The Case of Di Gong of the Tang Dynasty is too crazy, it s just a piece of paper, does it need to

Mondo Science Updated on 2024-02-09

Longteng New Year film recommendation

Maybe it's the foil of peers, or maybe it's the audience's compulsion, or even the self-demanding involution.

No matter what the reason, this costume drama based on the idea of modern people judging cases, although there is only a real and illusory Tang Dynasty coat, it can cover up the suit under the Hanfu with a wonderful story.

is such a dispensable coat, but when Cao An presented Tengkan poetry collection to Di Renjie, he suddenly woke me up: it turned out that the publicity before the broadcast of "The Case of Di Gong of the Tang Dynasty" was really true.

Whether it is costume dramas, historical dramas, or period dramas, most of these stories, which have long been far away from the imagination of modern life, cannot be 100% restored and reproduced in the real sense.

If you meet a crew that is not enterprising and has no shame, you even dare to forcibly insert modern people's clothes and various ideas on the ancients.

It is precisely in the context of the popularity of this type of drama that those dramas that are willing to carve in the details often arouse viewers like the author who watch the drama with a magnifying glass.

Now, this kind of costume drama that is almost involuted in the handling of props has reappeared, and he is "The Case of Di Gong of the Tang Dynasty", which is not very ancient in terms of plot and logic.

It is undeniable that the story of "The Case of Di Gong of the Tang Dynasty" is not only wonderful but also logical, but it cannot make people go to the prosperous era of the Tang Dynasty with the conclusion of the Di Gong case.

But in such a helplessness, "The Case of Di Gong of the Tang Dynasty" completed the task of leading me into the prosperous era of the Tang Dynasty in a way that was not proportional to the story.

And all of this started because of a thin piece of paper, a paper that was only strange at first acquaintance, and suddenly woke up after tasting it.

For modern people or people after the Qing Dynasty, paper is no longer a rare thing in addition to being a carrier that can be used for writing and painting, and it is even impossible to understand the meaning and scarcity of "Luoyang paper is expensive".

Therefore, when we see the words written on paper in "The Case of Di Gong of the Tang Dynasty", in most cases, we will only pay attention to what is revealed in the text.

Even those long scrolls of paintings are only admired for the fact that in order to be more realistic, "The Case of Di Gong of the Tang Dynasty" not only writes in words or has someone specially invited to write and collect, but also strives to get closer to the hand-me-down Tang paintings in terms of painting style.

Such sincerity and such efforts, as an ordinary audience, although I don't talk about it, it is difficult not to remember it.

Now, the paper used for writing and painting has once again struck me.

Maybe it's to be more in line with the real history, or maybe it's to pay tribute to the rigor of the author's creation.

Although there is no close-up view to distinguish whether the paper used for writing and painting is rice paper, it is easy to see that the paper used to write words is hemp paper, which reached its peak during the Tang Dynasty.

At that time, it was the kind of paper that was easiest to support ink and pen strokes when writing with a brush, and it was a kind of paper that was often seen in ancient books.

The so-called hemp paper is a kind of strong paper with most of the raw materials mainly jute.

This kind of paper was first seen in the Western Han Dynasty, and its production technology and methods reached its peak in the Tang Dynasty, so most of the ancient books of the Sui, Tang and Five Dynasties were written on hemp paper.

Although hemp paper can support pen and ink well, its fiber is coarse and the thickness is obvious, so that it no longer occupies the main paper position after the Song Dynasty.

However, because of its tough texture, it makes these books written on hemp paper easier to bear the erosion of time and years.

It is worth mentioning that even in the Tang Dynasty, when the hemp paper production process reached its peak, its paper was divided into 369 and so on due to different quality and origin.

Among them, the Shu paper that can only be used by the royal family and the imperial court is one of the best, and the Yizhou hemp paper made in Chengdu is something that ordinary people want but cannot obtain.

Although the allusion of Luoyang paper is from the Jin Dynasty, in Luoyang in the Tang Dynasty, if you want to get a Yizhou hemp sheet, you may also use the idiom Luoyang paper to describe it.

Judging from the hemp paper that constantly appears in "The Case of Di Gong of the Tang Dynasty", as well as most of the words, books, and official documents are written on hemp paper.

It is likely that in order to better present a relatively real Tang Dynasty to the audience, "The Case of Di Gong of the Tang Dynasty" deliberately found someone to make a large number of this kind of hemp paper according to the ancient legal system.

Even if there is no special production of hemp paper, just from the appearance of these papers, it is a detail that deserves to be affirmed and praised.

Compared with the aforementioned peers, this kind of effort on a piece of paper can be described as crazy.

Although we often see hemp paper-like involution in some phenomenal dramas, it is not a common thing.

I only hope that there will be more involuted episodes like "The Case of Tang Di Gong", and I only hope that in the follow-up stories, such involuted props and practices can be discovered and praised more by the audience.

The interpretation of "The Case of Di Gong of the Tang Dynasty" is written here for the time being, and more exciting interpretations will be listened to next time.

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