A person who understands art, his life is wonderful and amazing. If you can sit on the scene and watch the artist's performance, the feeling is absolutely different: seeing the full venue, listening to the thunderous applause, and waiting until the moment when the protagonist shines on the stage, it is really very exciting, just like Mei Lanfang's master "The Drunken Concubine", the sound of the muffled curtain "love and hate is in an instant" resounded throughout the audience, and a mouth spit lotus flowers, which is really fragrant and good-looking, full of charm.
The long sleeves were flicked lightly, and the small broken steps came slowly, stunning and sprinkled all over the stage, dancing on the stage was confident, and the audience earned enough popularity, and everyone was really drunk when they saw it.
A good voice, coupled with a graceful posture swaying and enchanting dancing, is simply too beautiful. Dancers are of all ages, there are old women in the square, there are toddler dolls, dancing to the beat, dancers regardless of identity, dance regardless of modern and past, especially in the Han Dynasty, women wear long-sleeved fluttering skirts, dancing happily, like a fluttering butterfly, light and beautiful.
This dance during the Han Dynasty,Long-sleeved dance is one of the most representative artistic expressions in classical Chinese dance。It incorporates the aesthetic interest of the Han Dynasty to take the vulgar as the beauty and appreciate the elegant and the vulgar. The role of the Han Dynasty sleeve dance in the long history is not only an entertainment activity to be enjoyed, but also as a dance, the sleeve dance is undoubtedly both soft and artistic, and more importantlyIn the eyes of the Han Dynasty, the sleeve dance has risen to the height of faith
In ancient times when there were no mobile phones, long nights, no intention to sleep, singing and dancing became the way the ancients enjoyed life. At the beginning of the Han Dynasty, social life was stable, the economy developed rapidly, people began to pursue leisure and entertainment, and sleeve dance developed rapidly under people's demand. Sleeve dance is loved for its softness and flexibility, then,What are the attractive characteristics of long-sleeved dance?
01.It is like a frightening dragon, like the softness of a swimming dragon
The outlook on life of modern dance is to be tolerant, generous, optimistic, and dance as much as you want. Its artistic concept is to seek common ground while reserving differences, "eight immortals cross the sea, each showing their magical powers". Merce Cunningham, the third-generation master of American modern dance, once said, "If you don't like someone else's work, make up something you're good at." "It seems that beauty and non-beauty are not the standard for measuring modern dance.
The ancient dance is exquisite, no dance sleeves, just like the Han Dynasty long-sleeved dance, the dancer uses the natural beauty of the human body's lines, with its soft waist, light posture, delicate and graceful in a thousand posturesDancing like a frightening fright, vigorous and fast like a swimming dragon, it is really pleasing to the eye. The femininity of the long-sleeved dance of the Han Dynasty is graceful and graceful, and the beauty is light and elegant.
Long-sleeved dance, suitable for the public**, whether you like the bold school or the graceful school,They can all be expressed, and the graceful dance is expressed in the following way: the dancer wears a long and elegant tunic and relies on the movements of the waist and hands and sleeves to show the beauty to the audience. The unrestrained style of long-sleeved dance, the dance clothes are shorter, generally longer and slightly overpainted, and more attention is paid to the leapfrog jumping action of the legs, and the dance posture is vigorous and stretched.
02.Lightweight and fly-fast flexibility
Seeing the birds flying briskly in the air is really good to worship, and the dancers, like them, can also dance with their swaying and light bodies, which is also envious and jealous. And the long-sleeved dance of the Han Dynasty, which is even more beautiful. The posture of the dancer with long sleeves and waist bent waist sometimes bends left and right, sometimes twists the waist and hips, sometimes rushes to the front obliquely, sometimes leans forward and leans back, and the dance movements have high requirements for the dancer's skills, physical fitness and physical flexibility. The dancers' long sleeves are twisted up and down, intertwined with graceful undulations.
The dancers lean forward and backward in their posture and dance with their sleeves, showing the flexibility and agility of the dancer's posture, the lightness and softness of the dance, and the elegance and lightness of the technique. It can be seen from thisThe body is light and dexterous, which is another major feature of the long-sleeved dance of the Han Dynasty。The Han Fu records the long-sleeved dancers, sometimes leaning over, sometimes looking up, sometimes dancing to this side, sometimes dancing to that side, sometimes as if flying, sometimes as if walking, and the dancers shuttle back and forth with each other in a changing dance team. We can see from their dancing posturesThe Han Dynasty sleeve dance has the characteristics of lightness and dexterity
A visual feast for exaggeration
When it comes to long-sleeved dancing, the first thing that comes to mind is its long sleeves. As the name suggests, the long-sleeved dance must be very long sleeves. The sleeves of the Han Dynasty long-sleeved dance, with the development of the sleeve dance, gradually became longer and wider, expanding the function of the arms. Dancers passRaise the sleeves, throw the sleeves, pick the sleeves, twist the sleeves, drag the sleeves and other actionsThe dancing queen bends her waist to 90 degrees, folds her hand sleeves to 90 degrees, and then throws the other long sleeve into a 90-degree shape, which amazes the viewer.
