landscape. Shen Xiuping is a kind and strong female image, and her care and care for the people around her are impressive. Zuo Xiaoqing played this role vividly, and she used delicate emotions to show Shen Xiuping's inner kindness and hard work. Even though she is middle-aged, Zuo Xiaoqing still maintains her unique charm, and her image gives people a feeling of quiet years.
In the plot, Zuo Xiaoqing shows an elegant and atmospheric taste, whether it is speech or demeanor or external image, it reveals a temperament of nobility and warmth. When the audience saw Shen Xiuping's delicacy and thoughtfulness, they were also moved by Zuo Xiaoqing's interpretation of the role. In the performance, she doesn't need too many words, and her every move shows a mature and deep female image. Zuo Xiaoqing's acting skills are steady and calm, making people feel the elegance and vicissitudes of the years, and she has conquered the hearts of the audience with her own emphasis on connotation and temperament.
Hu Ke and Zuo Xiaoqing's performance in "South to North" allows us to see the delicate balance between appearance and acting skills. Hu Ke's deep understanding and sincere interpretation of the role show the elegance and authenticity of a mother figure; And Zuo Xiaoqing won the love of the audience with his elegant and restrained image. The performer is not only conveying the plot, but also conveying the delicate changes in emotions and hearts, and appearance is only an accessory in this process.
In the current entertainment industry, appearance used to be an important criterion to measure an actor's comprehensive strength, but with the changes of the times, The audience's requirements for actors are also happening: subtlesubtlebtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubstantialsubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtlesubtle