Hey, let's take a look at the hot topics during this time, how many times has the phrase "Jia Ling is awesome" said in the past few days? I can't even count! Think about it, isn't it time for our rice bowls to be brushed up by hot and hot discussions?
I have to say that Jia Ling's movie "Hot and Hot" is simply an irresistible hurricane! Whether it is the box office or word of mouth, it is simply about to refresh the record of this era! For a while, everyone was swept away by her charm.
You said that this movie is not only very popular in the film industry, but even the director industry was shocked by her achievements! You see, she is worthy of a walking miracle, unlimited!
Hey, do you think this will have a deeper impact on female audiences? Well, I think that, after all, female friends always have a special resonance for delicate emotional expressions.
Standing Up: Jia Ling's Female Perspective
Hot and Hot" was released, have you seen it? Oh, it's a "fat" romantic comedy, all kinds of jokes and tears are intertwined, which can be described as an emotional "full score"! But don't worry, we're not here to review the plot of the movie, but to talk about the magic of the movie - how it tugged at the heartstrings of those female audiences!
Do you think female audiences can feel the touch of movies more? That's right, this movie is not just a story of **, but more like a journey of female self-redemption. Just like the girl named Le Ying, who was harassed by the owner of the barbecue restaurant, does it make your blood boil, and you shout in your heart: "Sisters, we can also stand up!" ”
Jia Ling is really a bit of a background, she is not only a director, but also a spokesperson for the female perspective. How do you say that in this play, how will it be played in previous movies? The camera focuses on the victim, emphasizing her pain and helplessness. But Jia Ling no, she is not the kind of person who is "old-fashioned". She zoomed in the camera and pulled it to Le Ying's face, conveying a warm power of "you, can" and "we, can".
Think about it, what kind of era is this? Women's voices are getting louder and louder, and they are no longer willing to be passive and no longer satisfied with the supporting role of "male protagonist". In Jia Ling's world, women are the most shining protagonists, they have sadness, laughter, and infinite power, enough to subvert those outdated stereotypes.
Well, although the plot of the movie has been understood, Jia Ling's unique innovation from a female perspective remains to be revealed. So, let's dig deeper together and explore how Jia Ling used her movies to ignite the flame in the hearts of female audiences!
A hearty counterattack
Ouch, you know what? Jia Ling, this young lady, has really nothing to say about her filming skills, her set turned the audience's emotions upside down, which is breathtaking. Rather than a poor victim, she knows how to provoke the audience's volcanic anger against the perpetrator, so that more people's attention can be focused on the essence of the incident.
What's even more pleasing is that when Le Ying faces harassment, she is not soft at all. The camera focused on her clenched fist one second, and the next second, the disgusting guy's face was slapped into a black screen by her.
At this moment, the inner cheers of the female audience were simply louder than the stereo. They deeply understand a series of unspeakable emotions such as helplessness, fear and disgust that Le Ying felt when she was harassed, and fighting back is the solution they most desire to see.
Jia Ling and Zhang Yimou, the contrast between delicate and male condensation
Looking back on Jia Ling and Zhang Yimou, both talented people participated in the filming of sexual harassment clips. However, Jia Ling's handling is delicate and flawless, like a touch of scenery in a movie. However, Zhang Yimou's works are full of male condensation, which makes female audiences feel uncomfortable.
Take "Article 20" as an example, Hao Xiuping, a deaf and mute person played by Zhao Liying, suffered ** in the film. This section made the audience's blood pressure soar, and you can imagine the strong shock. What's even more embarrassing is that Hao Xiuping's family was bullied by bullies, becoming the only place in the movie where there is no comedy point.
Jia Ling uses her delicacy to deal with the plight of women, which adds a lot of color to the movie. In contrast, Zhang Yimou's male style aroused the disgust of the audience. The two of them are in the same field, but they present completely different styles, like two mirrors reflecting different scenes.
