Zhou Lianxia, whose name is Ziyi, is called Luochuan, was born in 1908 in a wealthy family in Xiangtan, Hunan.
At the age of nine, he moved to Shanghai with his father, and at the age of fourteen, he studied painting under the famous painter Zheng Dening, and at the age of seventeen, he learned words from Zhu Xiaozang, one of the four great poets of the late Qing Dynasty, and then studied poetry from Jiang Meisheng, the father of Xu Beihong's second wife, Jiang Biwei.
At the end of the 40s, he received careful guidance from Wu Hufan, the leader of the Shanghai School of painting. Zhou Lianxia is both talented and beautiful, elegant and elegant, calligraphy, painting and poetry are excellent, and is known as the "Golden Boudoir Countryman", and enjoys a high reputation in the Shanghai poetry, calligraphy and painting art circle.
Zhou Lianxia in her youth was born beautiful and had an extraordinary temperament, and was known as"A stunner in the world, peerless elegance"。Her beauty lies not only in her appearance and posture, but also in the charm and grace in her speech and demeanor.
Li Yu once said in "Idle Love": "Stunners are enough to move people, and the charm is enough." The world doesn't know that it is beautiful, but although the color is beautiful, it is a thing, and the black foot moves people?
Coupled with the state, the thing is especially ......The flattery is in the human body, the flame of the fire, the light of the lamp, the treasure of the pearl and the gold and silver, it is an invisible thing, and it is not a tangible thing."
Her every move can be eye-catching, and people can't help but fall in love with her. Her beauty is the favor of God and the peerless elegance.
Zhou Lianxia's beauty is naturally beautiful, gentle and moving, charming and subtle, elegant and refined, which is amazing"Celestials"。The famous calligrapher and painter Chen Julai praised it"A peerless stunner, fascinating"。
Back then, Lu Shifu, a famous doctor in Shanghai, took a picture of her, she was about 20 years old, in which she was hidden behind a gauze window, showing half of her face slightly, beautiful and moving, which made people admire.
When Zheng Yimei, a professor at Fudan University, met Zhou Lianxia for the first time, she was deeply attracted by her, saying that her body was beautiful and graceful, like the wind returning to snow, and she was a beautiful picture of a lady.
1.Zhou Lianxia, a female artist who shines in the ** art world. Chen Xiaocui commented that she was "ten thousand people bowed their heads and worshiped the red dress", and her style in her later years was still the same, showing the charm of the year in her gestures.
Professor Su Yuanlei praised her even more, calling her "seventy still in the city". The recent photos of her later years are vividly shown in the word "Fortune Operator": "She is already an ugly slave, so Fuluo is charming?"
The green and red love is in the late spring, and the shadows are meaningless to ......”
2."Ten thousand people bow their heads and worship the red dress", Chen Xiaocui commented on Zhou Lianxia. In her later years, her demeanor is still the same, and her smile is still as bright as a flower girl.
Professor Su Yuanlei of Fudan University praised her even more, calling her "seventy still in the city". Zhou Lianxia's recent photos in her later years were also sent by her to friends, and the word "Fortune Operator" depicts her unique charm: "She is already an ugly slave, so Fuluo is charming?"
The green and red love is in the late spring, and the shadows are meaningless to ......”
3.Zhou Lianxia, a famous female painter, is known as "10,000 people bow their heads and worship the red dress". In her later years, her demeanor was still the same, and her gestures exuded charming charm.
Professor Su Yuanlei was full of praise for her, calling her "seventy still in the city". The recent photos of her later years are vividly depicted in the word "Fortune Operator": "She is already an ugly slave, so Fuluo is charming?
The green and red love is in the late spring, and the shadows are meaningless to ......”
4.Zhou Lianxia, the best of the female painters. Chen Xiaocui commented that she was "ten thousand people bowed their heads and bowed to the red dress", and in her later years, she was still radiant, revealing the vitality of youth in her gestures.
