Ma Sichun, who lost 50 pounds, has become the heroine of the little white flower again?

Mondo Entertainment Updated on 2024-02-19

Good guys, this year is the first year of female celebrity rejuvenation.

In the past, Jia Ling lost 100 pounds for the role and opened a new chapter in her life; Later, Ma Sichun lost 50 pounds and returned to the peak of beauty that amazed the public. ‍‍

As the representative face of the first generation of youth pain literature in the hearts of many people, this face is not recognized even if it is P to his own mother, and it still has the taste of the face of the heroine.

As a universally recognized ceiling player in the early standing painting of the small white flower echelon, this face with distinctive style characteristics is applicable in various themes such as text-comics-animation-film and television dramas.

The same beautiful painting, as well as the image of Liang Anna as a "beautiful dealer, ** dealer" in "All or Nothing", extends from the precise beauty of the pattern to a style business card.

Including the image on the poster of Park Min Young's new drama, the Black Lotus faction that was reborn and counterattacked added another fierce general.

Please marry my husband" 2024

At this time, the retouching technique blurs the dimensional boundary, so that both audiences can feel the beauty of breaking through the dimension between the true and the false. ‍‍

Comic book original. A small vertical painting can interpret the logical core of the creation of many works that decorate our entertainment life.

What are the characteristics of the classic portrait face that is loved by the public? Based on this, what kind of branches of different styles does the aesthetic of vertical painting extend?

How does the vertical design affect the popular domestic otome game? What new trends do her culture and economy bring about to aesthetics?

Returning to reality from entertainment, as a personal portrait, it is a metaphor for different states and tastes, and highlights what kind of tone of individual aesthetics? Let's talk about that today.

Classic portrait face.

Originally created as a single character portrait in a non-CG state that was first made in the game, it can be simply understood as an official character image.

It is also an indispensable and important material for the production of text games.

The Legend of Sword and Fairy

The Legend of Sword and Fairy IV

As a big IP that has changed the way a generation of people entertain, the "Fairy Sword" series can be called the first domestic vertical painting aesthetic that we came into contact with.

Its design style connects the past and the next, continuing the charm of the ancient portraits with a few brushstrokes, and also carrying the pursuit of exquisite beauty in the new era.

The combination of the two gave birth to a seemingly simple, but actually ingenious vertical painting style, and laid the foundation for the later face familiar classic vertical painting face.

For example, Zhao Ling'er, who debuted for the first time, has a girlish sense of childishness in her double hair, and her expression is as clean and refined as a white lotus in the pool.

Liu Yifei, who was only 17 years old at the time, had an apricot eye and peach cheek face like a live-action painting. ‍‍

The same style of painting is embodied in Lin Yueru, although it is similar, but the mature proportion of the long atrium also makes her affectionate, resolute, intelligent and intelligent image clearly recognizable.

Such a focused style of vertical painting is very suitable for the image of the characters presented when the light and shadow are in place in reality.

Therefore, even though An Yixuan's short and wide bone structure does not match the setting of the original painting, the thick proportion of facial features and the dignified beauty of the structure make her close to her face in texture. ‍‍

The style of the two heroines has a certain tonality, which directly affects the public's preference for the aesthetics of antithetical painting in the later period.

It also determines the outstanding commonality of the classic vertical painted face, and the male and female protagonists are both ceiling-level average faces - the greatest common divisor of public aesthetics. At the same time, the style texture relies on the luxury and grace of high refinement to show the nobility of Guotai and Min'an.

Asian average face.

Showing differentiation with the main tone already set requires a vivid offset that is significantly different from the average face.

Just like compared to the atmospheric balance and mellow beauty that can match anything in the Chinese style, the Korean system is more shallow and delicate, while the Japanese system loves a clumsy and cute blunt sensitivity.

If you want these deviations to be clearly displayed in the vertical painting, you need to make a fuss about the details such as clothing, makeup, hairstyle, demeanor, movements, etc.

So even if we don't know it, it's often easy for us to determine which one is the heroine's portrait.

Counterattack: Star Journey Shines".

The idea of setting is easy to understand, and when the male and female characters are finalized, the other men and women.

Second, third, and even the painting style of the supporting characters, they can only take the route of personality differentiation and make makeup for the protagonist.

And the more it deviates from the flat, the more niche the style and aesthetics, the more limited the adaptability with other types of characters, and the more difficult it is to become a long-lasting common face familiar model.

Therefore, whether it is from the aesthetic habits that come with the bones, or in order to unify the painting style when matched with other characters, the popular classic vertical painted faces are often similar - according to the needs, they are basically divided into soft girls or royal sisters on the background color, and white moonlight or red roses in style.

And the square atmosphere is always the background color of the style. ‍‍

Zhao Linger in the later period was compatible with the two styles.

At the same time, the aesthetic priorities that resonate more with the public throughout the development of the face are:

Faces with a sense of realism and detail, Faces with grace and orthodoxy, Faces with a clear style to highlight their personalities, Faces with a strong sense of comics.

The same official style of painting feels completely different.

With the changes in technology and the popularity of the times in the later period, the vertical painting face and its style and aesthetics have also shown a new trend. ‍‍

The popular changes behind the aesthetic of vertical painting

From orange games to the four great masterpieces, otome games have become a collection and display area of contemporary aesthetic trends.

