Contextual Teaching of Classical Chinese Zhang Dai s Watching the Snow in the Lake Pavilion .

Mondo Culture Updated on 2024-02-01

Loneliness and magnificence in a world of ice and snow.

When it comes to ice and snow, many people first think of Harbin's ice and snow world. It is a dreamlike place, where ice sculptures and snow scenes together create a fairytale world.

But did you know that hundreds of years ago in China, there was a literati and ink writer who used his pen and ink to depict a beautiful story related to ice and snow, that is, Zhang Dai's "Watching the Snow in the Lake Pavilion". Now, let's travel through time and space, follow Zhang Dai's footsteps, and walk into the winter appointment of dancing with the snow.

Walk into the author. 1. Zhang Dai (1597-1689), the word Zongzi, also known as Shigong, the name Tao'an, alias Die'an, the late number of Liuxiu Jushi, Han nationality, the late Ming Dynasty and early Qing Dynasty Shanyin (now Shaoxing, Zhejiang) people, writers. Born in a family of eunuchs, he is less of a rich and noble son, loves prosperity, good landscapes, Xiao **, and opera. Proficient in tea art appreciation, after the death of the Ming Dynasty, he participated in the struggle against the Qing Dynasty, and then "put on his hair into the mountain" to write a book. He is the author of "Lang Huan Anthology", "Tao'an Dream Memories", "West Lake Dream Search", "Three Immortal Picture Praise", "Night Sailing Boat" and so on.

2. "Watching the Snow in the Lake Heart Pavilion" is one of Zhang Dai's memoirs "Dream Memories of Tao'an", written after the fall of the Ming Dynasty. After the death of the Ming Dynasty, Zhang Dai passively avoided living in the mountains of Yanxi in Zhejiang, concentrating on writing, and ended up in poverty.

Explain the time and place.

In December of the fifth year of Chongzhen, he lived in West Lake. After three days of heavy snowfall, the lake was full of people and birds. The day is more fixed, Yu took a small boat, hugged the stove fire, and went to the lake pavilion alone to see the snow.

At the beginning of the article, the time and place are briefly explained, and then the object of the description is snowed for three days, and there are many scenes that can be worth writing about, but the author does not do his best to render it, and only uses the seven words "the people and birds in the lake are overwhelming" to summarize and accentuate, which is so concise that it is almost stingy. Although there are few words, there is a broad space for aesthetic imagination. In such an environment, the author's inner emotions will not be warm and cheerful.

This natural atmosphere and inner emotions set the tone of the pure, clean colors and cold and lonely tone of the whole text.

Snow scene of West Lake. The rime is thick, the sky and the clouds and the mountains and the water, the top and bottom are white, the shadow on the lake, but there is only a trace of the long causeway, a little pavilion in the middle of the lake, and a mustard in the boat, and there are only two or three people in the boat.

This is really a blurred ink painting of the night snow of the lake and mountains, and the rime is to describe the snow and water vapor on the lake, which is diffuse. "The sky and the clouds, the mountains and the water, the top and the bottom are white", and the three "and" characters are used to vividly write the white and indistinguishable scene between the sky, the clouds, and the lake. "Traces", "points", "mustards", "grains" and other quantifiers, a small like one, write the movement of sight, the change of scenery, make people feel that heaven and earth are made, born there, and it cannot be shaken in the slightest.

The companions obviously have "two or three grains", but why does Zhang Dai say that he is "alone"?

In addition to the nobility of the literati, it is also the author's helplessness. This paragraph is about writing scenes, but it doesn't stop at writing scenes; From this chaotic world of ice and snow, it is not difficult for us to feel the author's deep emotion that the world of life is as vast as a drop in the ocean.

Encounter in the pavilion. On the pavilion, there are two people sitting opposite each other on the carpet, a boy shochu, and the stove is boiling. Seeing Yu Daxi, he said: "Is there more such a person in the lake?" "Pull the rest to drink together. Yu Qiang drank three white and parted. Ask his surname, he is from Jinling, and he is here.

The encounter in the pavilion is another important plot described in this article. This passage may seem prosaic on the surface, but in essence it conveys a wealth of inner activity. "There is more of this person on the lake" expresses both the surprise of the drinker and the surprise of the author. As a result of an unexpected encounter, the tones of the whole text are adjusted here, and the cool tones are blended with a hint of warmth. This warm color comes from the joy and soothing of the like-mindedness.

Although they are passers-by, they are emotional acquaintances; Although they know each other, they are passers-by after all. This complex and subtle psychology cannot be expressed in a suitable way for a while, and only with the help of wine can it be fully conveyed. As a result, authors who don't know how to drink can't help but "drink the three whites".

Farewell to the boat. and got off the boat, Zhouzi muttered: "Don't say that you are stupid, but you are even more stupid." ”

Zhouzi's words are a little bit of the author's inner feelings. Here, the cool snow scene has receded, and the lonely mood has become slightly warmer due to the chance encounter in the pavilion. When Zhouzi mutters, you can probably guess the expression of the lyrical protagonist smiling.

VR language teaching.

1. The words and sentences in classical Chinese and the scenes described in the article, there are great differences in the life of betta fish now, and there is a certain degree of difficulty for students to understand. Under the traditional teaching method, students tend to focus on abstract grammar and vocabulary explanations, and neglect to deeply understand the background and connotation of classical Chinese.

2. In contrast, VR language can effectively improve the learning effect of classical Chinese through the advantages of immersive teaching, interactivity, multi-sensory experience, personalized learning and rich learning resources. By leveraging the advantages of VR technology, teachers can provide students with a more vivid, intuitive, and interactive learning experience to help them better understand and master classical Chinese.

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