Zhang Tianai got his name because of this move, and the unique logo that has both heroic temperament and beauty, and can be seamlessly switched, left a deep impression on people; She rose to the wind and became a new force in the film industry. At present, the work "Amai in the Army" is obviously influenced by Zhou Zheng in the production process, but this does not mean that it can emerge as quickly as "riding the east wind as a dark horse".
In the previous "Ancient Puppet +" of "Yi Nian Guan Mountain", Gao Kai went crazy and was reluctant to admit that he was an ancient puppet, but what about the "ancient puppet + conspiracy" model of this one?
Come on, share your feelings about the first ten episodes in detail.
First of all, is this just a superficial attack? Absolutely not.
Zhang Tian's eyebrows reveal a heroic temperament, and his "gong" face is very suitable for playing a male role.
Although "Female Costume ** is not detected" is based on the operation of "the absoluteness of a priori setting", this work has a lot of negative evaluations of the actor and some rough sinicization, even if it becomes darker, the audience can still see at a glance that she is a woman.
From the subtleties of the actor's body movements, such as sniffing, grinning, and shaking his shoulders to walk, you can feel his concentration and care in dealing with these movements;
Judging from his expression, he shows a "rough" attitude (praise) from the bottom.
There is a hint of righteousness, a hint of wit, and a hint of subtle disguise; In the vast sea of people, the young man who had come here with righteousness gradually drifted away. Some people have experienced half a lifetime of wandering and dust-like changes, while others use their bodies, eyes and time to experience the joys, sorrows and sorrows of life and death.
In the play, the owner of Amai always says, "Amai always has a way", but this method is often used in a playful and absurd way; One day, Amai broke into a high-end restaurant and claimed to be the world-famous "God of Food" Amai. The thief Xiao Mai, who hides his identity, and the "pseudo-gentleman" male protagonist whose essence has yet to be revealed, often stage various comedy plots.
The chaotic scam at the beginning of the first episode isn't hilarious, but the light-hearted comedy that follows makes the points more natural and meaningful.
A group of people came to the gate of the city after a long journey, and they accidentally ate the watermelon of the city guard. Their expressions were very embarrassed, and they were mistaken for "roe deer thieves". When the actor's true identity is revealed, in the face of the other party's arrogant attitude, he responds: "I am a thief with a roe deer's eyes". And Amina's innocent mustache became a silent laughing stock.
Although Amai's enlistment in the army can be regarded as a variant of Mulan's model to some extent, neither the narrative of gender identity nor the misunderstandings and jokes brought by female disguise can constitute the whole story. The core of the story may be "to examine the mountains and rivers and military uniforms from the perspective of the bottom".
From Ah Mai being described as "born as the soul of Southern Xia and dying as the soul of Southern Xia", to her first ascent of the Blood Tower, witnessing the war and chaos all over the ground, to her tears and blood before dying in prison to entrust the orphans, everything has become clear and visible in the cruel and forced growth experienced by the teenager in the interweaving of blood and fire.
After that, she proposes a strategy to lead everyone out of the city and have her friends disguise themselves as enemy guards to ensure that the city's inhabitants are not implicated and hurt by anger. In addition, she plans to "let the real generals catch up with us, the fake generals." As for whether the execution of the strategy is just right, from another point of view, the courage of this group of friends to move forward, the loyalty to their sons and their concern for all beings in the plight of the city are very eye-catching.
However, this kind of plot in the drama may be between effective and ineffective in some cases, and it is not exactly a smooth progression, but there is still a certain gap with the perfect combination of every detail and plot, and there are occasional wonderful clips, but sometimes there may be a disharmony between the high and the low.
Although some of the character settings and presentations are difficult to describe in words, Zhang Tianai's in-depth interpretation of these characters makes me appreciate them very much.
Together, heroism and "brokenness" form two aspects of a whole.
When the mountains and rivers fall under the iron hooves of aliens, they face the test of life and death when they first set foot on the battlefield, which to some extent leads to the collapse of the world again. She walked alone through the ruins, her steps firm. However, she has an indestructible toughness that "can grow back even if a bone is crushed by an inch", and her heroism does not lie between her eyebrows.
The second CP line.
No matter how you interpret the so-called "ancient puppet +", the previous one is still an ancient puppet, and CP is still the core element.
Amai had three daughters when he joined the army, and it is rumored that these three daughters were all masquerading as **, and they also married two daughters?
First, let's discuss the male lead.
Shang Yizhi seems to be a gentleman on the surface, but in fact, he has three points of innocence and three points of crimson, and another three points are involuntarily.
The theme of the game's launch is "I'm the most bastard boy in the city" and "I've never had the master pit others and no one else pits me", which makes people feel that their IQ is a little unstable, and the route seems a little ridiculous.
If one calls him a true gentleman, then after his misfortunes, he showed magnanimity and integrity towards his soldiers; If he is honest and kind, he is also quite "official" in officialdom. If you call him a hypocrite, then in his absurd behavior, you can indeed see the troubles he has caused.
In short, he starts out as a mischievous son who hides beneath a gorgeous exterior, but over time he can become a tragic character who struggles to balance both responsibility and emotion.
The relationship between Shang Yizhi and Ah Mai does not seem to be harmonious, but his liking for Ah Mai is obvious. He walked a somewhat perfunctory walk through a scene where he tried to defraud on the street but failed, and he didn't know each other and was happy, including the plot of "accidentally seeing Amai taking a bath and finding out that she was a girl" and a "life and death" plot. But this fake brotherhood has since become worrying.
