With the booming entertainment industry, the competition in this industry is becoming increasingly fierce.
Some traffic Internet celebrities and little idols who are singing and dancing try to act, and some of them perform well, although most of them are still a little embarrassed.
In the comparison, those senior actors who have been based in the entertainment industry for many years are particularly prominent, and their strength is clear at a glance.
However, some people have also been exposed for what they really are, and they can no longer hide their identity as "drama bastards".
Huang Lei when he was young has changed a lot compared with him now, and it can be said that he is a real literary and artistic youth. It is not difficult to see that "April Day in the World" and "Orange is Red" are one of his outstanding masterpieces.
The melancholy temperament in his eyes added charm to his performance, and even qualified him to stay in school to teach, and cultivated students like Haiqing and Huang Haibo.
Since participating in variety shows such as "Where Are You Going, Dad", "Extreme Challenge", and "Longing for Life", Huang Lei's image seems to have become more fixed.
When he acts, he shows some smart, god-like, considerate and tolerant characters. When I watch his performances again, I always see such an image.
His performance in the play shows exactly what he really is, playing the role of a father three times, all of which make it difficult to see any difference between them.
Even if this character is transferred to another drama, it will not appear abrupt.
Huang Lei seemed effortless when acting, and he showed a very relaxed state.
So much so that he looks more like he is playing himself, which is no different from the "Teacher Huang" we know in variety shows.
The typical representative of the late bloomer is Jin Dong, who not only succeeded late in his career, but also embarked on the road of acting much later than others.
Even if you don't mention the child stars, the average actor began to enter the drama school at the age of 18.
It wasn't until he was 23 years old that he became interested in acting and decided to apply for Chinese opera.
At that time, Jin Dong had exceeded the maximum age limit of 22 years old at that time.
Only by looking for the teacher in person did he get the opportunity to interview.
He worked very hard after entering university, arranging time to study in Japan every year, and went to Broadway to observe and study at his own expense.
Jin Dong has been in the film and television industry for 20 years, playing various protagonists and supporting roles.
His performances in costume dramas and modern dramas, urban dramas and rural dramas are quite good.
At that time, he could already be called an actor who was good at interpreting the climax of the plot.
It's a pity that he hasn't been able to succeed in the entertainment industry, and has always been an unobtrusive little character who has not been able to attract more attention.
It wasn't until middle age that Jin Dong ushered in his opportunity.
He and Wang Kai are similar to some extent, both became popular for starring in dramas such as "Langya Bang", "The Pretender" and "Ode to Joy".
The two have outstanding looks and temperament, and their acting skills are quite good, and they belong to the type that became popular later.
Overnight, Jin Dong became popular all over the country, and became the darling of middle-aged and elderly women.
His recent high-profile "Xiucai" calls himself a "pension harvester", but compared to Jin Dong, he is just an imitator and cannot compete with the other party.
Jin Dong stepped onto the stage from obscurity and was loved by countless people, and his good times had just begun.
There are countless scripts handed to him, and he can choose at will.
These dramas, such as "Surgery", "The First Half of My Life", and "Elite Lawyer", although the ratings are good, the style is too similar to keep it fresh.
Jin Dong always seems to have the same hairstyle, combing his big back hair, wearing a suit, with a graceful demeanor and an elite temperament.
There is no problem with playing these roles, the problem is that playing the same type of role over and over again will cause the audience to have aesthetic fatigue.
When Jin Dong made his debut, there was no doubt that he made a refreshing impression.
Although the actor has good looks and excellent acting skills, he unexpectedly failed to succeed in his career.
He has a relatively high starting point, so the audience expects more from him.
However, his subsequent performance disappointed some viewers and failed to present a more exciting work.
Therefore, Jin Dong should consider making some changes to himself, such as trying to change his look.
Perhaps there is an option to play a villain character that has a lot of contradictions, and by updating his image in the minds of the audience, it is best to feel refreshing.
Liu Tao was born in an ordinary family when he was a child, and often helped with housework at home.
During her tenure as a cultural soldier, she actively participated in a variety of stage performances and challenged a variety of different types of roles.
In "Foreign Daughter-in-law Local Lang", she made her first appearance on the big screen and played the shrewd little daughter-in-law, which was simply easy for her.
Once she stepped into the entertainment industry, she successfully created many characters with very different personalities.
Pan Yueming cooperated with the delicate and beautiful Azhu in "The Legend of the White Snake", and in "It Turned Out to Be You", he played two roles, both the lively daughter and the gentle and virtuous Yahuan.
With her excellent acting skills and gentle appearance, Liu Tao successfully touched all the audience and showed her diverse charm.
The "Mazu" she starred in especially makes people feel that Mazu should look like Liu Tao, which is like this in the hearts of many people.
Since she was called the "good daughter-in-law of the nation", her role seems to have become fixed.
In recent years, Liu Tao has been playing the role of a strong woman or a good wife and mother, and her performance in the play is very similar to the way she gets along with her husband.
The image she presents is exactly the same as the character she is set up, so much so that it doesn't look like she's watching a TV series, but more like acting out her real story.
