In the live broadcast, the dialogue between Zhang Yimou and Dong Yuhui was like a symphony of ideas, fierce and harmonious, which infected all the audiences present. Yu Minhong, a giant in the education world, sat next to them and was deeply moved by this warm and profound scene. He couldn't help but be full of emotion, his eyes flashed with approval, and he said softly the philosophical words: "It seems that there are two living terracotta warriors and horses standing in front of me, they are so lifelike, and so kind and moving. ”
When Zhang Yimou and Dong Yuhui heard this, they looked at each other and smiled, and their eyes revealed their appreciation and recognition of Mr. Yu Minhong's metaphor. At this special moment, the three of them seemed to have formed a special tacit understanding, which made the people around them feel a rare harmony and pleasure. In the following conversation, the three of them delved into the common personality traits of Shaanxi people, and how this magical land of Shaanxi had a profound impact on their artistic creation.
Director Zhang Yimou fondly recalled the Shaanxi people in his heart, their perseverance, their perseverance, and their perseverance are the soul of his works. "Just like the heroines in "Qiu Ju's Lawsuit" and "No One is Missing", their persistence, their persistence, just like the customs and customs of the land of Shaanxi, deeply affected me. ”
He went on to explain that the richness and diversity of the land and the profound historical and cultural heritage of Shaanxi made his early film works more colorful in the use of color. "I'm not very interested in simple, plain style. However, when I was filming Article 20, I chose a completely different style, washing away the exuberance of the past and converging too many techniques, forming a completely different contrast from the past. ”
His words are not only a review of his own artistic exploration, but also a deep love and tribute to the culture of his hometown.