Since the new book was released on December 7, the sales volume of "Yuan Zhu Wenyin" has exceeded 2,000 copies in just three days! Through the preface of Professor Zhu Suizhi's "Yuan Zhu Wenyin's Vertical and Horizontal Talks", we can have a macro understanding of Yuan Zhu Wenyin.
Professor Zhu Suizhi, as Professor Shen Leping's master's and doctoral supervisor, witnessed the whole process of Shen Leping's Yuan Zhu Wenyin's research from scratch. Next, we will follow the perspective of Professor Zhu Suizhi and walk into Yuan Zhu Wenyin together.
The style of the seal has a great relationship with the historical background and aesthetic admiration of the times. There are two important periods in the history of seal studies: the Warring States period and the Qin and Han dynasties, the former is dangerous and changeable, and the latter is generous, both of which are the sources of seal studies.
Pre-Qin Du Gong.
Wei Jin Fan Liyin letter.
The Zhu Wenyin of the Yuan Dynasty, known as "Yuan Zhuwen" in history, is also the living water under this source, and it protrudes under the historical conditions of the history of Indian studies from prosperity to decline, and has become one of the important topics of research in later generations. The style of Yuan and Zhu Wenyin began in the Han Dynasty, sprouted in the Tang and Song dynasties, was stereotyped in the Yuan Dynasty, and flourished in the Ming and Qing dynasties, specializing in modern times.
Tang Jinshan County Seal.
There are three reasons for this description: First, after the Northern Song Dynasty, the rise of literati calligraphy and painting directly led to the aesthetic atmosphere of seals. Although we can not be completely sure whether Mi Fu and others have personally advocated the creation of seals, but in the "history of calligraphy" has said that "the seal must be fine, the circle must be and the text, etc.", the calligraphy and painting collection seal to the fine side of the fine Zhu Wen style, that is, there is a very practical role in fueling the fire.
Song Mi Fu Mi Huang Zhi Seal.
Song Mi Fu Chu Mi Fu.
Zhao Mengfu, as the leader of calligraphy and painting in the Yuan Dynasty, was insightful, and took the Han seal as the simplicity of the family, advocated the Yuan Zhu, and the followers were naturally the people. The second is the flower milk stone that appeared in the Yuan Dynasty, which is easy to play the knife, and the crown is carved by himself, and he is happy in it. This was something that the literati before the Yuan Dynasty could not enjoy. The emergence of stone with moderate hardness is the key to the perfect expression of Yuan Zhuwen's style. Third, the Yuan Zhu Wenyin is aesthetically aesthetically aesthetical, refined, and delicate, comparable to the Shang and Zhou bronze ornaments, in addition to practical value, there is more pleasure in appreciation. Although there is difficulty in production, it is not pure craftsmanship and exquisiteness, but needs the support of two aspects: the combination of manufacturing technology and aesthetic realm and inner learning, so as to reach a certain height. For example, Zhao Mengfu's self-use seals "Zhao Mengfu Seal" and "Zhao's Ziang", etc., a discerning person can appreciate Zhao's conception and learning, which is not accessible to ordinary people.
Yuan Zhao Mengfu Zhao Mengfu seal.
Yuan, Zhao Mengfu, Zhao Ziang.
In my opinion, the representative works of Zhu Wenyin in the Yuan Dynasty are more pure and simple than those of the Yuan Zhu Wen that came later. Most of the later generations of printers worked the point of "refinement", and lacked the original simplicity. Wen Peng's "Seventy-two Peaks in the Depths" of the Ming Dynasty can inherit the mantle of the Zhao family, but unfortunately it is rare to get a glimpse of the good ancient feelings of the literati in the middle of the Ming Dynasty.
Ming Wen Peng deep in the seventy-two peaks.
In the Qing Dynasty, Deng Yanbo, Wu Rangzhi, and Zhao Zhiqian became a generation of atmosphere with "round" and "yuan", graceful and colorful. Zhejiang sent all the sages to chase the Qin and Han dynasties, full of antiquity.
Qing Deng Shi is like a trace of a day.
Qing Wu Rangzhi Ganquan Cen Sheng.
Qing Zhao Zhiqian exists as a character.
Jiang Ren Changhua Hu Li.
To **Zhao Shili, elegant and lovely; Xiling predecessor Wang Fu'an, stop evenly and closely, the knife is stable and accurate, and you are good at many word prints; Pinghu Chen Julai fusion Yuan, Ming Zhang, super popularity, Zhao Shili praised as "the first person in the sea Yuan Zhu Wenyin", it is not an exaggeration, Yuan Zhu Wenyin in Chen's hands, also carved and crafted, to the most refined and beautiful, is the master of this style.
Zhao Shuru, the secret seal of the ancient Yin Zhou's treasure rice room.
Wang Fu'an once hid the spring Tang Wang Shoushan's house.
Chen Julai is a good man.
Chen Julai is a native of Riba.
Therefore, as a strange and colorful style of seals after the Qin and Han dynasties, the Yuan Zhu Wenyin has attracted the attention of many scholars and sealers, indicating that it has important value and is also a precious cultural heritage.
Shen Leping: Smoke cloud offerings.
Shen Leping repaid Qiongju.
Yuan Zhu Wenyin talked about it
Written by Shen Leping.
November 2023.
Price: 15800 yuan.
Pratt & Whitney
Price: 126 yuan.
Signed edition