Introduction: With the popularity of the period drama "South to North", the phenomenon of plastic surgery has once again aroused widespread attention from viewers and critics. The conflict between aesthetic standards and character settings presented by this phenomenon makes the audience think deeply about the authenticity and artistry in film and television works. This article will delve into the influence of plastic surgery in period dramas, as well as the enlightenment for the future development of film and television works.
In the period drama "South to North", the plastic surgery of actors such as Jin Chen, Jiang Yan and Hu Ke caused controversy. Jin Chen's awl face does not match the character setting, Jiang Yan's facial filling does not match his age, and Hu Ke's stiff face is estranged from emotional communication. The appearance of plastic surgery faces makes the character image lack three-dimensional sense and authenticity, which affects the artistic performance of the series and the emotional investment of the audience.
Jin Chen's character Ma Yan in "South to North" was originally an ordinary rural woman, but her over-plastic appearance conflicted with the character image. The awl face and elaborate nose make her image too embellished, and it is difficult for the audience to relate to the character. This phenomenon of plastic surgery has also sparked a discussion among the audience about the balance between the burden of idols and the communication of roles, as well as the impact of plastic surgery on the image of actors.
The elderly character played by Jiang Yan is too lifting and filling in facial plastic surgery, which makes her appearance look unnatural and inconsistent with her age. And Hu Ke's face is excessively smooth and stiff, which leads to limited emotional communication, which affects the performance of the husband and wife team she formed with Ding Yongdai. The presence of a plastic face makes the character image thin and lacks depth and authenticity.
In the revolutionary drama "The Flame of the Avenue", the obvious traces of makeup and excessive plastic surgery of the actors after plastic surgery contrast sharply with the background of the plot. This facial design impacts the historical authenticity of the series and reduces the artistic appeal of the work. It is difficult for the audience to ignore the "sense of destruction" brought by plastic surgery, which makes it difficult for the series to resonate and identify with the audience.
The setting of revolutionary dramas requires rigorous historical reproduction and realism, and the plastic faces of the actors conflict with this serious background of the times. The over-shaped facial lines and makeup marks make the characters lack a sense of history and authenticity, which affects the audience's acceptance and emotional investment in the work.
As an important historical work, revolutionary dramas need to strictly follow the principles of historical truth and artistic reproduction. However, the plastic surgery of the actors has impaired the artistry of the work, and it is difficult for the audience to identify with the historical situation. Plastic surgery poses a threat to the aesthetics and quality of revolutionary dramas, forcing the crew to re-examine the creation of character images and the presentation of actors' images.
In order to save the future of film and television productions, production teams need to focus more on the presentation of natural beauty and realism, and reduce the over-reliance on "plastic faces". The audience is becoming more and more urgent about the three-dimensional sense and emotional resonance of the characters, and they demand that the works be closer to life and express diverse beauty. The appeal within the film and television industry is to win the recognition and love of more audiences by embracing natural beauty and improving the artistry and appreciation of works.
Natural beauty is an indispensable element in film and television works, which can give more three-dimensionality and emotional thickness to the character image, making it easier for the audience to have emotional resonance. Although the existence of plastic surgery can instantly enhance the image, it weakens the authenticity and credibility of the work, making the audience less engaged in the character.
The audience's pursuit of diverse aesthetics has become an inevitable trend in the development of film and television works. The production team should pay more attention to the diversity and authenticity of the characters, respecting the unique charm and performance style of each actor, so as to create a more enjoyable and impactful production. Only through the pursuit of diverse beauty can film and television works be more widely recognized and welcomed in the future.
Summary: The prevalence of plastic surgery in period dramas has triggered deep thinking among audiences and critics about the aesthetic standards of film and television works. The image distress and emotional estrangement brought about by facial plastic surgery challenge the authenticity and aesthetic feelings of the characters. By saving the future of film and television works and embracing the pursuit of natural beauty and diverse beauty, we can win the recognition and love of more audiences and enhance the overall artistic and emotional value of the work. The phenomenon of plastic surgery has sounded the alarm for the film and television industry, aroused people's reflection on aesthetic standards and character image, and led film and television works to move towards a broader development space.