2022 Spring Festival Gala Poster Text丨Feng Documentary Editor丨Feng Ji is in real time, the years are like a shuttle, and unconsciously, the Spring Festival Gala has been with us for many years. However, in recent years, the Spring Festival Gala seems to have lost its former brilliance, and has gradually become the same and a little boring.
Even though there are still many people who will stick to the stage of the Spring Festival Gala, do you really choose the **Spring Festival Gala because of your love?
Figure 2, 2022 CCTV Spring Festival Gala. Recalling the previous Spring Festival Gala, there were no overwhelming advertisements, no sky-high sponsorships, only laughter and the reunion of our big family to welcome the arrival of the New Year together.
Today, Ah Feng will take you through the time tunnel, relive those classic New Year's flavors, and at the same time go deep into the changes in the Spring Festival Gala.
The earliest Spring Festival Gala was actually in 1956, when it was called "Spring Festival Gala". Although TV was not yet popular at that time, everyone could only listen to the party through the radio, but all the people who participated in this Spring Festival Gala were big names at that time.
Among them are Peking Opera masters Mei Lanfang and Zhou Xinfang, mathematician Hua Luogeng, atomic physicist Zhao Zhongyao, and Qian Xuesen, who has just returned to China.
On the stage of the Spring Festival Gala in 1956, celebrities such as Qian Xuesen, Lao She, and Ba Jin appeared on the same stage, as well as combat heroes Kong Xiangyi, Song Zongzhou, etc., they are all treasures of our country and the pride of the nation.
The Spring Festival Gala was held to celebrate that New China has entered a new historical stage.
The 56 Spring Festival Gala is a moment that will go down in history. At this historic juncture, we have completed the first five-year plan, the new version of the renminbi is circulated throughout the country, the discovery of the Karamay oil field shocked the world, the soldiers of the People's Liberation Army were awarded titles for the first time, and people saw a new dawn in hope.
All these beautiful changes make us look forward to and excited about the future. This is the background of the birth of the Spring Festival Gala in 56.
1956 Spring Festival Gala: A People's Carnival, New China's Carnival In 1956, there were not only performances by famous actors and singers, but also many people from all walks of life who were looking forward to participating, such as famous writers, performing artists, scientists, combat heroes, etc., this party can be called a palace of art and science, and every participant is a towering figure outside.
This Spring Festival Gala is not only a carnival of the people, but also a carnival of New China, with far-reaching influence and a historic event that has never been seen before or since.
In November 1982, director Huang Yihe received a task from his superiors to hold a gala for a national audience on Chinese New Year's Eve, which opened the prelude to our 40-year Spring Festival Gala.
And the Spring Festival Gala in 1983, because the name of "Spring Festival Gala" was not determined until 10 days before the broadcast, it was called "the wildest Spring Festival Gala" by the audience and friends.
In the 1983 Spring Festival Gala, due to the tight time and heavy tasks, the rehearsal plan was completely ignored. Therefore, the organizers invited many well-known artists to perform according to the audience's preferences in the form of audience orders.
In this context, teacher Li Guyi even sang 9 songs in one go, making the Spring Festival Gala her personal concert. And the casting of the host is also relatively simple, Jiang Kun, Ma Ji, Liu Xiaoqing and other teachers were temporarily pushed onto the hosting stage, which seemed a bit hasty.
Despite this, this Spring Festival Gala has still become an important milestone in the history of Chinese television.
In the host lineup of the 1983 Spring Festival Gala, Mr. Zhao Zhongxiang was the only news broadcaster similar to the host, but he was only responsible for the curtain. Several teachers who have no experience in hosting training and journalism have taken on the heavy responsibility of the Spring Festival Gala, and the results are very dismal.
The black three minutes are insignificant in front of the Spring Festival Gala.
In that era of ordering, the staff handwrote the program ordered by the audience on a slip of paper and sent it to the host. Despite the busy schedule, it is inevitable that mistakes will occasionally come true.
The host has little experience, so he can only guess and broadcast the next show while chatting with the audience. Once the host gets stuck, viewers across the country can only wait.
What's worse is that no one is in charge of timing, and even in the process of performing cross talk, the New Year's bell suddenly rang, and Ma Ji and Jiang Kun immediately stopped performing to ring the bell.
After ringing the bell, they directly skip the unfinished cross talk and start the next show.
In the 83 Spring Festival Gala, not only the teachers on the stage had fun, but even the audience was also happy. Back then, "Hometown Love" could not be sung in public because it was banned. But the audience doesn't care, they have to hear it on ** TV anyway.
This can't ruin everyone's interest, so the director decided to give Mr. Li Guyi a chance to let her sing "Hometown Love" for the first time in the Spring Festival Gala. It was this performance that lifted the ban on "Hometown Love".
Mr. Li Guyi's studio is only more than 500 square meters, with an audience of more than 200 people, no sound and stage, only one lamp. For Chinese people around the world, the Spring Festival Gala is more like an ordinary family gathering than a grand performance.
At such a party, the drunk uncle will snatch the host's microphone to perform for everyone, and the aunt who chats happily will also sing to their heart's content, and all the gaffes are not mistakes, but catalysts to increase the atmosphere of the party.
This is the most fundamental missing content of the Spring Festival Gala!
The 87 Spring Festival Gala is the most dreamy of the previous Spring Festival Gala, and it is also the highest-rated one, known as "the most wonderful one". Back then, "Journey to the West" directed by Yang Jie received rave reviews after it was broadcast, and the audience was looking forward to the new adventure of the four masters and apprentices.
However, due to limited funds, "Journey to the West" has not yet been filmed. In order to thank the fans, director Yang Jie led the crew to record a Tiangong party, allowing the audience to experience a unique audio-visual feast.
