4 old drama bones from red to no drama, who angers them
The original film and television dramas are like a garden full of spring, and excellent works emerge in endlessly, making the audience love it. However, in today's film and television dramas, with the remote control in hand, you can't find a work worth watching.
The decline in the acting skills of the actors is the root of the problem. In the past, actors could handle the role just right no matter what role they played, and they performed the role to the fullest.
Acting may not be enough, but technology can help. Let stand-ins, voice acting, and cool 3D effects help you put on the perfect show. "The new copy retains the core idea of the original copy, but makes it more fluid and legible by changing the word order and using different vocabulary.
The art of eye contact.
used to be unforgettable, but now there are only a handful of film and television dramas that can still be watched. Where are those former actors now?
The old drama bones who used to be a smash hit, but now have no drama to film, their stories are emotional. Today, let's review it and see which old drama bones make you feel sorry and regretful?
Among them, Pu Cunxin's answer may give you some inspiration.
02 A high-profile drama "Fengshen" is from director Wu Ershan, and Li Xuejian's wonderful performance makes this drama shine. From being questioned to being praised by the whole network, "Fengshen" took 9 years, and finally proved with facts that the film and television works shot with heart will never be disappointed by the audience.
This film has made the most powerful proof with the audience's word-of-mouth and box office, and the 148-minute length allows every actor to have full room to play.
Whether it is the proton group in "Fengshen", or the audience jokingly called "Hakimi" Daji, they are all eye-catching characters.
In film and television dramas, King Shang's brazen fearlessness, ambition and his image of a generation of heroes have left a deep impression on people.
Among the many roles, the most memorable should be Xibohou Jichang, played by teacher Li Xuejian.
In the film, the role of Ji Chang played by Li Xuejian is moving. When he learned that his son Bo Yi Kao had been killed, the desperate roar and the trembling wail from the depths of his soul made people feel sympathy and emotion.
Ji Chang, played by Li Xuejian, quickly threw the meatloaf on the ground after eating Bo Yikao's corpse meatloaf by mistake, which is the reaction of people when they are extremely shocked. However, when he came back to his senses and realized that it was actually his own son, he hurriedly picked up the so-called "son", and could not bear to let him suffer such treatment.
The father was filled with grief and anger at this time, but because of the pain, he could only flick away the grass clippings that stuck to his "son" on the ground. When he found out that his "son" Bo Yikao was bitten by wild dogs, Li Xuejian's performance deeply moved the audience in front of the screen, and many people couldn't help but shed tears and couldn't bear to watch it anymore.
Although on the shooting site, director Wu Ershan was also shocked by Li Xuejian's explosiveness and embarrassment, so much so that he had to force himself to divert his attention.
Li Xuejian vividly portrayed the image of Xibohou Jichang with his profound acting skills, vividly showing his pain of losing his son and exhaustion in his later years. Excellent people can always appreciate better people, and Pu Cunxin, who is also an old actor, praised Li Xuejian's performance and modestly expressed his shortcomings.
Li Xuejian's acting career has always maintained his love and rigor for acting. Whether it is the good man Song Dacheng portrayed in "Desire", or in the interpretation of "There is no Song Jiang after Li Xuejian", he has always adhered to his performance concept and shown his unique performance charm.
From the first Plum Blossom Award in the theater industry, to winning the Golden Eagle Award for Best Actor, to being awarded the title of Honorary Artist for Life by the National Theatre of China, his achievements shine brightly.
No matter how many honors Li Xuejian wins, he always devotes himself wholeheartedly and shapes the role with his heart, and this spirit of focus and dedication is exactly what today's traffic stars who are too concerned about fame and status lack.
Pu Cunxin, born in 1956, grew up in an art family. His father was a drama director and actor in Beijing Renyi, so he was deeply influenced by the artistic atmosphere from an early age.
Growing up in such an environment, Pu Cunxin is full of love and pursuit for his acting career.
