Bai GuoliangBorn in May 1959, he is a native of Raoyang County, Hebei Province. He is a member of the Chinese Calligraphers Association, a member of the Seal Calligraphy Committee of the Hebei Calligraphers Association, a member of the Chinese Couplet Society, a member of the advanced research class of Liu Hongyang (a director of the Xiling Seal Society, a professor of the Calligraphy Training Center of the Chinese Calligraphers Association), a former director of the Cangzhou Calligraphers Association, a former director of the Canghai Seal Society, and the chairman of the Xian County Calligraphers Association. Calligraphy works won the nomination award of the first national seal book exhibition, the excellence award of the teaching achievement exhibition of the calligraphy training center of the Chinese calligraphers association, the seal carving works won the excellence award of the first calligraphy seal carving exhibition in Hebei Province, the first prize of the "revitalization of Cangzhou" proposition seal carving competition, and the North China Division of the 100-year Xiling National Seal Carving Audition reached the top and participated in the finals in Hangzhou.
Guanguo Liang carved the river and mountain weather.
——Preface to "Bai Guoliang's Calligraphy and Seal Carving Collection".
Xu Yu Wen
In the autumn moon of Dinghai, Bai Guoliang, chairman of the Xian County Calligraphy Association, came to the provincial capital to meet, and presented a name medal engraved by me. He also showed me a seal script study to seek advice, and the view was also spicy and spicy, with the essence of Weng. His transcendent taste and talent are permeated by the gold and stone, and between the rulers. I can't help but praise Ji Xiaolan's hometown for having such a young handsome.
For the artist, it has always been tasteful. This is where the moving part of Guoliang's works lies. It can be seen that the seal carving of Guoliang is soaked in the treasure of the Lingshan of Qin Feng and Han Yun, and listens to the symphony of gold and stone of the masters of the past dynasties, and ponders and grinds, and walks all the way with solid steps.
Today, wandering in front of the boundary monument of artistic openness and diversity, he has a profound literary literacy, and the pace of exploration and progress is obviously prudent. Because he realizes that rhyme and personality are a unity, and the interpretation of the definition of rhyme is a state that is free from the edge of the law. It is this state that has made countless artists in ancient and modern times. He also believes that although the carving knife as a hard pen is more conducive to expressing one's heart than the softness of "only its softness is strange", it is too ostentatious or unbridled, and it will inevitably fall into the empty situation of chasing form and detach itself from the essence of art, which in turn leads to the lack of culture.
Therefore, on the basis of the comprehensive integration of traditional classic resources, Guoliang has found an appropriate positioning for the play of its own personality, that is: it still has ancient rhyme and lyrical spirituality, looks for the trend and enters the tradition, and seeks rhyme while preserving the law. This artistic idea is also reflected in his calligraphy works.
Guoliang's talent is multifaceted. He loves **, has a clear and good voice, even if it seems to be a vulgar song, as soon as he sings it, it immediately makes people feel wonderful and noble. This is also due to his learning and taste, and his colleagues also love his seal carving and calligraphy as much as they like his singing.
In the frame of Guoliang seal carving, we see that the traditional knife technique and its seal calligraphy skills are integrated, and what is engraved is the river and mountain weather with natural charm. There are strange peaks and different stones, the spirit of pine and ancient cypress in the chapter and freehand, and there is no barren state of dead branches and leaves, no disease and moaning. Its sparse and dense management is also very decent, the dense place is like entering the forest and secluded realm, and the sparse place is like a flat place for resting in the forest and appreciating the landscape. The knife technique is to punch and cut at the same time, drive the knife like a pen, enter like a wind and lightning, and close like a cliff. In this square inch, it creates a pleasing artistic conception of literati landscape painting, either yin or yang, all of which become a good composition, and what is released in India is the author's unremitting pursuit and noble feelings. As the cloud in Guoliang's poem: "The iron pen dances in the wind, holding the thunder and lightning hostage." Jin Shiming's heart is scattered. ”
Guoliang shoulders the leadership position of the county's administrative department, and the government affairs are complicated. Over the years, in his busy schedule, he has been diligently pursuing the art of calligraphy and seal carving, and has spared no effort to promote the local calligraphy art, and has also made great achievements in his own artistic pursuit, which is really commendable. On the occasion of the collection of Guoliang calligraphy and seal carving works, I would like to take this as a preface.
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