The Qing Dynasty's "Records of the Holy Emperor Ming and the Emperor Shanduanlu" depicts the words and virtues of the virtuous emperors from the Tang Yu to the Yuan and Ming dynasties, and is a calligraphy and painting produced by the Qing court with a sense of admonition, which is used to teach the emperor and the children of the palace at that time to learn from the example of the previous generation, as a rule of governing the country. The depictions of the palaces, furniture, and figures in the paintings are very fine and neat, and the details of the decoration are meticulous and the colors are bright, reflecting the style of the Qing Dynasty. In addition to the picture, praise is added, the praise language is written by Chen Shiqi in the Qing Dynasty, the painter is unknown, and it is now in the National Palace Museum in Taipei. The atlas is divided into four volumes from Tang Yu to the Yuan and Ming dynasties: Tang Yu Xia Shang Zhou (14 open), Han (13 open), Tang Hou Zhou (17 open), Song Jin Yuanming (20 open).
This fascicle depicts fourteen short stories of the emperors of the Tang, Yu, Xia, Shang and Zhou dynasties. Tang Yu Xia Shang Zhou, Tang refers to Tang Yao, the leader of the tribal alliance in ancient China, "one of the five emperors; Yu refers to Yu Shun, the leader of the tribal alliance in ancient China, one of the "Five Emperors"; The Xia, Shang and Zhou dynasties were the first three dynasties to be founded in China.
Di Yaoren is like heaven and knows like God.
The Emperor Yao Tao Tang clan has both benevolence and wisdom. "His benevolence is like the sky, and his knowledge is like God" means that Emperor Shun's benevolence covers all things like the sky, and his wisdom is as unfathomable as the gods.
Just like the sun, look at it like a cloud" is to describe the prestige and charm of Emperor Shun, and the people follow him like chasing the sun and admire him, as if he is a cloud in the sky.
Rich but not arrogant, expensive but not comfortable" shows that Emperor Shun is rich in the world but not arrogant, although noble but not slack. This is to praise Emperor Shun for maintaining a modest and cautious attitude wherever he is, and never indulging himself because of the rise in status.
Emperor Yu Shun is widely audio-visual and seeks talents.
Emperor Yu Shun has noble character, excellent wisdom, and excellent ability to govern the country. He observed, listened to opinions from all sides, and actively sought out talented people to help him govern the country. He knew that it took all kinds of people to govern a country, so he searched far and wide to recruit talented people to contribute to the country's development. At the same time, he also understands the people's situation through various channels, pays attention to the people's livelihood, and ensures that the country's governance can meet the interests and expectations of the people. It reflects his wisdom and mind as a wise man.
Emperor Yu Shun composed a song and blamed the ministers.
Yu Emperor Shun is revered as one of the ancestors of Confucianism. It is recorded that he once composed a poem to express his expectations and reproaches for his courtiers. He hoped that his courtiers would be loyal, conscientious, and virtuous, and not only concerned with chasing power and profit. He believed that the character and behavior of courtiers directly affected the rise and fall of the country and the people's livelihood.
In the picture, Yu Shun sits on a chair with a moderate back, a chair drape, and a unique pedal design is revealed underneath, which is quite gorgeous.
Yin Gaozong dreamed of being a virtuous minister.
Yin Gaozong, also known as Wu Ding, was a monarch of the Shang Dynasty of China. It is said that he once dreamed of a person named "Fu Shuo", and when he woke up, he looked through the ministers and found that there was no such person. Later, he finally found Fu Shuo in his dream by his side, and appointed him as the prime minister to help him prosper Yin Shang. This story is called "Wu Ding's Dream Interpretation and Fu Shuo", and it is a very famous story about a virtuous minister who won a dream because of his dreams. In the picture, Wu Ding sits on an arhat bed, which is large in size, low in height around the circumference, and the frame seems to be lacquered with patterns. The bed is made of rattan soft drawers, and the legs are carved into a moire pattern. Behind the Luohan bed is a large screen painted with a picture of a white crane, and next to it is a square incense table supporting incense.
Yu and Yiji were ordered by the emperor.
Yu and Yiji were ordered by the emperor to take place in the era of Emperor Yao. At that time, the flood was raging and the people's lives were poor, and Emperor Yao ordered Yu to control the flood. After Yu accepted the order, he arrived with Yiji and ordered the princes and hundreds of officials to mobilize those sinners who had been punished for hard labor to divide the land of Kyushu. They traveled through mountains and mountains, erected wooden stakes as symbols, measured the appearance of mountains and rivers, and finally succeeded in controlling the flood and bringing benefits to the people. In the picture, Yu is sitting on a small boat in contemplation, and the people carrying farm tools on the shore follow closely behind a carriage.
Xia Houyu listened to the five-tone listening.
Xia Houyu, also known as Xia Yu, was a legendary hero of ancient Chinese water control and the founder of the Xia Dynasty. This painting depicts the story of Dayu's five tones listening to the government, and the five tones refer to five musical instruments, namely bells, drums, duo, stone chimes, and fangs, and the people with different needs use different musical instruments. It reflects the wisdom and talent of Xia Houyu as a wise man, who is keenly aware of the problems in national governance and takes effective measures to solve them.
