2024 Spring Festival file There are still good romance films in domestic movies.
Unlike now, there are no even sugar water tablets, only endless emotional value, either exporting dog blood or providing sadomasochism, and I have forgotten how genre films told stories back then.
Everyone scolded Feng Xiaogang, but they didn't know that Feng Xiaogang's text was very good, of course, this has to be the previous Feng Xiaogang, "See You or Leave" is far stronger than the "If You Are Honest, Do Not Disturb" trilogy, the latter is the imitation of the former.
Now Feng Xiaogang seems to have suddenly opened up to commercial films since the big hit of "If You Are Honest, Do Not Disturb".
You can make money by shooting casually, so why bother, plus the box office failure of "1942", Feng Xiaogang has strengthened this determination.
The "If You Are Honest, Do Not Disturb" series has become a rich person who is idle and bored to fall in love, and engage in a ritual to relieve boredom, and "Private Custom" is a rich person who specializes in finding poor people to tease him.
Without the meticulous craftsmanship of "See You or Leave" and "Party A and Party B", only opportunistic shortcuts remain, so Feng Xiaogang's Feng's comedy has been declining year by year since "Non 1", until "Non 3" made his mask completely torn.
The structure of sketch + cross talk series is still there, but now you can only see a frame, and catching up with fashion will only make up a false trick, there is no actual thing, and there will be a "good" core.
"If You Are Honest Do Not Disturb 1" is a low-profile version of "See You or Leave".
Feng Xiaogang, who became a wealthy man, no longer limited his vision to the petty burgher class, turned to the hypocrisy of the little bourgeoisie, and tried his best to dissociate himself from the proletariat.
But because he can't reach the upper class, the foundation is still low-level fun, "If You Are Honest, Do Not Disturb" can be watched, but compared with "See You or Leave", the three views are too incorrect.
*The smile played by the actor is the status quo of the Douban female Wenqing.
I want you to pay, but I can choose to give, or even not pay, if you take a step beyond the thunder pool, you are irresponsible.
Qin Fen played by Ge You is a Sven mask, who talks decently on the surface, but in fact, he is a man and a prostitute, and the key is that they also have various circumstantial evidence indexes to prove that their values are correct.
The attitude of seeing the world is the way of making movies, and since then, Feng Xiaogang has changed.
If You Are Honest Do Not Disturb 2" has Wang Shuo, it has not been able to reproduce "Party A and Party B".
Wang's connotation is gone, Feng's humor is gone, more like a perfunctory thing by Wang Shuo and Feng Xiaogang, there are all elements, but each item is not up to par, like a hodgepodge put together randomly.
used to talk about feelings, but now there is only trading, and in the end, I bite a few sentences and chew a few words, obviously I have been talking about the little things in the crotch, but I am stunned.
As for "If You Are the Truth Do Not Disturb 3", it is simply a dog's tail continuation mink.
Not to mention catching up with "See You or Leave", and even lifting shoes for the first two parts of "If You Are Honest, Do Not Disturb", the "If You Are Honest, Do Not Disturb" series is not so much a movie as an advertisement, which is also one of Feng Xiaogang's characteristics.
"See You or Leave", "If You Are Honest, Do Not Disturb" is not.
There are parodies of grand narratives and mainstream discourse, such as Ge You's false seriousness, which comes out with a few whole quotes at every turn.
Although it is ridiculous, it is just right, unlike now, when the official words and official tones within the scope of the audit are all picking, and it looks very embarrassing.
"See You or Leave" is the ** of rubbing the heat, which is one of Feng Xiaogang's characteristics.
can always follow the trend and shoot what the public likes, the background of the movie is the end of the 90s, when it was the fever of going abroad, and "See You or Leave" put the story in the United States.
But Feng Xiaogang did not blindly beautify the United States, as people at the time depicted, lighthouses were everywhere, and he went to live in a mansion and immediately became a person.
It shows the real side of the United States, the big city of Los Angeles is also dirty and messy, and the security is not as good as that in China.
When the Chinese came to the United States, it was not the so-called landing and making a fortune.
Many people are doing the work of washing the floor and cleaning the glass, and they may not be able to get a green card after more than ten years of hard work, catering to the trend but going against the trend, which makes the idea of "See You Not Leave" sublimated more than one grade.
Looking at the "If You Are Honest, Do Not Disturb" series, it has already erased the arrogance of the year, and turned to everything is beautiful, creating pink bubbles, the audience looks relaxed, but compared with the previous Feng Xiaogang, it seems that he copied himself carelessly.
