Jia Ling is certainly not a mature, genius, and senior director, her films are characterized by no skill, no effort, positive energy, and no offense to any group, just like her former comedy style - only making fun of herself, pretending to be ugly, and never offending others.
At that time, she was the only actress who was loved by the whole people, and she formed CP with all the handsome guys, teasing them, and the audience only felt cute and not greasy. But now the evaluation of her is changing, three years ago when "Hello, Li Huanying" was released, she got a box office and ratings that exceeded expectations, and three years later, as if a group of people had woken up, they began to criticize her on a large scale.
Her new films are almost all low scores on Douban, and it is said that she markets her figure and creates anxiety; Some questioned that her shots were AI, and there were also popular science V who mocked her for relying on injections and high-tech**, even after seeing her hard training**; Some say that she makes money by **, and predicts that anyone with her team can succeed; There are those who say that the remake is plagiarism after knowing that she bought the copyright, and there are also those who praise the original layout and how great the heroine is.
Hupu scored this year's Spring Festival stalls, and "Hot and Hot" got the lowest score of failure. Before becoming a film director and getting the world's highest-grossing female director, Jia Ling was almost an artist with no bad reviews, whether in the same sex or the opposite sex group. She is harmless, joyful, righteous, and virtuous.
And when she **100 pounds, showing strong muscles and can carry weight-bearing pull-ups, she seems to have grown countless shortcomings and spikes, which offended many people.
I'm wondering why?
Female comedians can be said to be a leisurely track in the entertainment industry, there are not five people in the country, less people live more, and Jia Ling is the first fault. She can be attached to the name of a national theater troupe, go on variety shows, act in TV series, and make money lying down.
But commercial film directors are completely different, Chinese commercial films are small in size but fiercely competitive, and the Spring Festival stalls are like a colosseum, and the number of people who can enter the theater schedule is fixed. At the same time, the elimination rate is very high, and the past box office kings Feng Xiaogang, Ning Hao, Xu Zheng, Jackie Chan, and Stephen Chow ......All of them are lonely.
Because the Spring Festival file is both cruel and has a special fairness, it requires the audience to really pay for it, and if you pay for it, you will inevitably feel a little distressed, and you want to scold people after you feel distressed, and the director should suffer it. Because for a fee, the audience has the right to see what they want to see, so you can't be family friendly and not emotionally resonant. But they don't have a memory filter for commercial film directors, no matter how successful you have been in the past, or how annoying you are, they will spend wisely.
The last time Li Huanying exploded was an accident, this time Jia Ling was obviously ambitious and prepared, and invaded a very well-defended territory, she is no longer the fat girl who is popular, but an opponent who participates in the competition, and there will be more and more people who are wary of her.
Although she has never been a spokesperson for women's rights, she is now like a female player who has won a male player in a genderless sports match that will make many people feel uncomfortable.
There is another reason, the film industry pays attention to the children of the family, Jia Ling does not belong to the people in this circle, she is an intruder. In the early years, there were films in the Northwest Circle, Beijing Circle, and Shanghai Circle, but in fact, no matter which circle, most of them were still from the Beijing Film Academy.
And Jia Ling graduated from the Chinese opera cross talk major, studied under Feng Gong, Feng Gong won the film award in the nineties, and was active for a while, which was before Jia Ling entered the industry. Her resources are concentrated in TV stations and variety shows, and the relationship between these people and the film industry is like me writing *** to do Douyin, basically starting from scratch.
She is closer to the trend of actors as directors, including Chen Sicheng, Dapeng, Wang Baoqiang and others, except for Dapeng, others are cultivated in the traditional film industry. Wang Baoqiang, Chen Sicheng, Ning Hao, Xu Zheng, Huang Bo ......All in a closed loop.
Of course, Jia Ling is not without her own advantages, the Spring Festival file requires a high-quality movie, and what she wants is to grasp the current mood of the basic market. A good comedian can make the majority of the people empathize, which is a talent that cannot be taught in the classroom.
I don't want to emphasize her gender, although if she were a male director, some people would call her the Chinese Amirhan, rather than picking on her loose skin and pleats, doubting the authenticity of her muscles, after all, when Peng Yuyan and the proton group flexed their muscles, they were all admired and admired.
Gender has made Jia Ling more picky and has also been given a wider path. The vast majority of male directors are still reluctant and not good at telling stories with women as the protagonists. The short-lived chick movie, from Xu Jinglei to Jin Yimeng and Bai Baihe, is still about the love of white-collar beauties.
Now the only one who has the same female theme as Jia Ling and has both the box office is Shao Yihui, who has only made a movie. At first, I thought that Jia Ling would return to her comfort zone for variety shows after only making one movie, because the mother-daughter story hollowed out half of her life's accumulation, but I didn't expect that she could find another theme from herself.
And then what to do? There should be a lot of people who have the same questions as me. Jia Ling said in the interview that her next film is a pyramid scheme, which no longer consumes her experience, but touches on social reality. That's the battle she's going to fight hard, and it's done, she's a miracle.
When Jia Ling was interviewed in a black leather coat as a director, many of the comments below were that she was no longer kind and hearty after losing weight, her voice was weak, her voice had changed, and she was not funny, not the pistachio in their impression.
I have a friend who has been in contact with her and said that Jia Ling in that ** interview is the real Jia Ling, she doesn't move much when she speaks, her face is expressionless, she rarely laughs, and she doesn't tell jokes to make everyone happy. She thinks that Jia Ling's current stage is a bit like Stephen Chow during the "Kung Fu" period, before "Kung Fu", almost no one broke the news that Stephen Chow was difficult to do and had a withdrawn personality, and people imagined that he was witty and witty, and by no means lonely.
"Kung Fu" replaced comedy with imagination, and suddenly Stephen Chow became another person, and the audience couldn't accept him. And Jia Ling, who has lost weight now, is actually the original her. In variety shows, she is what the audience needs. Everyone is doubting whether she will weigh **, maybe, but she will not be the weight of a comedy star, she should not be a comedy star.
In addition to being more autonomous and dominant than actors, directors are also more able to live with a more free and authentic appearance. Through filming and **, Jia Ling let him die and be reborn.