Although the way feelings are described may seem a bit plastic, for those who love sweet candy, what they value more is the amount of sugar and the way it is wholesaled. Sweet Candy's "love" has more room - what else can it bring you besides love? Each episode is filled with emotions of like, longing, and jealousy; The jokes that sweet candy likes are sweet little humor. Putting it in the middle of a light comedy joke is also a clever strategy.
Chang Yuqing is an enemy Predator, and his silver spear and white horse have splattered blood in the Southern Xia region.
In the early stages of the game, I had some unfamiliar relationships with the heroine, but the heroine was cold and delicate at heart, even more serious.
In the work "Amai in the Army", the boundaries between lovers have always been traditional. Initially, the two were hostile, but as time went on, the story went to an extreme "love-hate" plot, and as for the mixing of industrial arsenic and industrial sugar, there is no clear answer yet.
Tang Shaoyi made his debut in a small town full of urban atmosphere.
This is a detailed shot that vividly shows the busy and happy daily life of the residents of Silver Castle, and introduces a fireworks-filled school captain character in everyday activities such as delivering meals, greeting children, shaking hands, etc.
Chang Yuqing's appearance can be described as the embodiment of "soldiers and murder weapons" who killed Sen Leng Yama, while Tang Shaoyi's appearance foreshadowed the vision of peace after "soldiers protect their homes and defend the country", which is a kind of sadness, righteousness and courage that cannot project the fireworks of the world onto the sword.
Although Tang Shaoyi has not yet realized that Amai is a woman, and there is a comrade-in-arms and life-and-death friendship between the two, the relationship is still relatively clear and fluid.
Although I personally don't like to move, especially the second male, the third male and the little sisters, hurry up and act to compete for the cp! That's my bottom line! （bushi）
Third, the skin and bones behind the conspiracy.
In the scenes of "The Dark Emperor of Ambition", every scene is hidden in the depths, giving people a strong sense of presence.
After Emperor Zun intended to kill the heroes for a long time with medicine, the imperial physician entered the palace to "ask for retirement and go home", and this scene walked out of the heavy door, which was very eye-catching.
When people's hearts become dark, they feel dark visually, and the repression of social class and power desire is like a series of narrow doors.
In the deep palace, a deep resentment of "eating people without spitting out bones" is silently revealed.
In another intriguing scene, the eldest princess walks into the palace step by step.
The gates of the palace are magnificent, the halls are dense, and there are many visitors, and the eldest princess behaves very solemnly and quietly in them.
In this, we can see people's complex scheming and intrigue, Zhou Zheng as the landing point of etiquette, and the complex relationship between family affection and hatred, all of which are full of cold, warm and cold.
Although Yang Tongshu does not have many scenes, it is eye-catching.
It's not the dazzling beauty, but the shock of a jade-like glow that has gradually settled down over time.
She is beautiful but not ostentatious, gentle but not weak, noble but not pretentious.
It's like it's been conceived by time, like fat, moonlight, and quiet currents, in which complex grievances and waves are reflected.
In the plot, Shang Yizhi's three female ** disguised as Qinglou, but in fact, they were secretly collecting intelligence, they were holding sharp blades, which were both beautiful and sassy; They danced and fluttered in the red dust, setting off a brilliant wind and snow. Although the three of them don't have many scenes together, the pathos of their lives and the shocking spirit are worth remembering.
The role of the emperor played by Yoon Joo-sung (Do you need messy hair and clothes every time you play a careerist?)With its understated carving technique, it exudes an indifferent killing intent.
The suspicion and coldness of the upper leadership, he showed a strong sense of tension.
The former leader of Xia Jiangxia has now become Lin Xiang in "Amai in the Army", whenever he appears in the dimensional wall of "power scheme", it seems to be fate.
However, the highlights of the roles played by the actors are not exactly equated with the perfect blending of dramatic structures, and while some parts perform well, the whole seems to be in a delicate balance.
This kind of drama that integrates the elements of "ancient puppet + conspiracy" often falls into an embarrassing situation of "blurring the overall image".
The conspiracy in the play is not just a simple Sanmao speech, some of its expressions seem to be very appropriate, giving people a very painful feeling.
For example, after the destruction of Silver Castle, the Emperor was wholeheartedly interested in reaching peace, and although the actions of the second prince, the crown prince, and Lin Xiang may seem simple, their behavior did not resemble the typical absurd behavior of ancient puppets;The emperor walked alone on the road of peace, and the power and scheming were intertwined, and the two princes, the crown prince, and Lin Xiang were inextricably knotted. Although it is only a superficial taste, in a way, it does represent deep reflection on a dilemma.
However, from another point of view, when the script describes "the heroine is very good, she always finds a solution", the way it is expressed is often difficult to evaluate.
If all the humor of light comedy is used, it can hide the roughness of logic and the unrealistic feeling of gold finger to a certain extent, but the script often oscillates between "positive" and "harmonious", making the overall aura slightly chaotic.
In the final analysis, this type of drama is different from historical dramas and realistic dramas, they do not pursue objective truth or absolute reality, but are more inclined to a "sense of relativity", which may only be a relative, partial closed loop.
This is not the embarrassment of the drama "Amai in the Army", which integrates elements of various ancient puppets and schemes, more or less revealing some of the child's play roughness of "three-cent plots".
Some successful ancient puppets try to get rid of the label of "ancient puppets", but in the evaluation criteria of this classification, they have a relative advantage from wide to low, and are more "relatively excellent" than "absolutely hardcore";Amai's entry into the army may be just the beginning. What stage can the book "Amai in the Army" progress?
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