Li Guangyue
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Li Guangyue: Born in Yongcheng, Henan Province in March 1954, graduated from the Academy of Fine Arts of Fuyang Normal University in 1977, graduated from the Department of Chinese Painting of the China Academy of Fine Arts in 1992, graduated from the Zhu Honghui Gongbi Painting Workshop of the Painting Academy of Chinese University in 2017, and graduated from the Peng Guochang Landscape Painting Workshop of the Painting Academy of Chinese University in 2019.
He is currently a member of the China Artists Association, a member of the China Gongbi Painting Society, a director of the China Press and Publication Calligraphers Association, a specially appointed calligrapher of the Capital Academy of Calligraphy and Painting, and a painter of the Academy of Painting of Chinese University. He is the executive director of the Anhui Provincial Poetry and Calligraphy Research Association and the vice president of the Fine Arts Committee, a member of the Anhui Artists Association and the Provincial Calligraphy Association, a director of the Anhui Gongbi Painting Society, and a director of the Anhui Calligraphy Education Committee. He is a national first-class artist, a visiting professor of the School of Art of Anhui Xinhua University, a tutor of the famous teacher group of the Anhui Creation Training Center of the Chinese Academy of Painting and Calligraphy, a special researcher of the Anhui Provincial Research Museum of Culture and History, a distinguished painter of the Anhui Gonglin Academy of Fine Arts, the vice president of the Anhui Huiyuan Painting and Calligraphy Institute, and the vice president of the Hefei Folk Art Research Association.
More than 10 Chinese painting works have been selected for the National Art Exhibition sponsored by the China Artists Association, and more than 10 works have been collected by various art museums and museums across the country. Anhui TV Public Channel, Fujian Zhangxiong Art Network, Hefei TV and many other ** have done special interviews and reports. His resume and works have been included in nearly 100 dictionaries and art collections, such as the Dictionary of Chinese Artists, the Dictionary of Chinese Professionals, and the Hong Kong edition of Who's Who in the World.
Work appreciation
Qingsen China Resources is lush and deep
——Li Guangyue's freehand landscape painting
Wen Gan Yiming.
In the art garden of freehand landscape painting in the Anhui painting circle, Mr. Li Guangyue, a member of the China Artists Association and a national first-class artist, plays a pivotal role and is unique.
Li Guangyue was born in a scholarly family in the fifties of the last century, his father Li Chuanzhou is a professor of Fuyang Normal University in Anhui Province, under the good family atmosphere and his father's strict education, Li Guangyue began to study under the painter Xu Jiachang, Zhu Honghui and other tutors to study the painting of flowers and birds, the flowers and birds of the Gongbi are full of the meaning of life, revealing the fresh breath of nature and the rhythm of life in the original state. His flower and bird paintings are beautiful in artistic conception, beautiful in shape, lovely and interesting, containing the profound tradition of Song painting, with solid and accurate modeling skills, and the line outline of the pen to convey and support this shape, the pen is in place, the heart is calm and fascinated, and the color feeling is mostly bold and elegant, it is repeatedly paved and rubbed under a kind of idea, which seems firm and cautious, so that the flowers, grasses, fish and insects in his pen are fresh and vivid, plump and golden.
Guang Yue is a pioneering and innovative artist, an artist who dares to break into new fields, and soon he transformed into the creation of freehand landscape painting. He studied under the landscape painter Peng Guochang, and successively graduated from the Chinese Painting Department of the China Academy of Fine Arts and the Landscape Painting Seminar of the Chinese National Academy of Painting, which enabled him to have a detailed understanding of the ancient famous landscape painting techniques in Chinese landscape painting, the aesthetics and theory of landscape painting, and undoubtedly played a role in the future creation of landscape painting.
Li Guangyue's landscape paintings, splashed with ink, are majestic and vigorous; The colorful tree has a far-reaching charm and a profound artistic conception. Mountain streams, rapids, and clear springs are vividly and lively and cool in Li Guangyue's brushwork, making the viewer feel as if they are in the scene.
In the 50 years since he stepped into the art garden, Li Guangyue has been boating in the two rivers of life and art, sucking nutrients from life and fighting hard in the sea of art. And constantly absorb the nutrients of other sister arts to nourish and nurture themselves. He painted the mountains and rivers of the Central Plains, on the basis of heavy, heavy and simple, he absorbed the warm, elegant and bright style of the "Xin'an School", and boldly absorbed the full composition of oil painting, and used large close-up pictures. Coupled with the rigor and delicacy of his brushwork, richness and layering, his works have a distinct personality, and among the 100 landscape paintings painted by 100 landscape painters, you will recognize Li Guangyue's landscape paintings at a glance. Simple, old and spicy, pure and vigorous, delicate and meticulous, strange and steep, quaint and beautiful, transcendent and dusty, rich and deep - this is the general impression of Li Guangyue's landscape paintings, and it is deeply engraved in your heart.
