Luoxia and lonely birds fly together, and the autumn water grows together in the sky - Tang Wang Bo's "Preface to the Pavilion of King Teng".
When you are old and strong, you would rather move the heart of the white head? —Wang Bo, Preface to the Pavilion of King Teng
Poor and strong, do not fall into the ambition of the clouds. —Wang Bo, Preface to the Pavilion of King Teng
About Tengwang Pavilion Tengwang Pavilion faces the Gan River and is located at the confluence of the Gan River and the Fu River. When Li Yuanying, the son of Tang Gaozu, was appointed as the governor, he ordered the construction in Nanchang, Jiangxi in 653 AD. In the name of the title. Tengwang Pavilion was built in the Tang Dynasty, after several rise and fall, during the Jingtai period of the Ming Dynasty, the governor of the imperial envoy Han Yong rebuilt, its scale is three floors, 27 meters high, about 14 meters wide. After the rebuilding of the Tengwang Pavilion, even the basement has a total of nine floors, 57 high5 meters, covering an area of 47,000 square meters, the city is facing the river, and it is more than 100 meters away from the ruins of the Tang Dynasty. The reason why King Teng's pavilion enjoys great fame is largely due to a popular prose "Preface to King Teng's Pavilion". The classic stories are all Governor Yan Gong's banquet Teng Wang Ke, fate his son-in-law to make a preface to praise the guest, because of the pen and paper all over the hospital, do not dare to be, to Bo Pan resigned. The public was furious, changed his clothes, and sent officials to serve his papers. The first newspaper cloud: "Nanchang Ancient County, Hongdu New Mansion" said: "It's also a cliché." He also reported to the clouds: "The stars are divided into wings, and the ground is connected to Henglu", the public heard it, and he was silent. Another cloud: "Luoxia and lonely birds fly together, and the autumn water grows together in the sky." Gong Zhen (jué left and right frightened) then said: "This is a true genius, and he should be immortal!" So he urgently invited the banquet and gave up with great joy. It can be seen that Wang Bo was young and vigorous at that time, talented, splashing ink, and shocking the scene. After the full text was written, Yan's son-in-law spoke, saying that this was an article that had already existed before him, and that it was not enough to worry about, and then recited the "Preface to the Pavilion of King Teng" word for word, which made the people present also amazed at his extraordinary memory. After hearing this, Wang Bo also secretly admired, but he had an idea and asked: "There is a poem after the preface, can you also memorize the poem?" When the son-in-law heard this, he couldn't help but stammer. Wang Bo wrote the poem with a stroke of his pen: King Teng's high pavilion is in Jiangzhu, and Pei Yuming Luan sings and dances. The painting building flies towards the clouds in Nanpu, and the bead curtain rolls up the rain in the western mountains. The shadow of Xianyuntan is long, and the stars change a few degrees of autumn. Where is the emperor in the pavilion now, and the Yangtze River is empty outside the threshold. Wang Bo's Life Wang Bo is famous for his poems and writings with Yang Jiong, Lu Zhaolin, and Luo Binwang, and is also known as "Wang Yang Lu Luo", also known as the "Four Masters of the Early Tang Dynasty". A literary scholar in the early Tang Dynasty, he is rarely famous and a prodigy. The 6-year-old is good at writing and writing, and there is no lag in thinking. At the age of 9, he had excellent connoisseurship, read the ancient annotation "Book of Han", and wrote "Finger Flaws" to correct his loss. At the age of 14, he should be lifted and the first, and he was subject to the morning Sanlang. At the age of 17, he studied for King Pei. After being a palace attendant for more than a year, "the play is "The King of Ying's Chicken", which angered Tang Gaozong and was expelled. At the age of 22, he had to join the army in Yuzhou, and because of "hiding the death penalty of the official slave, he was afraid of leaking the incident and killed him." "Unauthorized murder of officials and slaves should be punished, and they will be pardoned and removed. His father was also demoted to the Order of Cochin. At the age of 26, he went to visit his father in Jiaozhi, crossed the sea and drowned, and died of palpitations. 