In 1969, a special year, Pu Cunxin came to the Heilongjiang Production and Construction Corps of the Shenyang Military Region as a rural educated youth. There is a good saying, if a person has not experienced the ups and downs of life, then he cannot truly understand the true meaning of life, and he will not be able to truly become an excellent actor and person.
Therefore, in this special era, Pu Cunxin chose to go to the countryside to experience life there, to feel the ups and downs there, to enrich his life experience, and to lay a solid foundation for his acting career.
Here, Pu Cunxin's will was tempered, and his acting skills were also tempered, so that he had a deeper understanding of acting. In 1977, my country resumed the college entrance examination, and this year, Pu Cunxin was successfully admitted to the Kongzheng Drama Troupe and returned to Beijing, which he was familiar with.
In 1986, Pu Cunxin played the gentle and elegant son Fusu in the drama "Qin Huang Father and Son", which was well known to the audience. He took this opportunity to officially enter the Beijing People's Art Theater and inherited his father's career.
In addition to his outstanding performance in the drama industry, he has gradually set foot in the field of film and television.
In 1991, Pu Cunxin was well-known to the audience for his successful role as Master Spiegel in "The Bells of Qingliang Temple". At the same time, the film also won the Best ** Award at the 12th China Film Golden Rooster Awards.
In the same year, Pu Cunxin successfully created the image of a generation of poet Li Taibai in the drama "Li Bai", which not only made him highly praised by industry insiders and audiences, but also made this drama rehearsed many times and became a classic.
Pu Cunxin is well-known and loved by the audience because he successfully portrayed the role of Gao Tian, the director of the Public Security Bureau, in 1996 "Heroes Without Regrets".
With a clean and refreshing image, fair and strict moral norms and a character that combines rigidity and softness, Pu Cunxin has successfully stabilized his position in the entertainment industry.
After completing the filming of the historical dramas "** Marshal" and "Adoption" in 2016, Pu Cunxin no longer frequently plays roles in film and television dramas, but focuses more on showing his acting talent as a drama actor on the stage.
Despite this, the works he starred in are still well received, and he has won the "Five One Project" Outstanding TV Drama Award of the Central Propaganda Department and the first prize of the 16th TV Drama "Feitian Award".
03 Liang Guanhua is the same as Pu Cunxin, Liang Guanhua was also born in the Beijing People's Art Theater. may be because he was brought up by his grandmother since he was a child, Liang Guanhua has had a deep interest in opera since he was a child, and even sings many dramas, his personality is very calm, and even has some "hobbies for middle-aged and elderly people".
When Liang Guanhua was a teenager, a "Teahouse" left a deep impression on his heart, and it also made him firm in his determination to become a drama actor. His parents were very open-minded and respected his choices and pursuits.
In the college entrance examination, in order to pursue his dream, Liang Guanhua firmly chose the class of Beijing Renyi Academy. After careful preparation, he was successfully admitted to Beijing Renyi with two sketches "Return from Spring Outing" and "Temporary Nanny".
At the time of graduation, Liang Guanhua was retained by the Beijing People's Art Theater with his outstanding performance in school, realizing a new starting point in his artistic career.
Like many people, Liang Guanhua also started from a supporting role and has experienced a long period of precipitation and accumulation. It was not until 1990 that his outstanding performance made him stand out in the drama "The First Floor of the World" and attracted widespread attention.
This drama was all the rage back then, with more than 500 re-performances, each of which was hard to find, which is enough to see its popularity.
In 1993, Liang Guanhua once again created good results with his performance in "Birdman". The work was performed 130 times in a row, and each one was sold out.
Then in 1999, he withstood all kinds of doubts and starred as the shopkeeper Wang Lifa in "Teahouse", this performance brought his drama career to the peak, and finally won the 18th Plum Blossom Award for Chinese Theatre.
Liang Guanhua was at the peak of his drama career, and his film and television career gradually unfolded. In 2000, he became famous overnight with the honest and optimistic image of Zhang Damin in "The Happy Life of Poor Zhang Damin".
