Pang Renlong, the word is smooth, the pen name Ren Long, the owner of Shuangshizhai and Wanghulou, his ancestral home is Lantian in Shaanxi, and he was born in Lintong, Xi'an.
Former secretary and director of Xi'an Chinese Calligraphy Art Museum.
He is now a member of the Chinese Calligraphers Association.
Member of the Seal Carving Committee of Shaanxi Calligraphers Association.
Research Librarian of Xi'an Chinese Calligraphy Art Museum.
President of Daqin Clay Sealing Art Research Institute.
President of the Great Qin Seal Society.
Researcher of Shaanxi Provincial Research Museum of Culture and History.
Vice President of Shaanxi Folk Art Promotion Association.
Researcher of Calligraphy and Painting Art Center of Shaanxi Academy of Social Sciences.
Honorary President of Shaanxi Lishan Printing Society.
Visiting professor at the School of Materials Science and Engineering, Shaanxi University of Science and Technology.
Honorary President of Shaanxi Lishan Painting and Calligraphy Art Research Institute.
Distinguished Professor of Teachers College, Xi'an University of Arts and Sciences.
President of the Calligraphy and Seal Carving Research Institute of Shaanxi People's Academy of Calligraphy and Painting.
Director of the Qin Sealing Clay Professional Committee of the Qin Culture Research Association.
Pang Renlong inherited the ancestral training, tracing the tradition, carving the ancient seal, sealing the mud charm, and striving for innovation. In October 19**, the "Pang Ren Long Lishan Historical Sites and Scenic Spot Seal Carving Art Exhibition" was held in Lishan, and the seal carving works were selected first and selected for the first national seal carving art exhibition, the second international Xiao Xingyin Exhibition, the Sino-Japanese friendship seal carving exhibition, and the joint exhibition of the seal carving works of the president of the National Printing Society. In July 1997, "On the Artistic Language of Chinese Seal Carving" was selected as the first national "Seal Carving" and Seal Carving Development Strategy Seminar; In March of the second year, he was invited to carve the Shoushan stone seal for the "Mausoleum of the First Emperor of Qin"; In January of the second and fourth years, the organization and creative implementation of the large-scale art project of "Xi'an Incident Relief"; In July 217, he was invited to carve the Lantian jade seal for the first World Western Business Conference Ma Yun, Ma Huateng, Yu Qiuyu and other eleven guests, and in August 221, "Constructing the Contemporary Significance of "Qin Feng Clay Learning" to the Creation of Seal Carving Art ** was selected as the "Fourth Yinshuo Lingnan Academic Seminar", and in October held in the ancient capital of Xi'an, "The Palace of a Thousand Palaces - Pang Renlong's Chinese Life Culture Seal Carving Art Exhibition", which was a complete success; 2. In September 222, "Passing the Torch - Pang Renlong Seal Carving Art Exhibition" was held in Lintong, which received positive social repercussions; In October 223, the "Treasure Lishan Imprint Tang Palace - Huaqing Palace Seal Carving Art Exhibition" will be held in the Treasure Hall of Huaqing Palace, and the exhibition will last until the end of February 224.
For more than 40 years, Pang Renlong has devoted himself to the theoretical research of Chinese calligraphy seal carving and archaeological relics, especially the exploration and practice of Qin official seals, Qin seal pottery and Qin sealing clay, and put forward the topic of "Qin sealing clay science" and established the theoretical system of "Chang'an seal learning". He has published more than 200 academic articles in professional journals such as "Chinese Calligraphy", "Chinese Calligraphy and Painting", "Chinese Seal Carving", "Xiling Art Collection", "Calligraphy" and "Wenbo"; He has presided over the establishment of the new Daming Palace Museum of Chinese Calligraphy Art in Xi'an and the special exhibition hall of Fu Jiayi's art, and founded the Daqin Fengni Art Research Institute; He is the author of "Lishan Historic Sites and Scenic Spots" (seal carving collection), "China Lintong Pomegranate Culture Collection", "Chang'an Calligraphy Seal Carving Research" (essay collection, upper and lower editions), "Huaqingchi Seal Spectrum", "A Brief History of Chinese Calligraphy", "Jinshi Yongshou Seal Spectrum", etc.; He is the editor-in-chief of many classics such as "Tao Te Ching Printing Spectrum", "Chinese Calligraphy and Seal Carving", "Research on Qin Sealing Clay", "Research on Ancient Stone Carving Art", "Qin Sealing Clay and Qin Culture Research Book Series"; "Macao Fu" won the silver medal in the "Celebration of the 10th Anniversary of Macao's Return to the Motherland - World Famous Calligraphy and Painting Exchange Exhibition"; "Research on Chang'an Calligraphy and Seal Carving" won the third prize of the 3rd Shaanxi Literature and Art Criticism Award; "Song of Chinese Calligraphy" won the gold medal in the "Yidege Cup: The 3rd World Calligraphy and Painting Masters Exchange Exhibition"; "Introduction to Qin Sealing Mud" won the third prize of the first academic achievement book category of the Qin Culture Research Association.
The seal carving works have been collected by the China Calligraphy and Painting Newspaper, the Mausoleum Museum of the First Emperor of Qin, the Xi'an Chinese Calligraphy Art Museum, the Xi'an City Wall Arrow Tower Museum, the Daming Palace Ruins Museum and the Shaanxi Huaqing Palace Cultural Tourism Museum.