The exaggeration of the long-sleeved dance of the Han Dynasty highlights its aesthetic characteristics of grace and skill。The purpose of these exaggerated movements is to enlarge the dancer's posture, exaggerate the dynamics of the dancer's body, and make the dancer's body language more explicit. From the sleeve dance scenes depicted in the existing portrait art of the Han Dynasty, we can feel the enthusiasm and unrestrainedness of this dance form through the exaggerated movements of the dancers, and feel its strong sense of the times and life. ThisSome exaggerated movements give people a sense of visual stimulation.
01.Long sleeves are a manifestation of people's admiration for bird culture
In the small peasant society of the ancient agrarian economy, it was the norm for people to rely on the sky for food, if God was unhappy, the whole dynasty would tremble, and all the production activities engaged in by people depended on God, so they had a sincere respect for God.
According to legend, during the Yao Shun period, the flood was flooded, the grains were difficult to grow, the people had nowhere to live, the only thing that escaped the flood was the bird that could fly with its wings in the sky, people believed that the bird was the darling of God, the closest animal to the sky, and could transmit affection to the sky for them, so the birds were deified in people's hearts, and people sincerely believed and worshipped, thinking that this was for themselves to find a kind of spiritual sustenance, in the totem culture of ancient times, Bird totem worship is a common phenomenon in the totem worship of primitive people.
The rise of the sleeve is not unrelated to people's worship of birds, people worship and envy birds can fly freely in the sky, so they hope that they can become gods, people use sleeves to imitate the wings of birds, and expect to communicate with God through dancing sleeves, corresponding to the skyThrough dance, the emotion of the unity of nature and man is expressed, and the sleeve dance is also born.
GracefulThe dance posture pays attention to the coordination of "hands, eyes, body, and law", and the basic dance posture includes the basic form of the hands and feet In the sleeve dance performance, the dancer uses her skillful and superb jumping, soaring, and landing perfect dance posture, integrating the rhythm of the sleeve with the rhythm of the body, forming the fusion of the body and the sleeve. The dancer's wings spread out and yearn to fly in the air, expressing the desire of the Han Dynasty to transform the bird into a bird and the mentality of wanting to compete with the sky.
02.The sleeve dance has become the sustenance of people's desire to soar into immortals
In the face of the infinite power of nature, they know that nature has given them life, they desire and fear, they want their souls to live forever in heaven, and they want to be carefree like gods. Through the dancing sleeves to pull the distance between people and the sky, the long sleeves dance like a bird soaring in the air, expressing people's desire to explore the heavens, hoping to touch the heavens, in order to convey their desire for eternal life and immortality of the soul.
The long-sleeved dance on the Han Dynasty painting bricks, its rhythm is like a flying cloud and flowing waterfall, the woman with a girdle on the painting brick dances in the air, the dancer uses force through the arm, one hand is raised above the head, one hand is sideways beside the body, and the two sleeves move in one direction at the same time, so that the long sleeves are like a long rainbow, showing a flying posture, giving people a fluttering and bold momentum, such as a fairy flying on the dance floor, like a light cloud covering the moon and graceful, and this light and elegant long sleeve entrusts the Han Dynasty people with the wish of immortality and feathering to ascend to the immortal.
03.The sleeve dance contains the Han Dynasty's reverence for heaven and God
Nowadays, there are still many miraculous phenomena in this world that no one can explain, and in the primitive society, the ancestors lacked sufficient understanding of the development of things, and the ancestors could not explain the unknown of the natural universe, so they imagined the existence of God and wanted to pursue immortality, so they began to move closer to "God".
At the beginning of the Han Dynasty, in order to alleviate the wounds left by the war, the rulers adopted a policy of recuperation and inaction, let people believe that there are gods in the sky, and use people's belief and worship of gods to achieve the purpose of appeasing people's hearts, and the thoughts of God are gradually deeply rooted in people's hearts.
With the development of society, in order to consolidate their dominance, the rulers told the people that it was God who created human beings, and said that their actions were the will of God, and that God created emperors to rule over all people, and that the laws of order in the world were determined by God, and that God had infinite power. People's desire to step into heaven,It also laid the foundation for the development of sleeve dance
In the Han Dynasty, the sleeve dance was not for entertainment, but for the movement, and the dance was faith. Long sleeves fluttering, light and enchanting, like a swallow, light as a cloud, soft as a boneless, dancing like a lotus flower step by step, like a butterfly flying among the flowers, drunk and unable to extricate himself. Long-sleeved dance steps, one beat and one movement, together are a smart picture.
Art originates from and depends on life. Sleeve dancing has a long history, dating back to primitive societies. Throughout the history of ancient Chinese dance,Sleeve dancing has been carried out in almost every historical periodIt is the only dance that has not been interruptedThe Han Dynasty sleeve dance, originated from people's worship of birds, the yearning for gods, the development of sleeve dance is also inseparable from people's thoughts, the development of society.
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