There is a "painting" straight talk.
--Cui Yongqiang's fine brush landscape painting art appreciation.
Liang Jun: The law and development process of artistic creation are like a sown seed, and there must be a specific cycle from germination, growth to fruition. If you violate the law of this cycle, no matter how diligent and caring you are in the future, you will not have good results. The creation of a work of art and the creation of art in a period also have their own specific rules, and there will also be a long and arduous process.
"Dreaming of Jiashan" is 284cm×192cm wide
When I read Cui Yongqiang's small and large landscape paintings, his works reveal a broad lyrical spirit, casting a realm of peace, pure quietness, spaciousness and elegance.
Outside the world of the river, there is nothing in the mountains
Autumn Scenery of the Mountains
Morun Spring Mountain" listens to the cicadas in summer, its sound is like a rhythm, beautiful and pleasant; Listening to the cicada in summer, its sound is like noise, and it is annoying. The result of these differences depends on the different states of mind of the listeners and their understanding of the cicada's life.
The rivers and mountains are like paintings, and the inner beauty is quiet
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Isn't this our state of mind when we are facing a work of art?
As everyone knows, the cicada's life is actually only one summer full of hot sunshine. In the summer sun, the cicada exhausts its lifelong enthusiasm to express the enjoyment of happiness with a long, high-pitched, persistent, and loud voice. At the same time, it also conveys this happy complex through the sunshine to the people who enjoy the cool and busy green in the summer. For the sake of this lifelong happiness, the cicada persevered and worked hard for four years in the darkness of the underground before it was time to break through the ground.
Fragrant clouds roll up the silver world, and the spring hangs high and the jade is high
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In 2012, Cui Yongqiang, who had already passed the age of confusion, participated in the creative study class of Beijing Modern Gongbi Painting Institute with great courage and perseverance, during which he created "Yunshui Xianxiang" won the bronze medal in the "Third National Gongbi Landscape Painting Exhibition". In terms of creating the atmosphere of the picture, I exaggerate its form, and strive to express the ...... of the surreal realm in the magnificence
Xiongyue High Hall" was selected in 2014 (the honor of Mount Tai).
Cui Yongqiang has completed the transformation and enterprising that many painters cannot accomplish after several years or even a poor lifetime. Due to the influence of the current trend of plagiarism and reproduction among Chinese painters, some people who are blind and jealous think that this is just luck. One work is selected for an exhibition or won an award by chance, two works are luck, but what about three, four, or even more works that are majestic, majestic, abrupt and dangerously composed? The advent of huge masterpieces such as "Xiongyue High Palace", "Gaoge Linzhu" and "Awakening in Winter" and the recognition of their continuous selection for national exhibitions show that talent and diligence are the cause!
The talent of a painter actually refers to the transformation of the painter's concept and the keen judgment of the self-positioning of art.
The painter Cui Yongqiang was born in a farming family in Nanhai, Guangdong Province in the mid-sixties of the 20th century. Cui Yongqiang is no exception, he grew up in Qiaoshan Mountain, Lingnan, where the water network is dense and the rivers and ponds are crisscrossed, and for hundreds of years, the ancestors who lived in this fertile soil creatively formed the ancient artificial ecosystem of mulberry fish ponds and the traditional mode of farming, production and life. The Sankey Tiantang, which is permeated by the wet water vapor of spring fog and summer rain, naturally makes this depression in Lingnan bathed in the beauty of mountains and waters. For Cui Yongqiang, who is obsessed with painting, it is natural that his heart is immersed. At this point, I was no longer surprised to read that Cui Yongqiang's works were basically based on the Lingnan countryside when I first met him, and expressed every grass, tree, mountain and water in his thoughts in a language full of pen and ink, and it was hearty.
The green mountains do not ink a thousand autumn paintings, and the spring water is silent and the guqin".
Not satisfied with the love and experience of the country, it is estimated that it is called a sting, and after the sting, it is a surge and explosion of power.
The Bible says, "When God closes this door, he will open another door for you."
However, when Cui Yongqiang, who had long passed his prime, opened the door to the north with great courage and enthusiasm, he did not close the door of Lingnan Qiaoshan culture.
Chinese landscape painting is an art of creating the environment, through the observation and memory of the creation of the physical environment, and then create the artistic conception of the mind and body, this kind of ancient landscape painting aesthetics began from the Jin and Sui dynasties to the Tang and Song dynasties and has been perfected.
The chest is splendid and the three are endowed, and the smoke and clouds at the bottom of the pen are "".
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In the form of expression, Tang and Song Dynasty landscape paintings do not have the distinction between fine brushwork and freehand in the modern context, only thick brushes and fine brushes, dense brushes and sparse brushes, and various methods are also gradually formed. Cui Yongqiang's landscape paintings follow the charm of Song Dynasty paintings, and he uses small short-edged brushes, small axes and long linen to create the texture of steep rocks and cliffs, making his landscape paintings unique.
Gaoge Linzhu "Plugged with Pearl, Beautiful Ningxia) was selected for 2014 03 22
Take the landscape paintings "Spring Mountain into a Dream" and "Xiongyue High Palace" as an example: the white landscape "Spring Mountain into a Dream", with the front and back and rhythm of the mountain stone and the mountain shape, the small axe splits the concave and convex of the mountain stone, and the leaves and canopy are painted with dense dots, and the smoke and clouds used to break the flat structure of the picture are directly left blank in addition to the mountain background. This blank space makes the mountain structure expressed by dense brushwork atmospheric and concise in the whole picture. "Xiongyue High Palace" is a dyeing brush landscape painting, but also boldly leave the clouds and smoke into a blank, the mountain with dark brown dark green after the layered dyeing, forming a strong visual contrast, from the mountain composition to the high method from the bottom of the picture to the upper right extension of the rhythm and majestic, from "Spring Mountain into a Dream", "Xiongyue High Palace" to "Gao Ge Linzhu" in the blank picture, we see that the blank space of the picture and the picture entity mountain shape cut each other to form a decent size and very rich in modern form beauty, so that the composition of the picture has become a classic, Only by creating a picture environment formed by the classic composition language can we produce a far-reaching artistic conception of the picture that can "educate and help others".
A work of art created by a painter that allows you to know and remember the image of his work is a classic work of art. A painter who allows you to remember his work first and not his name first is a good painter.
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