Wang Bo's well-known Tang poem "Send Du Shaofu to Shuzhou": The city is supplemented by three Qin, and the wind and smoke look at Wujin. Parting with the king, the same is a eunuch. There is a confidant in the sea, and the end of the world is like a neighbor. Inaction is on the wrong path, and the children are stained with scarves. The classic allusion in "Preface to the Pavilion of King Teng" is allusion 1: "Suiyuan green bamboo, the bottle of Peng Ze". Liu Wu, the filial piety king of Liang in the Western Han Dynasty, the grandson of Liu Bang, took Suiyang as the center, relying on the natural scenery, built a very large garden, called Dongyuan Garden, and later generations called Liang Garden. The houses in the Liang Garden are carved with dragons and phoenixes, which are resplendent and splendid, almost comparable to the imperial palace. On both sides of Suishui, the bamboo forest stretches for more than ten miles, all kinds of flowers and trees are available, there are many kinds of birds and animals, King Liang Xiao often hunts here, feasts and drinks, and the guests and friends of the conference. The literati of the world, such as Meixian, Yan Ji, Sima Xiangru, etc., gathered in Liang Yuan and became the guests of King Liang Xiao. The common idiom "Although Liang Yuan is good, it is not a place to stay for a long time" comes from this allusion. Peng Ze refers to Tao Yuanming, who once did Peng Zeling and likes to drink, so he says "Peng Ze's bottle". There is a sentence in "Words of Return" that "bring the child into the room, and there is a bottle of wine". The article cites these two allusions in order to show that the guests present were like the literati who gathered in the Sui Garden (Liang Garden) in those days, drinking and writing poems, and their bold and good drinking spirit surpassed Tao Yuanming's. Allusion 2: "Yeshui Zhuhua, the pen of illuminating Linchuan". "Yeshui Zhu Hua" uses an allusion to Cao Zhi, who once wrote "Zhu Hua Takes the Green Pool". Zhu Hua, literally a red flower. Cao Zhi is the master of Jian'an literature, with a talent of seven steps. Linchuan, guide to the landscape poet Xie Lingyun, he once served as the history of Linchuan. Xie Lingyun admired Cao Zhi's talent very much, and once said a crazy sentence: "There is only one stone in the world, Cao Zijian has eight buckets, I have one bucket, and I have a bucket, and I have a bucket since ancient times." So here are the deeds of Cao Zhi and Xie Lingyun quoted together. The allusion is to use the poets Cao Zhi and Xie Lingyun to compare the scribes who participated in the banquet with a high literary talent. Allusion 3: Looking at Chang'an in the sun, Mu Wu will be in the clouds. The feudal society compares the emperor with the sun, because the place where the emperor is located is the "sun". Looking at Chang'an in Kyoto as far away as the edge of the sky, pointing to Wuhui also seems to be far away between the ethereal sea of clouds. This allusion reveals the author's bumpy career and the feeling that he has no way to serve the country. 
Allusion 4: The terrain is extreme and the south is deep, the heavenly pillar is high and the north is far away. "Nanming", the sea of the guide, from "Zhuangzi Leisurely Travel": "It is a bird, and the sea will migrate to the south (Ming), the one who is in the south of the earth, and the Tianchi is also." ""Heavenly Pillar", the legendary Optimus Pillar, the so-called Heavenly Pillar also. Circumference of three thousand miles, the circumference is like cutting, there is a house under the copper pillar, and the wall is a hundred zhang. The pillar of heaven is extremely high. Through the vastness of the universe, to set off the transience of life. Allusion 5: Emperor Huai is gone, what year is the Fengxuan room? The emperor refers to the emperor of heaven, and the emperor refers to the gatekeeper. "Diqi" in Wang Bowen actually refers to the monarch or the imperial court. and the next sentence "Xuan Room" are all alluded to when the emperor is in power. Four years after Jia Yi belittled Changsha, the Han Emperor summoned him back to Chang'an and asked about ghosts and gods in the Xuan Room. These two allusions say that he misses the imperial court, but it is difficult for him to get close to the imperial court and be loyal to the emperor. Allusion 6: Feng Tang is easy to be old, and Li Guang is difficult to seal. Feng Tang went through the three dynasties of Wen, Jing, and Emperor Wu, and he only became a Lang official, and when he arrived at Emperor Wu, someone recommended him, but he was over ninety years old and could no longer be an official. The famous general Li Guang of the Han Dynasty was brave and good at fighting, only to skip people, and fought more than 70 battles with the Huns