In the world of entertainment characters, perhaps because of this comparison, we can see the changes of the times more clearly. Jia Ling's works are full of warmth, echoing the audience's nostalgia for that era. Zhang Yimou, on the other hand, bears the imprint of male condensation in his creations, which makes people wonder whether such a style is still in line with the trend of the times.
Perhaps in today's society, women's aesthetics and concerns about movies have long been different from the past. Delicateness, care, and respect have become the new keywords of the movie. The elements of masculinity, domineering, and authoritarianism gradually faded out of view, leaving behind a reflection on the real needs of human nature.
With the changing times, the differences between Jia Ling and Zhang Yimou make us think about how entertainment characters can keep pace with the times in this rapidly changing era. Their works are not only films, but also a mirror of the times, reflecting our pursuit of life, emotions and society.
So, in this era full of challenges and possibilities, how will Jia Ling and Zhang Yimou define their future? And how will they lead the audience to a new world of cinema? Perhaps, this is exactly the suspense we are looking forward to.
Is the director's shot emotionally guided or misleading?
In a movie, the director's lens plays an important role in guiding the audience's emotions. However, some directors fail to guide the audience correctly, and instead let the audience fall into emotional misunderstandings. Zhang Yimou is one of them.
In Zhang Yimou's works, the camera is almost always focused on the victim, placing the audience's perspective in the position of the abuser. This way of dealing with it will undoubtedly cause misunderstandings among some viewers, especially male viewers. They may not be able to sympathize with the victim, but are stimulated by the violent scenes in the camera to stimulate their inner depression and bad tendencies.
In works such as "Man Jianghong" and "Solid as a Rock", the scenes of some female characters suffering ** are deliberately magnified. The camera focuses on their torn clothes, desperate expressions on their faces, and some are even so frightened that they pee their pants, and this close-up makes the audience feel heartache and anger for what happened to them.
This treatment not only causes misunderstandings among the audience, but may also cause secondary harm to the victim. Directors should handle these sensitive scenes more carefully, giving more respect and compassion to the victims, rather than focusing on their pain and despair.
This wrong way of directing may stem from the director's lack of awareness of gender issues, or the deliberate rendering of violent scenes in order to cater to a certain aesthetic taste. However, whatever the reason, this misleading approach to the audience is reprehensible.
In today's society, we pay more attention to gender equality and women's rights, and film, as a cultural product, should assume the responsibility of guiding social values. Directors should treat sensitive topics in a more responsible manner, and guide the audience to view gender issues correctly, rather than misleading them into false emotional perceptions.
Therefore, whether the director's lens is emotionally guided or misleading, we need to examine and think about it. In the future of film creation, we hope to see more directors who can correctly guide the emotions of the audience, give more respect and sympathy to the victims, and make the film a catalyst for social progress and cultural improvement.
Zhang Yimou's film "The Thirteen Hairpins of Jinling": Is it history or aesthetics?
Hey, guys, have you ever watched Director Zhang's "The Thirteen Hairpins of Jinling"? Oops, what a topic, as soon as I talk about it, it is like opening the time tunnel of history, all the way to that thrilling era. But do you know that this movie is not only to restore history, but also has a strong aesthetic force to tinker in it, which can really be called the "** defense war"!
It's a drop, and this title is not good enough, others jokingly call it "** defense war"! Because the story in this movie is not simple, it is full of historical vicissitudes, and it also hides the aesthetic heart of director Zhang Yimou. I heard that Director Zhang has put a lot of thought into it, and in order to impact the international award, he specially changed the role of "godfather" in the story from a woman to a man.
Not to mention, the historical restoration in this movie is quite in place, especially the scenes depicting the Japanese army's ** women in our country, which is terrifying to watch, just like seeing that tragic history with my own eyes.
But the question is, even if we can't bear to look down in order to remember history, do you think that the actor sometimes thinks a little ......Weird? I really don't know, if the prototype is a woman, why did Director Zhang change the story to look like this? It's a puzzle to avoid!
Alas, it's really full of questions, is it to restore history? Or is it to satisfy an international aesthetic? That's a puzzling question!