This Spring Festival Gala is too lively, making people dizzying.
After being praised by People's Daily Online and Hua Chunying, Di Lieba appeared with "red pomegranate" makeup, wearing gorgeous Adelaide silk, singing "Xinjiang is a good place", which is very different from the previous ancient puppet assembly line-like shape, showing the beauty of dazzling vitality.
Pleasing to the eye" program "Nianjin" became the most popular program of the night, and "Four Beauties in Ancient Costumes" led to the popularity of the Hanfu experience store in one fell swoop, and since the beginning of the Spring Festival, related orders have increased by 3 times.
As the volume of the Internet continues to rise, more and more professionals have begun to analyze the shape of "Nianjin".
Although Hanfu has shown its thousand-year-old beauty, the most eye-catching and eye-catching are the gorgeous costumes of the Han, Tang, Song and Ming dynasties. Liu Tao wears such a Hanfu, looking solemn, elegant, and gentle and lovely.
a gorgeous hanfu inlaid with a three-legged golden bird pattern, symbolizing light and hope; Wearing a golden step, showing gorgeous and solemn beauty; The hanging hair and high bun of the ancient Eastern Han Dynasty logo instantly resonated with the women of the Han Dynasty in "The Female Benevolence and Wisdom Map", as if the "Weaver Girl" in "Han Yuefu" became a reality.
Li Qin's Song Dynasty women's style is also inspired by ancient books, and her elegant dress shows the charm of the Ming Dynasty.
The pattern of the fabric of the gown is taken from the entangled peony laurel collar robe excavated in the Southern Song Dynasty, and the begonia powder highlights the style of the Song Dynasty. She smiled slightly, like a clear spring flowing in the mountains, which made people feel refreshed.
Guan Xiaotong, known as the "Gege" of the mainland entertainment industry, is wearing a Ming-style short gown with a gourd pattern satin, and the lower body is matched with a horse-faced skirt, and the fresh color not only shows the sweetness of the girl, but also has a trace of gentleness.
The butterfly hair ornament she wears adds a playful and agile touch, and the overall look seems to make people feel like they are back to the boudoir women of the Ming Dynasty.
Liu Shishi's "Tang makeup" became a hot topic this night, and the "hairpin lady" that night sparked a hot search discussion, and the voices of praise were endless, and some people criticized it.
She was dressed as a noblewoman, fully showing the essence of the late Tang Dynasty, gorgeous and luxurious. He wears a hairpin inlaid with gold and silver jewelry on his head, and the fabric is inspired by the cultural relics unearthed from the underground palace of Famen Temple.
The skirt rises high to the armpits, with a long-sleeved blouse skirt and a long shawl wrapped around the arms, which dances in the wind like a streamer when walking, reflecting the theme of "grace and luxury".
However, there is much controversy about Liu Shishi, mainly about whether her appearance is more cold and elegant, different from the plump beauty of the Tang Dynasty.
Her facial features are petite, her face is delicate, and her temperament is more dignified, not a stunning beauty, but a natural and comfortable, and the gorgeous Tang makeup hides her characteristics and cannot be highlighted.
However, the aesthetic concept of the Tang Dynasty was not rigid and unchanging.
In the early Tang Dynasty, the style of thinness and beauty continued in the Wei and Jin dynasties, and then gradually changed, in the prosperous Tang Dynasty, the pursuit of pearl and jade, plump body, and in the late Tang Dynasty, it turned to appreciate the slender body.
Therefore, Liu Shishi wore this set of Tang Dynasty costumes, not only the shape and wearing method were perfect, when she appeared in front of the camera, her fresh and refined temperament was impressive, and she did not see a trace of "weakness", but looked very elegant, just like the delicate and feminine scene in the peony flower room that inadvertently met with the camera.
The makeup of the Tang Dynasty was varied and not rigid and fixed. Seeing Liu Shishi's dress, people can't help but think of Liu Yifei's image in "Menghualu", with the head of the moth eyebrows, as if a picture of a lady has come to life.
The costumes of all the characters in the play have been carefully created, especially the scene of the Flower Moon Banquet, which perfectly restores Zhang Xuan's famous painting "Pounding Practice" and Zhou Fang's famous painting "Hairpin Lady".
The Hairpin Lady depicts the leisurely life of a court lady, and its beauty lies in the meticulous details depicted such as the high eyebrows, slender lips, and subtle eyes, showing pure and natural vivid emotions.
Coincidentally, although Liu Yifei is light and natural, she happens to show a commensurate heavy makeup in her careful dressing, in "Flower Moon Banquet", she wears the unique oblique red makeup of the Tang Dynasty (the curved crescent shape is outlined with vermilion on the face), and wears peony flowers on her head, giving people a feeling of vitality and beauty and liveliness.