in his life, and his reputation was far and wide, and the Huns fled from the wind, calling him "General Fei". "Don't call Hu Madu Yin Mountain" and "You don't see the hardships of the battlefield, and I still remember General Li" are all famous sentences praising him. However, Li Guang was not able to tear the soil and seal the marquis, which caused regret among the historians and countless melancholy among the people. Later generations then used "Feng Tang is easy to be old, Feng Tang is old, old Feng Tang, sigh Feng Tang" and other laments that he was born at the wrong time, his fate is not good, or he means that he is old and can no longer make a difference. Allusion 7: Qu Jiayi is in Changsha, not without a holy master. Jia Yi was born in Luoyang, at the age of 18, he was known for his literary talent, and at the age of 20, he was called by Emperor Wen of the Han Dynasty as a doctor, and he was deeply relied on, and he proposed to appoint Jia Yi as the minister. However, those princes and princes in the court were not tolerant of Jia Sheng, and slandered Jia Yi in front of Emperor Wen for "wanting to abuse power and messing up all things", and Emperor Wen had to demote him to the prince of Changsha. Later, he was transferred to the prince of Liang Huai. King Huai of Liang fell from his horse and died, he hated himself for dereliction of duty, and died of depression a year later at the age of 33. In ancient times, Jia Yi was often used as a representative of unmet talents and untimely death. 
Allusion 8: Channeling Liang Hong in the sea song, is there a lack of bright time? Liang Hong, whose name is Boluan, is a writer of the Eastern Han Dynasty. Liang Hong lost his father at a young age. In the early years of the Eastern Han Dynasty, he entered the Taixue and received a job, although his family was poor but he studied hard, and he had read all the ancient and modern classics during the period, and he knew everything about the subset of history. When Emperor Zhang of the Han Dynasty, Liang Hongyin went to visit his friend Gao Hui, passed through the capital, and composed a "Song of Five Fathoms", a total of five poems, each sentence has a "噫" character at the end. The gist of it is: climb the high Beimang Mountain, overlook the imperial capital at the foot, how Cui Wei is in the palace, and the hard work of the common people is far from ending. This poem was known to Emperor Zhang, who was furious and ordered the arrest of Liang Hong. After hearing the news, Liang Hong changed his name and surname, and fled with his wife and children to live on the edge of the Bohai Sea. During the day, Liang Hong was a man of rice, and at night, whenever he dragged his tired body home, Meng Guang had already prepared a fragrant and delicious meal for him. She respected her husband so much that she didn't dare to look up, so she half-bent over and raised the tray containing the food to the front of her eyebrows for her husband to eat. This is the origin of the famous "raise the case and raise eyebrows" allusion. Once he saw it to his master, and exclaimed, "Whoever can make his wife respect himself like this must be very human!" So he changed a big house for Liang Hong and his wife to live in, and since then Liang Hong has to concentrate on learning and write more than ten books behind closed doors. Later generations of literati often quoted "channeling Liang Hong in the sea song, how can there be a bright time" to express their complaints about the lack of ambition in their lives. 
Allusion 9: Drink the greedy spring and feel refreshed, and be happy when it dries up. On the way to take office, Wu Yin, a Jin man, passed by a spring called Greedy Spring, and it is said that people who drink this water become greedy. When he did not believe, he took water and drank it, and wrote a poem to the effect that a person who is not greedy will not become greedy when he drinks it. When he arrived, he was very incorruptible. "Drink the fountain and feel refreshed" expresses that an honest person will never be corrupted by the external dirt, and a virtuous person can remain pure even in a dirty environment. Zhuang Zhou borrowed grain from the Marquis of Jianhe, and the Marquis of Jianhe promised to lend him a large sum of money after the tax collection of the fiefdom was in hand. Zhuang Zhou was angry when he heard this, and said that the carp in the rut needed the water of Dousheng, and if he delayed the time to get the water of the Xijiang River, it would be equivalent to putting the carp in the dry fish. Later, the idiom "carp of dry ruts" was formed, which was used as a metaphor for people in distress and in urgent need of help. The article cites this canon as a deliberate reference to being in a difficult situation but enjoying oneself. 
