I can play the role of a princess because I have the temperament to match it, and I have no problem at all. But it was a little bit more difficult for me to play the role of a rural person.
Jin Qiaoqiao once mentioned in an interview that she played the peacock princess in "Journey to the West".
Because she thinks she is too "Westernized" and only suitable to play the princess, the "superiority" she exudes cannot be concealed, so it has caused a lot of controversy.
Some people feel that she is sober and not suitable for her role; while others think that she is not too "foreign-looking", but her acting skills are limited.
It may seem that there is a huge difference between those glamorous female stars and the rural women in the fields, but in fact, it is these ordinary characters who can better show the actors' acting skills and deep insight into life.
There are many actresses who have successfully portrayed the transformation of rural women.
Young actresses may now be caught in a new "strange circle", because it seems that a successful transition must first play a rural woman, and "playing ugly" has become the key.
Maybe there are some successful cases ahead, so the young actresses now fall into this trap again.
Yang Mi, Lin Chiling, Liu Yifei and other actresses have played peasant women on the screen, and their appearance is the main publicity point.
Just recently, in CCTV's hit drama "The Road of Life", Li Qin, who has always shown her cute and high image, also showed her "new image" to the audience.
Despite being swarthy, she doesn't seem to have succeeded due to a mouthful of white porcelain teeth and a lot of irrationality in the plot.
The audience is not too demanding, but on the movie screen, they have created many classic peasant women images, and their actors are all naturally beautiful and beautiful.
They also used their acting skills to prove that playing rural women is more than simply blackening their faces and dressing up rustic.
Li Qin seems to be deeply influenced by a "curse", always unique when playing supporting roles, but seems to be slightly mediocre when playing the leading role.
When the audience saw her "village flower" Liu Qiaozhen in "The Road of Life" again, they discovered her shortcomings again.
First of all, she accurately positioned the two images of "Village Flower" and "Tu Hei Ugly" together, and perfectly stepped on the sensitive point of the audience.
When she appeared on the stage, her complexion was several shades darker than that of ordinary people, so much so that she was almost unrecognizable as Han Xiangjian in "The Legend of Ruyi".
Li Qin's complexion aggravated, causing her facial lines to look more clumsy, which was incompatible with the image of "Village Flower", and it could be seen at a glance that she was "acting".
Her acting skills are even more unacceptable again.
The tractor swings up and down, left and right, as if to be directly separated. When he speaks, he likes to exaggerate his words, and when he captures it at will, his facial muscles tighten, his brows are tightened, his eyes widen, and he can almost see the words "I'm good at acting" written on his face.
It's just a general scenario, not enough to be called a dramatic scene of emotional outbursts. When it's time to release her emotions, she takes on a different look.
She wore an unexpected wig, her face was excessively dark, and she seemed to be justified but unpopular when arguing.
More importantly, however, her arguments are not about competing with others, but more like giving a personal monologue, with her eyes wandering and not feeling integrated into the scene.
Many viewers initially came to ** because of their love for Lu Yao's original work, but they were disappointed by the "village flower" played by Li Qin, and some even gave up because of this.
When Li Qin played the role of a rural woman, he only grasped the surface, but lost his form and spirit.
Zhao Liying is undoubtedly one of the actors who have successfully transformed recently, especially after starring in "Flowers in Half a Summer" and "Happiness Spreads Ten Thousand Homes", it can be said that she has almost become one of the actors who can play big-scene roles.
Her role "He Xingfu" in the TV series "Happiness Spreads Ten Thousand Families" vividly demonstrated the plasticity of the actors and left a deep impression on the audience.
She is first of all a woman born in a new countryside, and she may have a rustic atmosphere, but she shows the vigor and charm of the new era.
She wore a white wedding dress at the wedding, and her makeup chose the most simple and natural bridal makeup, her lips were painted bright red, and her eyes were deeply painted. She also wore a cotton wool vest on the outside, which immediately had a retro feel.
Secondly, she appeared almost without makeup, plus some ugly makeup. For example, wrinkles are added to the corners of the eyes, forehead lines are added to the forehead, etc., adding a touch of fatigue to the image.
The most important thing about Zhao Liying is that she integrates her perception of life into her acting skills, such as walking around with a big bowl when eating, curling up on the sofa, and so on.
Image management is not the main thing, more attention is paid to casualness and comfort.
When she went into the city with her husband, she retracted the image of omnipotence in the village, looking around with a bucket and being curious about everything in the city.
However, Zhao Liying's performance, while excellent, still falls short when it comes to handling details.
For example, when taking out the head, the hands are not only clean and delicate, but also the posture is not natural enough, which makes it look a little cramped.
Her acting skills have reached a certain level in shape, but she is still lacking in demeanor and details.
However, she dared to take the step of transformation, and I am sure that more opportunities and surprises await her in the future.
