These actors who are called "old drama bones" are just "fake drama bones" on the surface, and their acting skills are not outstanding!
Many netizens questioned that some old artists were praised as "old drama bones", thinking that their acting skills were actually not outstanding.
As veteran entertainers, they should have excellent acting skills and high professional ethics, but some people do fail to meet this standard.
Zhang Tielin became famous for his wonderful role as Qianlong in the TV series "Huanzhu Gege", and has since been sought after and loved by the audience.
However, he unknowingly loses himself and is corrupted by the vanity and blind confidence that comes with fame and fortune, and this showbiz, which shines brighter than the stars, also exacerbates his confusion.
After "Huanzhu Gege", Zhang Tielin starred in many fashion and costume dramas one after another, such as "Iron Tooth Bronze Tooth Ji Xiaolan", "Iron General Agui" and so on.
His performances in these dramas are completely stuck in the mode of "Huanzhu Gege", all the emperor characters are face-painted, exaggerated movements, and exaggerated artificiality everywhere, but the audience is disappointed.
No matter what kind of role and plot he faces, he habitually widens his eyes and blows his beard, as if this is his signature move, and he has his own set.
In his first non-emperor drama "Heaven and Dragon Slayer", Zhang Tielin still uses clichéd performances and cannot really integrate into the role.
The audience couldn't help but sigh when they saw his acting skills, and fine beads of sweat oozed from their foreheads.
A veteran film critic pointed out that this shows that Zhang Tielin is only a little superficial in terms of appearance, and knows almost nothing about understanding and depicting the inner world.
For a long time, he had been immersed in the fantasy of the "emperor" he had created, which had become a psychological barrier that he could not overcome.
Zhang Tielin showed his incorrigible inferiority as early as when "Huanzhu Gege" became popular. According to other cast members, Zhang Tielin has developed a bad habit of being late when filming this drama.
Sometimes, the whole group is used to waiting for him alone, even for an hour or two.
Although he was ridiculed by fellow actor Wang Gang in person, he did not regret it, which hinted at Zhang Tielin's irresponsible attitude in life in the future.
Zhang Tielin immigrated to England and renounced his Chinese citizenship. When asked by reporters about the reason, he did not hesitate to answer that it was for a more convenient life.
As a Chinese artist, his behavior has undoubtedly been criticized. What is even more puzzling is that Zhang Tielin always emphasizes his Chinese nationality in public, and this contradiction in nationality identity has undoubtedly had a significant impact on his image.
Zhang Tielin's chaotic private life is also well known. He used to have 4 wives, but never had a long-term stable relationship with any of them, and the girlfriends kept coming and going. Furthermore.
Zhang Tielin refused to even admit his daughter, let alone pay child support, according to his ex-girlfriend. These negative news will completely ruin Zhang Tielin's image in the eyes of the public.
Now, the person who was once known as the "national actor" has become the target of public criticism, and it is really self-defeating.
With "Wenzhou Family" became an instant hit, Jin Dong gradually established a mature and stable male image in the entertainment industry, so he is known as the most popular "uncle" among middle-aged female audiences in the entertainment industry today.
In the next few years, Jin Dong selectively starred in a number of business war dramas, showing the image of a "successful man" with unique characteristics. This undoubtedly brought him wider visibility and popularity.
However, as the genre piles up year after year, audiences and critics begin to wonder if Jin Dong has fallen into a stereotypical acting mode.
Each of the business elite characters he portrays is very similar, both in speech and demeanor and in dress.
There is an opinion that the role he plays has made it easy for the audience to guess. The similarity of this performance also led to the gradual decline of his charm.
In the early days, Jin Dong played a very colorful role in supporting roles, and in fact he was able to accurately capture the characteristics of different characters.
However, he seems to have fallen into a comfort zone of "successful personality", and his performance is superficial, which is due to the consolidation of the business war film route.
Some professionals believe that in order to get out of the current predicament, Jin Dong needs to break the restrictions of the image of a "type man", open up the field of acting, and try to play different types of roles.
Only by continuing to try new things can we get rid of the limitations of fixed images and show more possibilities to the audience. Of course, this also requires the support and space of the producer.
I hope that Jin Dong can seriously think about his own development direction and bring more surprises to the audience, because in any case, being bound by "type" will eventually make the actor lose the freedom and passion of acting.
Liu Tao has more than 20 years of acting experience in the film and television industry, she has shown outstanding acting strength in many film and television works, and has successfully created many classic roles that are loved by the audience.
The TV series "Dragon Babu" swept the country, and Liu Tao played the thoughtful and deep female villain Murong Fu in the play, showing excellent modeling expression ability and introverted shrewd and strong acting skills.
Liu Tao also jumped from an unknown actor to a popular star.
Subsequently, Liu Tao served as the heroine in film and television works such as "Qingyunzhi" and "Mazu", and her calm and restrained acting skills were loved by the audience.
Especially in the hit urban light comedy "Ode to Joy", Liu Tao successfully played the role of the career-oriented strong woman "Andy".
Liu Tao's character "Andy" showed inspirational and hard-working and honest and lovely character traits, which deeply moved the audience, and also made this drama achieve a high reputation and ratings, so it is regarded as one of the masterpieces of Liu Tao's acting career.
However, in the following years, Liu Tao seems to be stuck in a certain pattern, and the scripts and roles he chooses are difficult to break through.
The female roles she plays in works such as "The Beginning" and "The Courtyard of the County Party Committee" are relatively single, lacking the richness and three-dimensionality of the early stage, and are not as eye-catching as the role of "Andy" she plays.
In recent years, Liu Tao's works have received mixed reviews, and her acting skills seem to have encountered a bottleneck.
Ni Dahong, a veteran drama bone, graduated from the Performance Department of the China Academy of Drama. The actors trained in this academy have solid acting skills, but he has encountered many ups and downs on his acting path.
Because he was born with a "quick" face, he often played the role of some tricks and extras.
After years of hard work, Ni Dahong finally ushered in the first opportunity to break out in his career, playing the role of Yan Song in the costume drama "Ming Dynasty 1566", which made his reputation slightly improved.
It wasn't until 12 years later that there was a bigger chance. In the popular urban drama "It's All Good", Ni Dahong brilliantly played the mean role of Liu Qi's father Su Daqiang.
His outstanding performance made the audience eager to try, but it also deeply showed the care behind the strictness. This superb acting made him famous, and won the honor of Best Actor in a Film and Television Drama that year.
It's All Good", Ni Dahong's performance showed an obvious regression, he began to be expressionless, no matter what role he played, he fell into the so-called "facial paralysis mode". But the good times didn't last.
Ni Dahong played the villain Uncle Tai in the hit "Hurricane" some time ago, and his performance was very wooden, and it was difficult to show a first-class character who had experienced many ups and downs in the rivers and lakes and the deep city government.
This has also become one of the biggest failures of the show, causing countless viewers to complain.
After the great success of "It's All Good", Ni Dahong seems to have fallen into a state of self-limitation, limiting himself to the role of Su Daqiang.
Therefore, there is a reason why he has been repeating similar acting patterns without continuing to push the boundaries of acting.
We should judge the real acting skills by their works, rather than blindly chasing the so-called "old drama bones".
A good actor should constantly improve himself, rather than dwelling on his past achievements.
We should pay more attention to inner cultivation and not be overly concerned with accidents and conditions.
However, in this traffic-based era, it seems that it is becoming more and more difficult to define who is the really good "old drama bone".
Perhaps this confusion is an inevitable problem in the development of the entertainment industry.
Everyone needs to think for themselves and find their own answers in order to have an opinion on all this.