Here, the aesthetics of vertical painting has always played a role in determining life and death at a glance.

If the vertical painting is not beautiful enough and does not fit the setting well, no matter how good the storyline is, it will make people feel presumptuous and dissuade. ‍‍

At the same time, the theme of character design is also an important part of the aesthetic core in parallel with the vertical painting.

Depending on the subject matter, the focus of the vertical painting face + the combination of characters will also be different.

For example, when the male protagonist is an evil and crazy villain, other gentle, reckless loyal dogs, and young and innocent characters are all foils. On the contrary, any kind of character can be the protagonist of his own story.

The face of the ancestor of the evil sect is familiar with the painting.

Just like Wang Hedi's acting skills in the period of "Yulong" have been criticized, and even the cute little girl with the heroine is not pleasing.

When the similar character style continued to "Canglan Jue", because of the improvement from appearance to acting skills, Yu Shuxin's little orchid also soared together, and even her breath was suitable at this time.

It can be seen that the painting style and character design are just right, and the importance of harmony and unity. ‍‍

The fact that Dongfang Qingcang was able to turn over in one battle reflects the general trend of the development of the entertainment industry from the perspective of women's aesthetic emotions and other needs.

A very prominent phenomenon is the daily flow of the four major domestic B tours in 2023, which is a considerable number.

Women's preference for her culture has led to her economic development, and the fact that krypton is so strong in turn has pushed her culture to a more prosperous path.

With the development of technology, people who used to be able to watch from a distance and not play with it have now become objects that can be interacted with and touched.

The once 2D paper man-style vertical painting texture is gradually moving towards 2A multi-functional experience with a 5D 3D quality atmosphere.

Here, the good thing is that technological progress has enriched the aesthetic connotation of vertical painting from all levels, and also made the public's emotional investment more real and immersive.

The entertainment experience is that the corners of the mouth are more difficult to press than AK, and for women who are fed up with the global aesthetic downgrade, these handsome men who will not collapse are the aesthetic aggregates worth thinking about.

The drawbacks of hidden lightning and the beginning to be revealed are that with the widespread use of AI technology, a large number of AI drawings have begun to emerge.

In the style track that has been trained by women's aesthetics, there are many good and bad products.

From faces to characters, the homogenization of vertical painting aesthetics is becoming more and more obvious. And those who blindly succumb to the flattering behavior of traffic even begin to become oily and embarrassing. ‍‍

Looking back at this time, the most popular aesthetic fashion at the moment, and the original national style of vertical painting image, are already two styles of painting. ‍‍

Those images with a sense of age and real are easy to bring in, just like the male and female protagonists in ancient idol dramas, painted as precious and difficult to trace back to full of memories of the times.

From entertainment to life.

What is the practical significance of the aesthetics of vertical painting to us? ‍‍

Even if they don't play games, the public unconsciously enjoys and prefers everything brought by the aesthetics of vertical painting in their daily lives.

The current vertical painting of the past book model, cover girl.

Just as we buy a magazine or read a book because of a beautiful woman, the impact and impact of a good first impression is huge.

Therefore, the exclusive portrait of the public is their own avatar.

The avatar aesthetics, together with the background of the circle of friends, the personality signature, and the real-time state, together present personal aesthetic interests.

Different styles of avatars directly or indirectly indicate the character image that the public wants to establish in life.

It is also a social business card that is entrusted with personal wishes and reflects the state of the stage.

For example, people who use two-dimensional ** avatars have a relatively low probability of being fooled. Because they are given the impression that they are stubborn and assertive, they will chase after trends and change information quickly.

Attack on Titan, Mikasa Ackerman.

The landscape avatars of those quiet years are most likely to be divided into good-natured middle-aged groups, and there is a certain possibility of escapism.

At the same time, they are also willing to accept the "suggestions" of external information for fear of being abandoned by the times, and it is easier for others to replace their own subjective ideas.

The cordial and natural beauty of the beauty bouquet was acquiesced by the public to be harmless and easy to get along with, and it has further developed into a model of peach blossom luck.

When it comes to women who live alone from a safety point of view, they have changed to the avatar of "One Punch Man" Ma Dongxi, focusing on an awe-inspiring and inviolable person. ‍‍

What's more, after changing to an avatar that makes people lose their desire to communicate today, how should the boss deal with it? ‍‍

Disagreement is a metaphor for different tastes, and it is also entrusted with the aesthetics of the future.

From the perspective of behavioral psychology, from one's own state to the impression of others, they will gradually approach the image of the portrait and be subtly affected by it.

For example, using your favorite face as your avatar, after a long time, you will be closer to the ideal image in the hearts of your friends.

Wen Jialang can be called the realistic version of Lin Yueru.

The golden sentence of Charmaine Sheh in "The Queen of News" is used here that the original face is given by the parents, but the avatar is chosen by himself, and a proper and suitable image often brings new opportunities. ‍‍

The small head, just like the small vertical painting, is only a part of the style of the persona, but it is also a part of the decisive role.

It is a condensed distillation of our own image, which not only expresses our love for a certain stage and state, but also hints and inspires us to move towards a higher and farther future.

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