In terms of script, "See You or Leave" is also quite good.
From making movies, running travel agencies, and opening classes, I will not be seen or scattered10, not seen or scattered 20 is composed of five chapters, integrated into the story and funny, and the plot is fun.
The combination of Ge You and Xu Fan is the praise and teasing in the cross talk, the happy heart comes first, and the unlucky basket arrives later, between the joy and sorrow, the true feelings are revealed, Feng Xiaogang plays very silky, without any sense of separation.
But now he has obviously become a stiff patchwork, and the fluency of reading it in one breath has long disappeared, and he knows that he repeats the surface of the past, and he refuses to study why the past was successful, and it is only a matter of time before he is forgotten.
In the four-character movie, "See You or Leave" is as good as "Endless".
"Endless" is still the mold of Feng's comedy, in addition to the inherent elements, there is also a bad taste.
For example, for the ethical jokes in the next three ways, the sincerity that can touch people's hearts, and Feng Xiaogang's precise control of telling a good story, a simple farce is filmed with fun and affection.
Kurosawa once said that a good movie must be interesting and easy to understand, and it is clear that Feng Xiaogang understands this.
The plot of "Endless" is not complicated at all.
Fu Biao owed Ge You 98,000 for the chartered car, and begged for it many times to no avail, and Ge You had no choice but to force Fu Biao to comply with Wu Qianlian.
By mistake, the two of them joined forces, Wu Qianlian wanted to test whether Fu Biao really loved her, and Ge You wanted to take advantage of this to get back his own money, making a series of endless jokes.
This time, Feng Xiaogang used all the talking and singing.
Ge You's poverty, shaking a burden in a few words, Ge You's learning, the dilemma of doing and not doing, and Wu Qianlian's calmness, "Laughing Fruit" is significant and highlights the character temperament.
Fu Biao's teasing, eight thousand Louis XIII, a full-service *** warm-hearted mental hospital, one ring after another PUA, the happiness of friends, Fu Biao's madness, the audience's hilarity, trinity.
Fu Biao's singing, Allegro in hand, the spring breeze is proud, although he is stingy with his teeth and claws, but his heart is not bad in essence.
If that's all there is, "Endless" is at best a comedy of a high level, and it doesn't meet the standards of a good story.
But with the relationship between Ge You's sister, the story is sublimated, Ge You is honest, why do you dare to do something illegal?
Because his sister has become a vegetative person, he has to ask for money to treat his sister's illness, to save his sister's breath, this family will not be scattered, he loves money, money is his sister's life, and he still loves his sister inside.
This episode is not abruptly inserted.
From Ge You plucking up the courage to ask Fu Biao for money, to taking Wu Qianlian to the ward to see his sister, Ge You's motivation came from his sister lying in the hospital.
All the story lines also develop around this point, which is equivalent to a suspense story, and Feng Xiaogang revealed the truth in the second half of the movie.
Until Fu Biao called the police, Ge You turned himself in, and love was added to family affection, Wu Qianlian gradually saw his truth and sincerity in getting along with Ge You, and Ge You also gained a good life.
Many people criticized the end of the film as Ge You's car being towed away at the airport, forming a closed loop with the beginning, rather than a year later, when my sister got better and Wu Qianlian returned to China.
But in this way, there is only anger and sorrow, and there is no joy, which is contrary to the hope of the millennium.
This is also one of the reasons why Feng Xiaogang's early films were sought after by the common people, the tone was always positive and not so miserable, and there was also this reason for the failure of "1942" back then.
Mobile Phone is another style of Feng Xiaogang, which is biased towards serious films.
There is no longer a fragmented story, but a complete presentation, with some black humor, and irony that ridicules reality, such as strict adherence.
1. Fei Mo has five people and six people on the surface, and he hooks up three and four behind his back.
This contrast is the main theme of Feng Xiaogang's serious films, why is it so different from his Feng comedy, because the person who endorses Feng Xiaogang has been changed from Wang Shuo to Liu Zhenyun.
So it can be said that Feng Xiaogang has made three movies in his life, "Party A", "Party B", "See You or Leave", "Mobile Phone", and the rest of the movies are imitations of them.
In addition, after Ge You and Feng Xiaogang were bound, a serious and funny image was too deeply rooted in the hearts of the people.
It's hard to go back to the seriousness in "Alive", comedy has become a label that he can't tear off, and people don't remember that he was once a Cannes actor.