Professor Su Yuanlei's praise for her is even more deeply rooted in the hearts of the people, calling her "seventy still in the city". Zhou Lianxia's recent photos in her later years are also depicted in the word "Fortune Operator": "It's already an ugly slave, so Fuluo is charming?
The green and red love is in the late spring, and the shadows are meaningless to ......”
Zhou Lianxia: A talented woman among talented women In the thirties of the last century, Zhou Lianxia, Lin Huiyin, Lu Xiaoman, and Zhang Ailing were known as the top four talented women.
Although Zhou Lianxia's fame is slightly inferior to the top three, her appearance, talent, temperament, and demeanor undoubtedly make her one of the best.
At that time, the Shanghai Tang literary and art circle once compared her with a generation of socialite Lu Xiaoman, and the conclusion was: Zhou Lianxia was before the age of thirty.
Three or four of her can be worth one Lu Xiaoman; And after the age of forty, three or four Lu Xiaoman are difficult to match one Zhou Lianxia.
Zhou Lianxia is only four or five years younger than Lu Xiaoman and Lin Huiyin, but she has lived more than half a century longer than the two of them. Although she is 12 years older than Zhang Ailing, she still lives behind her.
The secret of Zhou Lianxia's longevity lies in her attitude towards life. She is not a person who is more serious about art and life, but a person who loves art and enjoys life.
Beauty and love were made for her, not for her to be born for beauty and love. She lives a calm, open-minded, chic and complete life. Therefore, her life is full of excitement and beauty, and she has become a talented woman among talented women.
Zhou Lianxia: A talented woman in the art world, Zhou Lianxia is not just a vase woman who is famous for her beauty.
Contemporary historian Liu Xinhuang specifically mentioned her in "The Literary History of the Occupied Areas during the Anti-Japanese War", calling her "Lian Shi Niang", and believed that she and Su Qing, Zhang Ailing, Pan Liudai and others were quite influential at that time.
Liu Xinhuang's evaluation shows Zhou Lianxia's important position in the history of literature and art.
Zhou Lianxia: Her painting style is fresh and refined, like a wisp of fresh breeze, bringing people a fresh and refined feeling.
Her paintings are bright and clean, the brushstrokes are light, the lines are tactful, there is no sense of femininity and weakness, and her painting style is in line with her poetic atmosphere.
She uses herself as a model, often depicting herself in the mirror, conveying her spirits and showing her beauty truly. In 1929, 21-year-old Zhou Lianxia hung a pen and painted a single mane in a major paper fan village in Shanghai, ordered a lot of pieces, and earned a lot of money.
April 1934,"Chinese Women's Calligraphy and Painting Association"Founded in Shanghai, the association was spontaneously formed by a group of female calligraphers and painters with similar interests and leaders, and was the first women's art society in China.
Before the age of 30, Zhou Lianxia has become famous in the Chinese and foreign painting circles, has won international awards, and her paintings have been included in the "Dictionary of World Celebrities" in Britain and Italy. Her paintings are in high demand in the market and in short supply.
In 1942, she suspended her project for painting ladies, and instead doubled down on her acceptance of paintings of flowers and birds, landscapes, and figures. In 1956, Zhou Lianxia was one of the first female painters with senior titles in the Chinese Academy of Painting.
Zhou Lianxia's poetry is talented, and has been highly respected by the modern poetry giant, Mao Heting, and has even been recommended to others many times.
Although the famous poet Xu Xiaoyu is arrogant and uninhibited, he is full of praise for Zhou Lianxia's poetry, and the two often talk about poetry together.
Once, Mr. Liu Dingzhi, a generation of calligraphy and painting framing saints, celebrated his 60th birthday, and many famous artists in Shanghai joined forces to create a "Portrait of Liu Ding". In order to give the painting a title, Liu Dingzhi invited Mao Heting and Zhou Lianxia.
Mao Heting felt that it was not appropriate to use allusions to describe the history of the framer, only the soup mounter of the Ming Dynasty was famous, but it was not appropriate to use this allusion.
However, Zhou Lianxia said that there is no need to use a dictionary, only a white sketch, which can fully show the image of the framer.