Gong Li, as one of the early Mou girls, is incomparable to current actors in terms of opportunity and acting skills, after all, she is the unique "Gong Huang".
Her first film work was "Red Sorghum" directed by Zhang Yimou, in which she played the role of "Jiu'er".
She was only in her 20s, a girl who grew up in the city and knew nothing about rural life.
In order to ensure the authenticity of the shooting, she not only learned to grow sorghum, but also practiced carrying water with a flat pole every day.
What the audience finally sees is a flawless image of a country girl.
When Gong Li was filming "Qiu Ju's Lawsuit", she already had a lot of experience in playing rural women.
However, in order to better interpret the role of Qiu Ju, a rural woman in Shaanxi Province who is six months pregnant, she once again began to "experience life".
A few months ago, she went to live in rural Shaanxi, and maintained her pregnant figure until before the start of filming.
Sitting and chatting with people at the entrance of the village, the white face showed traces of vicissitudes, and even spoke in the local dialect. Even when washing your hair, follow the local custom of using laundry detergent to clean your hair.
Hair is damaged for a long time and becomes dry and frizzy.
Wearing a red cotton jacket and a green headscarf, she strolls through the streets. Although her figure is a little bloated, no one can think that she is the international film superstar Gong Li.
The peasant woman played by Gong Li not only looks similar to the prototype, but also has a lifelike expression.
She took her husband into the city to see a doctor, anxious and curious about the city. She looked left and right as she held the car, her face showing inferiority complex and preoccupation.
She is not playing Qiu Ju, but she is Qiu Ju herself. This is not a fantasy, but a step by step experience rooted in life.
Yan Ni successfully won the love of the audience with her role as "Tong Xiangyu" in "Wulin Gaiden" and became a well-recognized actor.
In the movie "Bullfighting", Yan Ni created a character that is completely different from her amorous image, but appears as a rural woman in the war era.
The triangular bangs in the shot are ugly and witty, although they are wearing a floral cotton jacket, the mud and oil stains on their bodies have never been washed, which is very consistent with the scene at that time.
Yan Ni's authenticity is not only reflected in her body shape and dress, but also in some behaviors.
For example, when snatching milk, she is able to fight desperately in the crowd for a pot of milk.
She wasn't lacking in cultivation, but she did need milk at that time. In contrast, although Lin Chiling has created the image of rural people, she even gave up her own image, leaving a mouthful of yellow teeth and wearing fancy earthy clothes.
However, when she hits, she always refrains from her strength, and her slender fingers don't match her outfit.
It is clear that in order to successfully interpret this image, it is not enough to be ugly.
Do you know if it was broadcast, as soon as the eldest lady appeared, she immediately attracted repeated praise from the barrage: "Is this Dehua?" ”
That's right, it was Jiang Dehua in "Parents' Love", Liu Lin was discovered by the audience by playing the role of the housewife.
Dehua, who appears in the play, has a dark complexion, short ear-length hair, and a rough demeanor, but he has a kind heart, and he immediately created a profound image as soon as he appeared.
Not only has she changed in appearance, but she has also injected soul into the character in terms of acting skills.
Especially in the scene of quarreling with her sister-in-law, she vividly interpreted her admitting death and stubborn emotions.
She is also very decent in handling details, such as dripping sesame oil when cooking, and then licking her fingers directly with her mouth, I believe many people have seen such a scene at home.
Dehua in the TV series is rough, but in real life she shows a very elegant side, and this difference in identity once again shows her ability and acting skills.
As soon as Dehua arrived, her good friend Wang Xiu'e in the play also arrived immediately.
Wang Xiu'e is the daughter-in-law of Lao Ding's hometown in Henan, she has never left her hometown, she has received little education, and her life is limited to farm work and household chores.
When Wang Xiu'e appeared on the stage, although she had done enough foreshadowing, she still shocked many audiences.
She speaks loudly and rudely, and does not look like an actress, but more like an ordinary villager from a certain village.
In the scene where she delivered An Jie, especially when she sprayed scissors with liquor to sterilize, many people could feel the fear in the heart of the eldest lady An Jie.
Liu Tianchi, the actor of Wang Xiu'e, actually not only has a deep cultural heritage, but also is a highly praised Chinese opera performance teacher.
She also undertook the performance guidance of many film and television dramas, such as Zhang Yimou's "The Thirteen Hairpins of Jinling", which was also directed by her.
It is clear that the successful portrayal of rural women does not only rely on wearing heavy makeup and dressing up as black, ugly, and earthy, but also portrays the inner emotions.
With the change of the times, rural women are no longer the uneducated and vulgar image of the past, they pay more attention to fashion and refinement, and gradually approach the fashion trend.
In order to successfully interpret the role, you first need to have an external image similar to the prototype.