Yang Zhigang's controversy mainly focuses on two aspects: lines and nepotism.
He often writes about the theme of the Anti-Japanese War, and most of the audience is middle-aged and elderly. It is likely that many people only learned about him by watching TV with their elders.
He is slow to speak because he knows his audience and wants to make sure the audience hears his lines.
His face is slightly stiff, which is also partly due to the injuries he has suffered in the past.
He has his own unique style of speaking, forming a unique kind of signature.
Although the audience closes their eyes and does not look at the picture, they can discern the character played by Yang Zhigang by his voice alone.
Therefore, he was loved by some people, but also aroused the disgust of some people, forming mixed reviews.
His director's brother is always praising him, and being suspected of relying solely on relationships to succeed is another problem.
Why did Yang Zhigang's brother treat him so generously?
Actually, it's because of guilt in the heart, and there are two reasons for this.
When Yang Zhigang was born, there were already three older brothers in the family, so he faced the problem of superbirth, and he was eventually passed on to his uncle.
He was sent away because his presence made his third brother Guo Jingyu feel compelled to do so.
Therefore, he has always felt that he owes something to Yang Zhigang, and is determined to compensate him well when he grows up.
Through his own efforts, Guo Jingyu was gradually promoted from the position of scene reporter to director, and gradually got the opportunity to direct.
From small roles to supporting roles to protagonists, his younger brother Yang Zhigang has always been by his side.
Therefore, his character and style must have been greatly influenced by his older brother to some extent.
During the filming of "Secret Drawings", an accident occurred that caused Yang Zhigang to suffer serious injuries, and the air currents sent him straight into the air and crashed him into a huge rock.
He nearly lost his life, so his brother blamed himself even more, vowing never to let him fall into that danger again.
The anti-war films he starred in have achieved high ratings, so it can be said that he and his brother have achieved each other.
Yang Zhigang often hears netizens questioning him, but he is also very frank and has a clear understanding of his own problems.
He was no longer young, but his brother asked him to play a young man of twenty years old, so he also proposed his idea to his brother.
Director Er Dongsheng pointed out his problems when he participated in "Actors Please Be in Place".
His way of acting was criticized for the lack of variety, suggesting that he could learn from other actors to imitate, or consider a different director and not blindly follow in his brother's footsteps.
Yang Zhigang's audience popularity has always been very good, although his acting skills are not outstanding, but at least they are not bad.
The most important thing is that the audience likes him.
Chen Daoming is recognized as a well-deserved "old drama bone", and his excellent acting skills have always been praised by people.
He is still in good shape, from "Kangxi Dynasty" to "Celebrating More Than Years", he is nearly seventy years old.
He enjoys great prestige in the literary and artistic circles and is respected in all directions.
His performance in angrily denouncing the ministers in the court was so wonderful that some netizens thought that this scene should be included in the teaching materials of Chinese opera.
Until now, Chen Daoming still shows the demeanor of the sword, and still shows a domineering performance when playing the role of "Emperor Qing".
Ordinary actors can't reach the high level of acting lines.
However, some argue that his acting skills are overexaggerated because he always plays similar types of roles.
He is an actor who plays the emperor professionally, and the similarities between these characters are indeed many.
His acting skills are not satisfactory, probably because everyone expects too much from him.
The first task of a screenwriter is to write a wonderful script, and only then can the actor perform the role to the fullest.
He was also accused of always being condescending and pretentious.
Maybe it's because my temperament is too sharp and makes too much of a first impression.
In general, Chen Daoming's acting skills are not a big problem, perhaps because netizens are a little harsh in their evaluation of him.
Liu Xiaoqing's biggest problem is that she is over half a hundred years old, but she likes to play the role of a girl.
Before she was forty years old, she had already won the Golden Rooster Award and the Hundred Flowers Award, and accumulated fruitful achievements.
As I get older, my mind is not clear enough.
She has played Wu Zetian many times, whether she is playing the queen, the queen mother or the queen mother, she has performed very well, and such a role is very suitable for her.
She gave great performances in her youth, middle age, and old age, and it is surprising that she showed her talent even as a girl.
There is a big difference in her age, and she looks a little out of place.
Liu Xiaoqing not only attracted netizens to complain once, but also for the second time.
Her face has shown some signs of puffiness and rigidity due to the results of the aesthetic surgery.
She should perhaps accept the natural aging process and choose to play roles that are more appropriate for her age.
The reason why these "old drama bones" can enjoy such a lofty status is because they have also had amazing performances in the past.
Actors can have a cookie-cutter style of performing a role for a long time, just as the repetition of anything over a long period of time can cause aesthetic fatigue.
Hopefully, they will try to play some roles with a wide range of dramatic differences, and not be tied to a certain type of drama.
The role should be the master of the actor, requiring the actor to adjust his appearance and demeanor to match the role, rather than letting the character perform according to the actor's wishes.
Directors and screenwriters may be held accountable for the lack of innovation in character setting and subject matter, and too blindly imitate previous film and television works.
It is hoped that the performing arts industry can usher in a reform, bring surprises to the audience, and promote the prosperity and enrichment of the cultural industry.