The musical instrument stands of bells, drums and chimes in the picture are very elegant, which is the classic shape of the musical instrument stand of the Qing Dynasty.
The king of Shang Cheng Tang came out to see Luo.
According to the records of the "Records of the Yin Benji", when the Shang king Chengtang was traveling, he saw people catching birds with nets open on all sides, and these people prayed: "All those who come from heaven and earth will enter my net." Cheng Tang sighed: "I want to catch them all!" So he told the man to remove the net and commanded the man to pray: "Whoever wants to go to the left, go to the left; If you want to go to the right, go to the right. and he that does not obey the command enters into my net. When the princes heard this, they all said, "The benevolence of Chengtang is complete, and it can be pushed to the beasts." ”
King Wen of Zhou is the prince.
King Wen of Zhou was the founding monarch of the Zhou Dynasty, when he was the son of the world, he would go to see his father Wang Ji every day, and when the rooster crowed, he stood outside the door of the dormitory and asked the waiter if his father was okay today. In this picture, it is King Wen of Zhou who bows his hand to the waiter in the lower right corner.
King Keshang of Zhou Wu.
Ji Fa, the king of Zhou Wu, led the alliance of Zhou and the princes to raise an army to defeat the Shang emperor Xin (纣), and finally built the Zhou to destroy the Shang. Ji Fa, the king of Zhou Wu, had made full preparations before crusading against Shang. Following King Wen's legacy, he actively developed Zhou's strength, united various princes, and prepared for the crusade against Shang.
After King Wu conquered the merchants, he issued many decrees, and his achievements were brilliant. The picture depicts the Wu Dynasty meeting the ministers, the Wu King sitting on a chair with a chair draped, and behind him is a large screen of water waves.
King Wu of Zhou summoned his master.
After King Wu Ji Fa succeeded to the throne, he took Lu Shang as his teacher (honored as Shi Shang's father), Zhou Gongdan as his auxiliary, and Zhao Gong, Bi Gong and others as his main assistants to continue King Wen's unfinished business. In the picture, King Wu of Zhou sits on a huge armchair full of vermilion lacquer, with a towering back and a carved dragon pattern, suggesting the noble status of the master with a gorgeous appearance. The lower part is not perfunctory, with animal feet bent legs to support, and to support mud and flower-shaped pedals. There are ** frames, basin frames, chuck tenon and tenon head head case, ** frame and warped head case seem to be painted, the former is finely carved and complex, the latter is huge, and the tooth plate and the plate foot are also carved with Ruyi cloud head.
King Cheng of Zhou listened to the dynasty.
King Cheng is the son of King Wu, who was assisted by the Duke of Zhou at the beginning of his reign, and later built a new capital into Zhou, ruling China, sealing the princes, sending troops to the east, and making ceremonies for fun. King Zhou Cheng listened to the dynasty, on the one hand, in order to understand the opinions and suggestions of the court and the central government, so as to better formulate and implement policies; On the other hand, it is also to strengthen the connection with the ** and improve the efficiency and stability of the **.
The shape of the "dragon chair" in the picture contains a dense openwork dragon, and the color is selected to be the Ming and Qing emperors' favorite bright yellow, the chair surface is quite wide, and the lower part is also connected with the waist and bent legs, which is majestic.
King Zhou Cheng knew the difficulty of cropping.
The Duke of Zhou hoped that King Cheng would understand the difficulties of farming, so he asked the musicians to recite folk songs about the crops day and night. King Cheng repeatedly ordered the peasants to be exempted from taxes, encouraging them to work hard and increase the output of grain and cloth. At the same time, he also implemented many policies conducive to agricultural production, such as building water conservancy and improving seeds and agricultural tools, so as to improve the efficiency and yield of agricultural production.
The picture is an inner room scene, with stationery items placed on a slender painting table, separated by a clear girdle under the face edge, and a chic tooth strip and a dwarf old man can be seen between the legs on the side. Matching the painting table are embroidered piers and lampstands.
Zhou Chengwang Youge.
During the reign of King Cheng of Zhou, he traveled many times to understand the people's feelings, and at the same time to contact the princes. Once, when he traveled to this place, he wrote a travel song to express his concern and expectations for the governance of the country and the lives of the people. This song shows King Zhou Cheng's deep concern for the country and the people, and also reflects his wisdom and mind as a wise man.
In the lower right corner of the picture is the chariot used by Chengwang to travel, which is made of a chair with a gorgeous ceiling, and the colors and patterns of various silk brocades are quite stunning.
King Xuan of Zhou repaired inside and outside.
During his reign, King Xuan of Zhou implemented a series of policies to rectify the country's internal affairs and defend against the enemy externally; These internal and external measures strengthened the strength of the Zhou royal family and maintained the unity and stability of the country. At the same time, it also provided valuable experience and reference for later politicians and rulers. In the painting, King Xuan of Zhou's chair is paved with tiger skin, and King Xuan sits on it majestically; The swords on the ** shelf on the side are bright and cold.
February** Dynamic Incentive Program