The first "A Clockwork Orange" god Kubrick actually spent only 2.2 million US dollars to make this classic that has a profound impact on later generations, not only the theme of ** is profound, but also the extreme right and extreme left are criticized in the movie, and it is impartial. Since then, the lens language of "Kubrick's gaze" has been continuously imitated by later generations, and the character of *** personality who loves to drink milk is also common in other works, especially the fusion of violent erotic scenes and classic symphonies** is not uncommon after this film, "William Retreat Overture" I don't know how many times it has been used, **The killer doesn't seem to be enough to listen to a symphony**, which greatly enhances the sense of ritual of the picture plot. In short, it is very refreshing to watch, both ornamental and artistic. For those who haven't seen it, it is highly recommended to go and see it! 
In the second "Kill Everything", what I used to say "cool movies" refers to those movies that have more scenes and more pretending to be B. But this **, every shot was fired in a strange place, which I didn't expect at all, and many of the gun battles in it are really big. What's even more rare is that the film has been simplified to the point where there is almost no plot other than a crackling shootout. However, the shootout is really sassy and pretending, and the various restricted-level action spectacles are jaw-dropping, full of gameplay and comics. And Cliff Owen's role is a bit like a chivalrous man in martial arts, he pulls out his sword to help when he sees injustice, and kills one person in ten steps and does not stay for a thousand miles. The villain of Paul Giamati also has a lot of personality. Finally, I have to say that going to Monica Bellucci is really worth the trip. 
The third "Kill Bill" movie that I really liked, this is the first work I watched Quentin, and it was also the beginning of falling in love with Quentin. A section of the Japanese manga style is surprisingly suitable, bloody but exaggerated, so it's not terrible. I like the first paragraph of killing people at home, and the style is plain and decisive. Japan's Killing Spree is gorgeous, with black and white images of blood turning into the color of sake, black silhouettes on a blue background, and a duel without a soundtrack in the snow. Interspersed humor: spanking with a katana, pussywagon. The soundtrack is a must, and the bangbang at the beginning is numb, and there is the whistle that is the most out of the circle. The image of a blonde scribbled killer is completely different from the frivolous beauty in the vulgar **. Finally, I have to mention the soundtrack of the stroke of genius. **This is forever dripping gods, and I couldn't find a more suitable one!! 
The fourth "Vulgarity**" admits that his knowledge is shallow, and Quentin's circular narrative is eye-opening. What is great is not only to disrupt and reconstruct the normal linear narrative, but to make such a narrative not seem very abrupt, difficult to understand or hinder the character building and emotional play of the original linear narrative, but to make the story more aura and more dramatic, make the characters' behavior more lively and interesting, make the behavior more grounded and more reasonable, and make an event that originally happened in a straight line have more bad and interesting twists, and feel more surprised. It also makes the stories find a better way to combine. The plot development has a better rhythm, the ending has become more ingenious, and the transmission of the main connotation of the film is more intense! 
The fifth "Mad Max 4: Fury Road" is my enlightenment movie for the Doomsday Wasteland, I used to just watch some similar settings, there is no sense of reality, this movie, **enjoyable, on the one hand is the ultimate madness, and on the other hand, there is a beautiful human brilliance. And the director plays the rhythm of American commercial films to the height of the textbook, the focus is still its crazy imagination, chasing the whole process but the action scenes are not very high-speed, but the temperament inherits the B-level style of the previous work, and the style is also a continuation of the director's authorship, the cool visual effects definitely make people sigh at the imagination and creativity of this crew, and the character creation is also average, and the supporting roles in this blockbuster are all recognizable. Although the characters in the film are a little thin and empty, this long-lost cinematic sense makes me feel the urge to give it 5 stars. 
Which of the five famous pornography movies have you watched? It is not easy to code words, welcome to pay attention to likes, leave a message to discuss.