Zhang Jing
ZHANG JingHe graduated from Tianjin Academy of Fine Arts with a bachelor's degree, worked in Tianjin Polytechnic University, and is a member of Tianjin Artists Association and Jiusan Society.
Influenced by his family since childhood, he has worked diligently and devoted himself to painting for many years. Since the 80s, he has published New Year paintings, etc., and has participated in many exhibitions and won awards. In "Tianjin**", "Tonight News", "Old Times" and other newspapers and periodicals have published Chinese painting works for many times, Tianjin Art Network, **Digital TV Calligraphy and Painting Channel and many other newspapers and reports have done interviews and reports, and published a monograph "The Painting Method of Peony".
Hui quality orchid heart leader ink dot dyeing female queen - Zhang Jing's peony love
Wang Benping. Once upon a time, after reading the long story "Mirror Flowers" by the Qing Dynasty literati Li Ruzhen, you will know why the peony in Luoyang is the most glorious and luxurious, beautiful, and the most elegant and elegant, and bold and expressive. Exactly: Fanghua time is competing to urge, and the heart of the orchid is proud of Xuemei. The favorite is the best in the literature of Pingsheng, the best among the women of Hanliang Langyuan. Such beautiful flowers and colorful postures are the masterpieces of the literati painters of all generations, and the solemn feelings of pouring out their hearts. I have known the female painter Zhang Jing for many years. Ms. Zhang Jing is a beautiful, tranquil and modest painter. Graduated from Tianjin Academy of Fine Arts, he was passed on by his father, the famous painter Peony Zhang (Mr. Zhang Xiwu). For many years, Mr. Zhang Jing has studied the concept and techniques of Zhang Pai peony in a down-to-earth manner, and on the basis of focusing on the pursuit of his father's chic, contrasting shades, matching the virtual and real, fresh and elegant artistic effects, he is giving the traditional freehand peony, an innovation and a new thinking trend. And make this new visual effect and artistic conception of beauty, not only retain the traditional painting techniques, but also fit the modern painting style. The unity shows the background effect of modern fashion, achieving both god and form. This is an important step taken by Ms. Zhang Jing to the traditional freehand peony and gradually form her own unique artistic style on the road of development of painting art.
Zhang Jing's work: "Great Wealth".
Who doesn't love peony flowers, occupy the good things in the city.
It is suspected to be the work of Luochuan God, and it is beautiful and broken.
Peony, the national color and fragrance, the king of flowers. It has always been regarded by the Chinese as a symbol of wealth, auspiciousness, happiness and prosperity. Looking at Mr. Zhang Jing's "Great Wealth Picture", the blooming peony in his work is delicate and charming, the petals are plump and moist, the color is soft and fresh, the pen is elegant and strong, the flowers and leaves and branches are interspersed in an orderly manner, the main and secondary are distinct, the three-dimensional effect is excellent, and the whole picture gives people a sense of dignified beauty. This peony picture of "Great Wealth" is rigorous and powerful from the stem, branches and leaves to the flower head; Three bees are in the upper left of the branch, echoing the peony flower head. The ink color of the branches and leaves is in stark contrast to the flowers, red and pink colors, and the wealth and elegance presented in the picture are very rich in the viewer's understanding and pursuit of its aesthetics. When Zhang Jing was painting, she firmly grasped the momentary dynamic characteristics of the painting object, the bees flying freely, and the dynamic swing of the flower heads, which was extremely accurate and expressive. It can be seen that Mr. Zhang Jing's ancient charm and exquisite brushwork in the painting process do not conflict with the gorgeous color, and it will not look "vulgar" because of "glamorous". Rather, it further contributes to the beautiful color of the peony and the ancient meaning of its style, which runs through the work as a whole. This is one of the styles of Ms. Zhang Jing, and it is also one of the fundamentals of identifying her paintings.
Zhang Jing's work: "Butterfly Danlu".
Suhua light topaz Ruiyong, virtual and white compete with everyone.
The butterfly dance lingers around the peony dew, just like Yaoqiong is more light.
The great painter Guan Shanyue said: "Before painting, it is necessary to fully grasp the internal laws of the object, such as painting peonies, to find out the differences between peonies and peonies, and distinguish its unique characteristics." It is necessary to have a full understanding of its natural attributes such as growth laws and organizational structure. This is commonly referred to as "painting theory". According to the "painting theory", Zhang Jing's white peony round light painting. According to the color needs of the picture, the flower head is selected to dye the petals of light grass green and light purple, the depth of the color and the area of the dyeing are not large, and then the white powder is applied, and the petal is dyed from the tip of the petal to the root of the petal, so that the white powder and the color of the dyeing inside are connected. After drying, use light green and garcinia cambogia to dot the stamens. Its flowers and leaves are dark green and the base is light green, looking at the petals, beautiful and moist, bright as the morning glow, such as condensed fat jade Yao, ice clear jade, jade appearance fairy, proudly erect; The leaves, lush and thick, verdant, and the spring breeze is mighty. The ink butterfly above suddenly enters the stamen and then fast, just like the amorous butterfly flying while the flowers are flying, and it is like a spring dream. You don't see this "Butterfly Danlu", its conception is exquisite, the shape is like a god, fresh and beautiful, full of pen and ink interest. In his paintings, he cites "painting theory" and "teaching method", which shows that he expresses his feelings about "creation", and gradually achieves the unity of things and me, and is lifelike, so his paintings are particularly lovely.
