If you listen carefully to Tanya Tsai's first self-titled**, you can project a complete picture of life, with specific characters and trivialities of life, to the point that you can almost smell the smell of boredom in the trivial, which is a realm that can only be achieved by outstanding works. Ten songs are connected in one breath, from the living room to the bedroom, so that the imagination of the heroine, is like particles floating in the air, so naturally reaching the space beyond the sense of hearing. Such a result can be achieved because of the mastery of instrumental music, whether it is the harmonica, the low drum beating, the idle piano touch, the innocent humming, all of which are not grandiose, and naturally present the smell of life, which sounds like a casual nostalgia, but does not lose the rhythm of the song, which makes the song more warm and relieves everyone's tense muscles.
Tanya Tsai's eponymous ** is very folk, you can almost hear the rustic sense of the original wood of the guitar, the lyrics are poetic, quite the spirit of the poet of the 1960s, such as Lin Xi's lyrics "Shadow", pointing out that you want to avoid a person, often because he has a shadow on your body, The whole song is based on the guitar, which is clear and clear; However, "Thinking of You" is such a popular theme, but the guitar shows a rich emotional layer; "You Go Away" uses a simple tambourine to impact the vocals, colliding with the original rock flavor. Nowadays, there is rarely a ** that respects the original personality and timbre of all instruments, rather than just succumbing to the unconventional style.
Young people from all over the world have their "local" works, and this is not something that can be passed by electronic synthesizers or mixed things. There are many such taverns in Tokyo and London: some people recite poems, some people play, and with a bit of wine, in the dim atmosphere, everyone seems vague and friendly. For the time being, there is no need to show teeth and claws, and the piano and guitar reflect the floating faces of the little people, full of affinity and life tenacity. Tanya Tsai does show an open-minded attitude rarely seen in the Chinese pop music scene, with a kind of smile towards Wangsheng, and the texture is kind and insightful, reminiscent of the original intention of early folk songs.
After that, Tanya Tsai's ** also changed direction, but she once made a very beautiful demonstration, proving that folk rock has bloomed a calm flower here.
February** Dynamic Incentive Program