Leung has achieved great success in his acting career, and his outstanding performances have been highly recognized by the industry. In 2003, he starred in "Detective Di Renjie" and won unanimous praise from the audience, with 9The high score of 1 point has become a classic of the year, and the image of Di Renjie created by him has also been deeply imprinted in people's hearts and has become a classic character that is difficult to surpass.
Liang Guanhua rarely appears on the screen, the reason is very simple, that is, he has fewer and fewer exciting scripts.
Liang Guanhua adhered to high standards and turned his energy to the Kato Eagle project, leaving more time for his family.
Although Wei Zongwan has a cunning appearance, he exudes a joyful temperament that makes people laugh, and this contrast between inside and outside makes his performance very wide and very shapely.
In the movie "One and Eight", Wei Zongwan made his first appearance, and his role as the big brother Lao Wantou among the deserters left a deep impression on the audience.
Wei Zongwan has always been in the spotlight when it comes to acting, and he has successfully created many classic screen images. In addition to "The Story of Bandits in Xiangxi", he also starred in "The Story of Sanmao in the Army", a role that won him the Best Feature Film Award at the 1st Beijing University Student Film Festival and the 100th anniversary of the birth of Chinese films, "My Most Memorable 100 Chinese Films" and many other honors.
What few people know is that director Zhang Jianya once knelt down and begged Wei Zongwan to star in "Sanmao in the Army". At that time, Wei Zongwan was over half a hundred years old, and he thought that he was not suitable to play such a lively role, so he politely declined the director's invitation.
The director has a unique vision, and he firmly believes that only Wei Zongwan can perfectly interpret the role of the old ghost in the film.
In order to let Wei Zongwan play, Zhang Jianya did not hesitate to kneel on one knee, just to show the tragedy in the core of comedy at a deeper level. Only Wei Zongwan can deduce that unique tragic comedy, which makes people deeply feel the bitterness and helplessness behind it.
Mr. Zhang Jianya's value and trust made Wei Zongwan decide to repay with the gift of Qiong Yao, and he vowed to do his best to play this role.
Wei Zongwan did not live up to the expectations of director Zhang Jianya, and with his outstanding performance in "The Story of Sanmao in the Army", he won the Best Supporting Actor Award at the 13th Chinese Film Golden Rooster Awards in 1993.
In 1994, 56-year-old Wei Zongwan played Sima Yi in "Romance of the Three Kingdoms", and unexpectedly, he made an unexpected move at the award ceremony - that kneeling and kneeling back.
Despite the opposition of the crowd, Wei Zongwan still firmly learned to ride a horse, in order to better shape the image of Sima Yi. During the filming, he always insisted on going into battle in person and never used a stand-in.
In this age of youth and frivolity, some people choose to cover up their true selves with the help of various means such as fake horses, props and p-figures, and even stand-ins, which seem so shallow and ridiculous in comparison.
Some fans don't force themselves to defend their idols, not to say that the past film and television dramas are classic because of the influence of "era filter" and "childhood memories". In fact, the reason why classics can be handed down to this day has its own unique value and charm.
Wei Zongwan was 60 years old in 1998, but he can still play the traitorous Gao Yu in "Water Margin", which shows this kind of acting skills.
Although this role is hateful, it just proves Wei Zongwan's excellent acting skills.
Unlike many actors who have become famous, Wei Zongwan is not keen on money. In an interview, he stated:
Wei Zongwan rarely appears on the screen anymore. This is because the current film and television industry is mainly controlled by capital, which has its own popular characters and resources.
Wei Zongwan has rarely been exposed to scripts that satisfy him in recent years, so he chose not to perform for the time being, similar to several old actors before him.
In today's film and television industry, traffic is dominant, drama bones have taken a back seat, and many old drama bones have gradually faded out of public view. In addition to the old drama bones mentioned above, there are also many powerful actors such as Li Baotian, Li Youbin, Wang Zhiwen, He Zhengjun, etc.
Their absence makes the audience feel sorry for them, and it also reminds us to cherish those actors who play every role with their hearts.