Allusion 10: Although Beihai is credit, Fuyao can be connected. From Zhuangzi's "Getaway"! This allusion shows that although the ideal is far away, the attitude of persistent pursuit can still be reached. Allusion 11: The east corner has passed away, and it is not too late for mulberry elm. There is an idiom "lost in the east, harvested mulberry". The parable begins with losses, and then finally wins; When you are young, you are wasted, and it is not too late to work hard when you are older. From "The Book of the Later Han Dynasty: The Biography of Feng Yi". Allusion 12: Meng tastes noble and has spare time to serve the country. Meng tastes the word Bo Zhou, and the Eastern Han Dynasty will be on the Yu people. He once served as the Taishou of Hepu, known for his honesty and dedication, and was known as a god for the benefit of the people. However, due to his noble interests and self-purity, he was not promoted for a long time, and later lived in seclusion and cultivated the fields. During the reign of Emperor Huan, although some people recommended him many times, it was useless. At the age of seventy, he died at home. The author compares himself with Meng and reveals his resentment that he is not reused. Allusion 13: Ruan is rampant, how can he cry at the end of the road? From "The Book of Jin: The Biography of Ruan": Ruan's "When he drove alone, he was not on the road, and the car was poor, and he cried and returned." Ruan Ji took this opportunity to vent his frustration with reality. The author considers this behavior to be negative and does not intend to emulate it. This is a negative dictionary, expressing the author's unwillingness to sink, striving to cheer up and improve himself, with the meaning of self-encouragement. Allusion 14: There is no way to ask for help, waiting for the weak crown of the final army. The final army sent an envoy to Nanyue and told the court that as long as he was given a long rope, the king of Nanyue would be bound to the court of the Han Dynasty. The consequences persuaded the king of Nanyue to return to Han. These two sentences mean that he is the same age as the final army, but he has no way to ask for a way to serve the country. 
Allusion 15: There is a pen with a pen, and Mu Zong's long wind. Ban Chao was originally engaged in copying work in the government, and after he joined the army, he was appreciated by the general Dou Gu. In 94 AD, under the recommendation of Dou Gu, Ban Chao made the Western Regions, and after years of hard work, finally unified the entire Western Regions in the Eastern Han Dynasty. Ban Chao was named the Marquis of Dingyuan for his merits. Later generations called the literati in the army a pen-throwing continuation. When he was young, (uncle) Bing asked him about his ambition and replied: "I am willing to ride the long wind and break the waves for thousands of miles." Li Bai's "Difficult to Walk": "There will be times when the wind and waves will be long, and the clouds will sail into the sea." "Now the metaphor is to move forward bravely without fear of hardships and dangers; It also describes the rapid development of the business. These two sentences are to say that he envied Zongyu's lofty retribution for riding the wind and waves, so he had the ambition to write from Rong. Allusion 16: The treasure tree of the Xie family is not the treasure tree of the Xie family, and the neighbor of the Meng family. Xie family: The family of Xie An and Xie Xuan of the Jin Dynasty. Baoshu: Xie Xuan once used "Zhilan Yushu" as a metaphor for a good child. The last sentence is to say that he is not as good as the children of the Xie family, and there is an element of modesty. Mengzi's mother lost his father at the age of three and was raised by his mother. Mencius, who was called "Yasheng" by later generations, was actually very naughty and naughty when he was young. In order to educate him to study well, his mother spent a lot of thought. It is said that his mother moved to neighbors three times in order to educate her son. Fanglin: Good neighbor. The next sentence says that when he was young, his father also chose to live in his neighbor so that he could receive a good education. On the other hand, I was glad to be able to make friends with the guests who attended the banquet. 
Allusion 17: He is getting more and more court, and he accompanies the carp. It means that after a while he will go to his father to be taught. From the Analects of Ji :(Confucius) tasted independence, and the carp tended to pass through the court. He said: "Learn poetry? He said, "No." "If you don't learn poetry, you can't speak (there is no basis for speaking). "The carp retreated to learn poetry. He was independent, and the carp tended to pass through the court. He said: "Learn etiquette? He said, "No." "If you don't learn etiquette, you can't stand (there is no standard for standing)." "The carp retreated and learned the ceremony. Other day: coming day. Approaching the court: Walk respectfully and quickly through the courtroom. As an allusion, "tending to the court", "carp pairing" and "court pairing" all refer to the children receiving the teachings of their fathers; "Court discipline" mostly refers to the father's teachings or nurturing. Accompaniment: ashamed to compare yourself. Carp: Kong Carp, son of Confucius. This allusion is to show that he will go to his father to listen to the teachings. 