The 87th version of the Monkey King Spring Festival Gala, due to the special nature of the show, the roles of underworld actors and Hades were skipped. In this hour-long party, the Monkey King played by Liu Xiaolingtong came to life, and the well-behaved red boy wore a red belly pocket to greet everyone for the New Year.
There is also a Buddha ** complaining about Tang Sanzang, which is wonderful and not to be missed!
Figure 15) On the stage of the Spring Festival Gala in 87, the fairies' smiles and smiles are full of charm, and their every move is intoxicating. Even the most ordinary works can make the audience scream wildly, as if the whole world is attracted by their peerless elegance at this moment.
Whether it is a god or a mortal, whether it is a Buddha or a monster, at this moment, we are immersed in each other's existence, showing our beauty and talent to the fullest.
Fig. 16) The fairy danced, although the special effects and makeup at that time were not exquisite, but the sincere and touching touch is vivid. Especially when the king of the daughter country picked up the microphone and sang "Daughter's Love", those powers, wealth, and promises to purify all living beings were not as affectionate as the royal brothers.
Maybe this is the concept that director Yang Jie has always adhered to, she endows the Buddha with feelings, she doesn't ask him to be great, but his heart can contain all beings in the world, but he doesn't dare to leave an ordinary woman.
The 87-year-old Monkey King Spring Festival Gala really put the elements that the audience loves and are keen on on on TV. Even after more than 30 years, this year's Spring Festival Gala can still make people never get tired of watching it.
If you want to say that the most meaningful one of the previous Spring Festival Galas, then the 1998 Spring Festival Gala is undoubtedly one. That year was the first year of Hong Kong's return to the motherland, and the stars were shining brightly.
There are countless stars in Hong Kong and Taiwan, and every song and dance is a classic. Singers from Taiwan, Hong Kong and mainland China sang a song "Great China" together, and the lyrics sang the theme that we have a common home, the name is China, there are many brothers and sisters, and the scenery is beautiful and pleasant.
Figure 18 is the most exciting song program in the history of the Spring Festival Gala, including "Meet 1998" in 1998, which is still regarded as a classic today.
In addition, "Walking in the Four Directions", "Health Song" and "Song of a Good Man" also caused a huge response at the time and became classics of that era. Whether you grew up in that era, these songs will make you feel the charm and passion of that era.
In the 1998 Spring Festival Gala, language programs can be called classics. Chen Peisi and Zhu Shimao's "The King and the Postman", Zhao Benshan's "New Year's Greetings" and Feng Gong's "Sit and Enjoy It" were all popular programs that year.
This year, Mr. Feng Gong's mantra "Dear audience and friends, I miss you" began to sound on the stage of the Spring Festival Gala, and became the classic mantra of our annual Spring Festival Gala for more than 20 years.
The 98 Spring Festival Gala is a classic of Chen Peisi and Zhu Shimao's sketches, both in terms of program presentation and artistic level, it is known as the peak of the Spring Festival Gala over the years. But what people didn't expect was that this Spring Festival Gala turned out to be the pinnacle in the history of the Spring Festival Gala, and since then, language programs have begun to reign and become an important element in determining the quality of the Spring Festival Gala.
The classic image of the sketch "Torchbearer" has been deeply imprinted in the memory of the audience, and Zhao Benshan's title of sketch king has also been gradually established on the stage of the Spring Festival Gala in the following years.
Before this, the only one who could compete with Mr. Zhao Benshan was the former sketch queen Mr. Zhao Lirong, but unfortunately she had few works in the Spring Festival Gala, but all of them were classics among the classics.
22.Teacher Zhao Lirong's director team seems to be aware of the audience's love for sketches, so in the next ten years, Zhao Benshan's sketches almost won the most popular program awards of the Spring Festival Gala until he left the Spring Festival Gala stage.
The director team of the Spring Festival Gala also gradually realized that their Spring Festival Gala gradually lost the attention of the audience. Even the Spring Festival Gala has become a background for fireworks**. Although the director team of the Spring Festival Gala has tried to save reputation, for example, in the 2012 Spring Festival Gala, as a special day for the 30th anniversary of the Spring Festival Gala, they refused all commercial cooperation, returned to the essence, adhered to their original intentions, and held the Spring Festival Gala out of their own pockets.
Figure 23) The technological elements of the Spring Festival Gala stage have emerged since 12 years, and the program team has made great efforts on the stage. 304 automatically lifting floors, costing hundreds of millions, are like a rice field or waves that rise and fall with the highest level, presenting a visual feast for the national audience and friends.
Figure 24) The stage effect of the Spring Festival Gala Of course, when it comes to the Spring Festival Gala program, there is a program that must not be bypassed. That is the ceiling of the Spring Festival Gala dance program - "Thousand Hands Guanyin".
This is because the cast insists on staying the same, and no matter how the director team adjusts the length of the performance, they will put the show on the stage as it is. It's not that they don't know how to be flexible, but because of their dedication and persistence in art.
A Thousand Hands Guanyin is a performance by 21 deaf-mute actors, all from the China Disabled Persons Art Troupe. It takes more time and effort for them to complete the same action than the average person.
In order to prepare for the program "Thousand Hands Guanyin", they spent 7 years. Unable to hear, they can only keep their movements coordinated by sensing the vibrations of the floor and the rhythm of their teammates.
During the rehearsal of the Thousand-Armed Guanyin, several sign language teachers stood in front of the stage to solve their problems and solve the problems in the dance process. As the choreographer said, these 21 dancers must share the same fate in order to perform this dance perfectly.
Facts have proved that the sweat paid will not be in vain, and the fragrance of plum blossoms comes from the tempering of the cold winter. As soon as the thousand-armed Guanyin appeared on the stage of the Spring Festival Gala, it won the attention of the world.