In the upcoming Spring Festival, the competition in the film industry is becoming more and more fierce. There are less than 10 days left before the Spring Festival, and the major films have been laid out, ready to show their strength and charm to the audience. This year, there are eight movies squeezed into the schedule, with comparable strength and extremely fierce competition.
The Spring Festival stalls are of great significance to the film industry. Unlike usual, during this time, the movie theater was full, and the audience walked into the theater one after another, especially the first and second days of the junior high school, which was crowded and full. In such a situation, the scheduling rate of the film has become a crucial factor.
Publishers play a key role in this competition. They use various means to strive for more share of the film schedule to ensure that their films can stand out during the Spring Festival. Major distributors have issued film scheduling notices one after another, trying to obtain more film scheduling shares. "Flying Life 2", "Article 20", "Let's Shake the Sun Together", "Bear Infested" and other films have been notified one after another, and each film hopes to get more scheduling resources in the early stage.
Film scheduling has a huge impact on the box office of the film. In the first few days of the Spring Festival schedule, the audience watched movies more randomly than based on word-of-mouth.
Therefore, whichever movie can get more film schedules will be able to occupy the box office advantage in the early stage. Theaters are under tremendous pressure to weigh the interests of all parties and decide how to allocate their limited scheduling resources.
At the same time, the relationship between the theater and the distributor is crucial. The distributor has huge resources and background, and can put pressure on the theater, so that the theater does not dare to offend, and gives itself more resources for scheduling films. Theaters are often the disadvantaged group in this game, and they need to maintain a good relationship with the distributor to ensure that their interests are not lost.
In the competition for film scheduling, strong distributors often occupy a dominant position.
They use various means to ensure that their films can get more scheduling resources, so as to stand out during the Spring Festival. Ticketing platforms such as Taopiaopiao and Maoyan also play an important role in this competition, and they have a strong influence on theaters' scheduling decisions.
However, there are also some weak distributors in this competition for film scheduling. They may lack background support and may not have enough resources to compete for a larger share of the schedule. These films are often squeezed, and they need to fight for their rights in various ways.
Just like "Mr. Red Carpet", the distributors behind this film are relatively weak, and they are in a passive position in the competition for film scheduling. However, they did not give up, but expressed their attitude through posters and other means, hoping to get more attention and support.
In general, the competition for the Spring Festival schedule is extremely fierce, and major films have been laid out, hoping to stand out at this important moment. Scheduling resources have become a key factor in the box office, and the relationship between theaters and distributors has become increasingly strained. In this context, each film is working hard for its own interests, hoping to be successful during the Spring Festival.