Qinhuangdao, China Youth Network, February 5Intangible cultural heritage is an important symbol of the historical and cultural achievements of a country and a nation, and an important part of excellent traditional culture. Therefore, the "Cultural Treasures" practice team of the School of Translation and Interpretation of Qufu Normal University carried out intangible cultural heritage publicity activities during the winter vacation, and the practice team members learned about intangible cultural heritage through visits, practiced by themselves, helped inherit and promote intangible cultural heritage, and strived to let more people understand China's rich intangible cultural heritage.
Meng Jiangnu cried bitterly on the Great Wall, telling about the lingering love for eternity.
The legend of Meng Jiangnu, also known as Meng Jiangnu crying on the Great Wall, is one of the four great love legends in ancient China. The legend of Meng Jiangnu has a long history. The story of Meng Jiangnu originates from the historical fact of "Qiliang's wife crying husband", and the two protagonists in the story, one is the prototype of Meng Jiangnu's Qiliang wife, and the other is the prototype of Fan Xiliang, Qiliang, are real historical figures. This story mainly tells the tragic love story of Fan Xiliang who was arrested to build the Great Wall on his wedding day and died of exhaustion by the Great Wall. During the winter vacation, the practice team members came to the Mengjiang Numiao Temple in Wangfushi Village, Shanhaiguan District, Qinhuangdao City to conduct field research activities. Mengjiang Nu Temple is to commemorate Meng Jiangnu and repaired, the practice team members took a taxi to Mengjiang Nu Temple, walked through the 108 temple in front of the mountain masonry 108 pedestrian stone stairway, saw "the sea water towards the chao After the visit, the practice team members wrote the story of Meng Jiangnu into a draft and posted it on WeChat*** for publicity, with the help of the power of the Internet to let more people know about Meng Jiangnu's tragic love story.
When people are in trouble, there are people.
The dance is also known as the ghost show, which is the oldest dance of the Han nationality to worship the gods and dance ghosts, drive away the plague and avoid the epidemic. Wu culture is an ancient primitive culture and an important component of traditional Chinese culture. In the traditional Chinese civilization, "Wu" is a social and cultural phenomenon with strong religious and artistic colors that has a long history and is widely popular among the Han people, which originated from the nature worship, totem worship and witchcraft consciousness of the Han ancestors. The main performance tool of the dance is the mask, and people use the shape, color and facial demeanor of the mask to express different feelings. Due to the gradual loss of the Nu culture, many people misunderstand the Nu culture as the culture of other civilizations, but this is a unique way for the Chinese nation to express its resistance to the difficulties in life. After collecting and sorting out the knowledge about the Wu culture, the practice team members used their professional knowledge to translate it into English, and made a beautiful PPT manuscript to publicize and explain it to the students. At the same time, the practice team members also carried out offline publicity, explaining to relatives, friends and neighbors through walking the streets and alleys, so that the intangible cultural heritage of Nu dance received higher attention.
Flying flowers are engraved on the paper, and everything is born at the fingertips.
Paper-cutting, also known as carved paper, is a kind of hollow art, is one of the oldest folk art of the Han nationality in China, which visually gives people a sense of transparency and artistic enjoyment, the carrier of paper-cutting is diverse, it can also be paper, can also be gold and silver foil, bark, leaves, cloth, leather and so on. Decoupage can be used both for decoration and for expressing emotion. During festivals such as the Spring Festival and the Lantern Festival, people often use paper-cutting to decorate their houses and create a festive atmosphere. In addition, it can also be used to express love, such as giving to relatives and friends, implying deep feelings. Paper-cutting has a long history, and its roots can be traced back to ancient China, recorded in the Western Han Dynasty. This art is not only the inheritance of skills, but also carries the charm of ancient culture and the imprint of profound history. Therefore, the practice team members participated in the offline paper-cutting experience activities in the early stage, and in the experience process, the practice team members experienced the magic of paper-cutting, folding the paper several times, and cutting it with scissors a few times to get exquisite paper-cutting works. The practice team members deeply experienced the fingertip art of paper-cutting in the exquisite patterns engraved by themselves. The practice team members also visited every household in the village and found that there were some paper-cut elements in every household, such as window grilles and happy characters. Taking this opportunity, the practice team members further promoted the paper-cutting culture to the people in the village, so that the villagers could have a deeper understanding of the profound intangible cultural heritage.
History flows endlessly, and culture is passed down from generation to generation. As the crystallization of the wisdom and civilization of the Chinese nation, intangible cultural heritage is a precious spiritual wealth that must be inherited, protected and developed. Through this practice, the practice team members of the School of Translation and Interpretation of Qufu Normal University visited the sites of intangible cultural heritage, learned the skills of intangible cultural heritage, and had a deeper understanding of the history of intangible cultural heritage. The members of the practice team will continue to learn and contribute to the inheritance and development of intangible cultural heritage.