Looking at the clear sky across the river" is magnificent, the vast river scenery, vast and far-reaching, the smoke and fog are misty, the peaks loom in the meantime, the stream is meandering, the river is empty, a few weeping willows on the green island, and the waterfall in the distance flows straight down, adding a little vitality to the picture, a good picture of the magnificent scenery of the rivers and mountains! "Immortal Residence in the Clouds" is magnificent, the waterfall in the distant mountains is straight down, the mountains and rocks are craggy, the pines and cypresses are quite beautiful, the composition is complex, the content is rich, the mysterious realm is strange, the layout is rigorous, the whole picture, the mountains are heavy and the water is complex, the white clouds are swirling, the forest is depressed, the artistic conception is far-reaching, a row of houses on the top of the high mountain is overflowing with fireworks in the world, here is the pen of the clear day. Judging from the fullness of the composition and the vastness of the brushwork, this painting is a high standard in Li Guangyue's landscape paintings in recent years.
"Green Water and Green Mountains are auspicious" is vast and lofty, majestic and beautiful, and has the comment of "the peaks and mountains are thick, and the plants and trees are blooming". Although there are thousands of rocks, there is no sense of clutter and pressure. The mountain is high and far, and the danger is stable, and the lines are strong, and the ink color and lines are enveloped. Looking at this painting from a distance, the mountains are stacked, the smoke and clouds are flowing, the lines are natural and smooth, the tone is simple and elegant, the gestures are delicate and fascinating, the ink color is transparent, the painting method is skillful, and the changes are extreme. There are countless masterpieces like this, so many of Li Guangyue's works have been published in dozens of newspapers and periodicals such as "Art Newspaper" and "Calligraphy Newspaper", and have been selected for the National Art Exhibition sponsored by the China Artists Association for more than ten times, and have repeatedly won gold and silver medals in various competitions.
Over the past decades, Li Guangyue has traveled all over the famous mountains and rivers in China, absorbing the nutrients of mountains and rivers, breathing the aura of mountains and flowing waters, swallowing mountains and rivers, chewing mountains and rivers, and he pays special attention to the flying changes of clouds in his sketching, studies the expression methods of clouds, and uses all his skilled brush and ink skills in the exploration of painting clouds. The spring clouds are moist, the summer clouds are thick, the autumn clouds are relaxed, and the winter clouds are cold and ......The painting method has also developed from the relatively simple methods of the ancients, such as outlining, blank space, and staining, to paying attention to the layer, heavier and heavier changes, and is related to the perspective of the wind and mountains. After countless cold and summer, he finally figured out a set of painting methods of "seeing the brush cloud". In his landscape paintings, clouds have become an indispensable and important part of landscape painting from an important embellishment in the paintings of the ancients. It may float in the high heavens, and touch your reverie with the green ridge; Or flow in the rocks of the mountains and enrich your associations with the river. The clouds make the mountains higher and more steep, and the dangerous peaks more mysterious and charming. In short, the traditional peaks come alive under the painter's brush, making the rivers and mountains of the motherland more magnificent.
Some of his small paintings of mountains and landscapes are often self-evident in their skillful brush and ink language, daring to break the law and boldly take risks. Most of his Doufang village landscape works like to use large splashes of ink in different shades to express mountains, jungles, fields, cottages, pavilions, pavilions, thatched huts, small bridges, old trees, boats, etc., mostly outlined with flying irregular ink lines. Dou Fang's "Flowing Water Without Heart is also Noble", in the deep rock meandering stream, there are pavilion houses, the great peak protrudes, the deep run, the autumn mountains and cold forests, and the villages live in the wild. The composition is vigorous and full, the artistic conception is magnificent, it is a rare masterpiece in the author's four-foot bucket square works, "Spring Breeze Landscape Show" is mainly based on ink, light color, the waterfall in the picture goes straight down, the wooden bridge under the stream, and the local atmosphere is very strong. There are also white-walled and red-tiled houses, which form a picture of the idyllic scenery of the mountains and wilderness. In particular, a tall tower stands on the top of the mountain, which illuminates the whole picture, and is filled with the atmosphere of the new era of Xinshan Village. The shades of the mountains, the heights of the mountain dwellings, the flowing water, and the wooden bridges are all vividly and vividly expressed in his pen.
I thought, what is the meaning of Li Guangyue's landscape paintings? Li Guangyue himself said that he had been painting Chinese painting for decades, and finally had an idea, that is, "the pen goes with the feelings, the feelings go with the scenery, the pen goes to the scene, and the scene arrives with the feelings". The beauty of nature has been cut, laid out and painted by the painter's skillful brush, and it has become beautiful and dignified. The mountain splashing ink is majestic and vigorous; The colorful tree has a far-reaching charm and a profound artistic conception. Clouds, is Mr. Guangyue's proud pen, mountain waterfall rapids, clear springs, waterfalls, in his pen to express realistic and cool lively, those few dry brushes under the thousand feet of waterfalls, there are thousands of horses galloping momentum, the view has "the sound of the waterfall is moving, the waves are noisy and the mountains are heard" meaning, it can be said that the momentum and charm is to grasp and comprehend the focus and fundamental of Li Guangyue's landscape painting. Heaven rewards hard work, Li Guangyue's footprints on the road of art are naturally getting clearer and clearer, and he has established his own position in the field of freehand landscape painting, and will go higher and farther.
October 10, 2020.