Zhang Jing's work: "Posture Vertical".
The picture only sees the pen flying, not the beginning of the clue, the flowers are beautiful and elegant, and the longitudinal leaves are spicy and strange.
This is a painting of Zhang Jing's pen and ink bold and indulgent, bold use of color, dripping ink and water, chic and elegant, large and small, small and big freehand peony. The whole picture is warm and elegant, full of charm. It looks messy, but in fact it is orderly, and the peony flowers show extreme lightness against the background of the whole rich and heavy. Gradually, it is accurately concrete, reflecting different texture effects. The seemingly multi-layered rough brushstrokes reveal a precise demeanor, and the picture seems to be casual and easy, but inadvertently shows the natural interest of Hongda. Look at its peony with ink hook flowers color, not to seek gorgeous, only to see the brush. The brushstrokes in the leaves are smooth, and only the "random dots" are used to easily and arbitrarily get done, so that the whole painting picture is free from the usual antique routines of the past. But when I saw those few flowers, they were alive and only appeared on paper. The viewer is full of sighs, this painting is full of fun and chic, the depiction is natural, but it is full of fun. This "Posture" is enough to show Zhang Jing's superb painting skills and profound brush and ink skills.
Zhang Jing's work: "Dou Yan".
I don't feel that the cold has returned in spring, and the infinite scenery is secretly urging.
The peaches, plums, and begonias are all gorgeous, and only the peonies are all flowers.
Teacher Zhang Jing's "Dou Yan" Peony Jun is missing, the focus of his painting is to use the pen, she uses the book into the painting, the trend of "spear and halberd", the odd, the brushwork is changeable. In the painting, the pen is affirmed, and the knot is compact, which shows that it is the proficiency of the gold and stone painting style. She uses a brush of color, rendering it with only dot ink, both the flower head and the flower and the leaves are dyed with large brushstrokes, and only a few strokes of the branches and stems are drawn with lines. In this work, the peony flower head is dotted with ink to dot the petals, the inner end of the petals is deep and the outer end is shallow, and the middle of the flower head is shallow and the periphery is deep. After the flower head is pointed, use Garcinia cambogia and dark green to dot its stamens while wet. The whole work, regardless of the layout, pen and ink, is spicy and bold, imposing, with clear ideas, moist ink and water, and very business. Appreciating Zhang Jing's "Douyan" peony painting, there is also the technique of accumulating color and ink, as well as the method of splashing color and breaking ink, so that the overall picture has strong tension of brushstrokes, as well as the texture of color and fluffy hair. It also shows the rigorous shape and composition of his paintings, and draws on the majestic trend of luxuriation. Throughout this painting, it greatly interprets the beauty of painting that combines rigidity and softness, vigorous and moisturizing, bright and bright colors, and pure artistic conception.
The author believes that the peony painted by Mr. Zhang Jing is gradually changing the beautiful state of the previous work, and she is using ink to express the hills and valleys in her chest. She not only retains the realistic style of the peony image in the literati painting with a distinct personality and temperament, but also has the "Yangzhou Eight Monsters" Li Eel's "rotten writing of famous flowers in the spring, prosperous and new." Over the years, everything is frugal, and I love rouge not as a person. "Large, crisp lines. She is using superb craftsmanship to portray those three-dimensional, flat, individual, and continuous peony images more vividly and colorfully. In "A Brief Introduction to Learning to Paint", it is said: "There is rather childishness in the brush and ink than stagnation; It is better to be domineering than to be market-oriented. In Zhang Jing's paintings, the formal elements of "brush and ink" and "hills and ravines" have been integrated with the artistic realm of "meteorology", which is more "domineering". At present, Zhang Jing's teacher is either dyed with ink or waved with light color, all of which are simple and simple, and it is in this harmonious state of the unity of subject and object that his aesthetic subject finally realizes the free gallop of the soul and constructs an artistic realm where the kite flies and the fish leaps.
Author:Wang Benping. , art critic, Tianjin Fine Arts ** invited writer).
Appreciation of Zhang Jing's peony works