Allusion 19: Yang Yi did not meet, and he felt sorry for Lingyun. Yang Yi: Yang Deyi's provincial name. Yang Deyi was a ** in charge of the hunting dog of the Son of Heaven when Emperor Wu of the Han Dynasty, once Emperor Wu read "Zi Xuan Fu", praised again and again, and said: "I can't be with this person at the same time!" Yang proudly told Emperor Wu that this fu was written by Sima Xiangru, so Emperor Wu summoned Xiangru. is like playing Emperor Wu on his own "Adult Fu", "The Son of Heaven is happy, fluttering with the air of Lingyun, like traveling between heaven and earth." This sentence is to say that if he hadn't met someone who recommended him like Yang Deyi, Sima Xiangru could only feel sorry for himself with Lingyun's endowment. Allusion 20: When the bell period is met, why is it ashamed to play the flowing water? Bell period: that is, the bell period, the Chu people in the spring and autumn period, good friends. Flowing water: refers to the Boya drum and piano, thinking about the mountains or flowing water, and the bell period will definitely be able to guess. These two sentences in the article are to say, what is the shame of meeting a bosom friend like Zhong Ziqi and playing the song of mountains and rivers? This is the author's comparison with Boya, saying that since he has met a bosom friend like Yan Dudu, he dares to make this preface. Allusion 21: The Orchid Pavilion has been erected, and the ruins of Zize Hill. Lanting: In the southwest of present-day Shaoxing, Zhejiang Province. Wang Xizhi of the Jin Dynasty once gathered here with the sages for a banquet, wrote poems and compositions, and wrote the "Lanting Collection Preface", which was uploaded as a good story in the literary world. Zize: The Golden Valley Garden of Shichong in the Jin Dynasty, also known as Zize, is in the northwest of Luoyang City, Henan Province. There were also literati who gathered here. These two sentences are to say that the grand occasion of the Lanting banquet has become a vestire, and the prosperous Jingu Garden has long been in ruins. Allusion 22: Please sprinkle the Pan River, and each dump the land and the sea. Lu Ji, a writer in the Western Jin Dynasty, went to Luoyang with his younger brother Lu Yun, and his literary talent was tilted for a while, and he was called "Erlu" at the time. Good prose, and many imitation of ancient works. The "Wenfu" is an important literary work in ancient times. Pan Yue, a writer of the Western Jin Dynasty. He once served as Heyang Ling, Author Lang, and Huangmen Shilang. The title of the poem is the same as that of Lu Ji. Pan Jiang and Lu Hai: Zhong Rong's "Poems": "Land (machine) is like the sea, and Pan (Yue) is like a river." As an idiom, it is generally written as "Luhai Panjiang". It is used here to describe the literary talents of the guests. These two sentences are to say, please all the guests here, just like Lu Ji and Pan Yue, give full play to their talents and write wonderful poems. 
Teng Wang Pavilion Poems" Tang Wang Boteng Wang Gao Pavilion Linjiang Zhu, Pei Yu Ming Luan Song and Dance. The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk. The shadow of Xianyuntan is long, and the stars change a few degrees of autumn. Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian. This poem was originally attached to the "Preface to the Pavilion of King Teng", and the "four rhymes" in the sentence "four rhymes" at the end of the preface are borrowed from this poem. Because the influence of the preface is too great, it hides the artistic value of this poem, and many readers only know Wang Bo's "Preface to King Teng's Pavilion", but they don't know Wang Bo's "Poems of King Teng's Pavilion". In the past dynasties chanting Teng Wangge's law, Wang Bo's "Tengwang Pavilion Poems" can be described as a superior work. The poem summarizes the content of the preface in concise and subtle words, with lofty magnanimity and grand realm, which can really be described as the same brilliance and complement each other with the "Preface to the Pavilion of King Teng".