My body is plump, my skin is like congealed fat, and as soon as I appear, I am like a rebirth of a beauty in the Tang Dynasty, showing a noble and charming gorgeous charm.
The stylist did not favor the female No. 2 Lin Yunsong Yinzhang, and also carefully created a set of Tang Dynasty makeup for them, the unrestrained thick eyebrows and thick makeup added a bit of classical beauty to this fashion star, and the bright peony flowers did not look abrupt in the whole shape, from lip makeup to hair accessories, every detail is very exquisite.
Yang Yang showed a model in the filming of costume dramas, and he even reached the level of a professional evening party by restoring the makeup of the Tang Dynasty of the Flower Moon Banquet.
The Case of Di Gong of the Tang Dynasty is set in the period of Li Zhi of Tang Gaozong, with the young and middle-aged Di Renjie as the protagonist. The show was highly anticipated before it started broadcasting, but after it started, it faced a decline in popularity.
In addition to the fact that the male lead actor Zhou Yiwei is not suitable for playing a role, more importantly, the play fails to show the beautiful scene of the Tang Dynasty.
Thick eyebrows and rosy lips are still so eye-catching, they have a unique place on the red carpet.
She was dressed in a slim black outfit, and although she was tightly wrapped, she looked very majestic. The camera focused on her face, and some people even thought she was Xiao Jingteng's male pretence.
Zhong Chuxi did not wear traditional Tang Dynasty makeup, she chose a more modern makeup, showing a unique domineering.
Wearing a large-shouldered jacket with a tulle long skirt, the bun is simple and unpretentious, only a few gold hairpins are pinned, which is neither classical nor modern, and some people feel that the overall shape looks dramatic and lacks antique atmosphere.
Although "The Beauty of Tang Makeup" has a good reputation, there are not many crews that can truly restore it. In several Tang Dynasty dramas filmed, some were amazing and some suffered failures.
This time, Yang Zi decided to star in the costume drama "National Beauty", before the official start of filming, she carried out ** quickly, and successfully reached a new body height, showing her collarbone and waistline, which made it difficult for people to identify for a while.
Why do you want to **, just because you want to make a Tang Dynasty drama?
The clothing of the late Tang Dynasty focused on the shape of wide sleeves and high waist, and no specific clothing style has been determined, but the main design focus is on the bun.
According to Reuters, there are some high-end and dangerous sideburns, but there seem to be signs of cutting corners, like wearing a cross on the head.
Another noble lady added a little more to Yang Zi's beauty with a fallen horse bun, with black hair and cloud sideburns, towering to one side and then drooping down, like a fallen horse, trembling and towering, both soft and feminine.
Yang Zi's look is indeed eye-catching and pleasing to the eye, she is not unsuitable for ancient costumes, but more suitable for Tang Dynasty makeup.
In "Shu Jin Family", Tan Songyun tried Tang Dynasty costumes, while Yang Zi played a flower girl in "National Beauty".
In the play, she is dressed in a bright yellow Shu brocade costume, and her hair is combed high, showing an aristocratic temperament. Judging from her appearance alone, she exudes a strong air of nobility.
Tan Songyun's lovely face doesn't seem to be able to show the splendor of the Tang Dynasty, but unexpectedly, her shape is slender and decent, her clothes are neat and fresh, showing a dignified and generous female official demeanor.
It is worn in difficult times, and there is almost no difference from other classical clothes made on the assembly line, and the color matching and materials are quite bland.
In 2024, the number of TV dramas with the theme of the Tang Dynasty will surge, and in addition to the above two, works such as "Midnight Return" and "Bead Curtain Jade Curtain" have also chosen the Tang Dynasty as the background.
Although the ideal is beautiful, the reality is cruel and ruthless, there is no harm without contrast, and once several looks appear, they will inevitably be severely criticized.
More than 20 years ago, some crews have reached the peak level in terms of "restoration", and the degree of restoration of other dramas may only be 5 points, while the movie "Yang Guifei" has reached 9 points. After all, the degree of restoration is something that has already been done.
The delicate costumes and headdresses left a deep impression on my heart, whether it was a little maid or a concubine, they all showed full charm.
They are full of pearls but not cluttered, and the hair accessories and buns are treated just right to make an impression.
The movie version of Yang Guifei has gained 10 pounds, while the TV series version has increased by 20 pounds, so her body is more plump, her face is full, and she looks lively in front of the camera, like a pink and round beauty.
I need to reflect on myself, these works of art film and television dramas obviously have a long way to go compared to later works.