February** Dynamic Incentive Plan The sketches are good-looking, and the Spring Festival Gala is good-looking, which has become a law of the Spring Festival Gala.
In the past few years, the Spring Festival Gala has become more and more dissatisfied with the audience, and the sketches have an unshirkable responsibility, and it is difficult for the audience to see classic sketches such as "Eating Noodles", "Playing Poker" and "Selling Abduction".
Take this year's Spring Festival Gala as an example, after watching the arrangement of CCTV's program list, there are 4 sketches, and I feel that this is the least number of previous Spring Festival Galas. Looking at the names of the actors, most of them are very unfamiliar, and there is an ominous feeling in my heart. Sure enough, the Spring Festival Gala of the Year of the Dragon came to an end, and there was a lot of regret and cheers on the Internet, even like Shen Teng, Ma Li and Allen's "The Cold of the Humble House" is lackluster, and it is difficult to support the sky of the Spring Festival Gala sketches.
Why is the current Spring Festival Gala getting worse and worse, and the sketches are getting worse and worse? I think there are three main reasons:
One question: The stage has become a live broadcast room with goods, and entertainment makes way for commercial taste?
Because the sketch is the pillar of the Spring Festival Gala, the sketch has become an important carrier of "interstitial advertising". This year, the placement of advertisements in the actors' lines is far from meeting the requirements of the merchants, and the choreographer has put the advertisements on the stage as props in a grand manner, and they are pervasive. For example, the slightly more decent "Chill House", there are more advertisements than props on the stage, making the stage like a live broadcast room with goods, and there is a feeling of "watching advertisements without looking at the curative effect".
Second question: There are too many unfamiliar faces, is there no need to bring the old with the new?
The audience's strong appeal for Chen Peisi and Zhao Benshan to return to the Spring Festival Gala not only failed to do so again, but also the Spring Festival Gala regulars like Feng Gong, Gong Hanlin, and Jia Ling were nowhere to be found, and they were replaced by Shen Teng and Ma Li, who were basically unknown newcomers.
On the one hand, it is very stressful for the audience to meet them for the first time, and on the other hand, it is more testing their performance skills and program quality. When the two are coordinated, they will match the eyes of the audience, and if they are not, they will lose their relationship.
Three questions: There are not many high-quality programs, how many can remember and leave an impression?
Due to social diversification and diversified forms of entertainment, the Spring Festival Gala is no longer something that actors dream of and feel proud of. For example, Feng Gong's British apprentice named Jiang Shimeng, in addition to the CCTV Spring Festival Gala this year, Hunan Satellite TV Spring Festival Gala has her, Liaoning Satellite TV Spring Festival Gala has her, Beijing Satellite TV and Dragon TV's Spring Festival Gala also have her, you say that like her non-stop to "catch up with the scene", how can you still have the energy to create high-quality products? It can only be said that her "business" was prosperous during this period, and her "business" was particularly good!
Four questions: Why is the number of Spring Festival Gala sketches getting smaller and smaller?
It's not that the regular guests of the Spring Festival Gala sketches can't act, look at the Spring Festival Gala of various local stations, they are active as usual, didn't Feng Gong appear on the stage of the Beijing and Liaoning Spring Festival Gala?
Zhao Benshan once said the sentence "Your work can't educate people", and the meaning is to understand it yourself. In this way, it is not easy for CCTV Spring Festival Gala to get together 4 sketches this year, what are the audience still picky?