Regarding the boundary between the actor's age and the role, the recent carnival in the film industry has caused widespread controversy. Unlike in the past, many celebrities have chosen roles that are very different from their actual age, which has aroused doubts and heated discussions among the audience. What is particularly striking is the phenomenon of some veteran female stars playing young roles, which undoubtedly challenges the audience's expectations of authenticity and credibility. Some see such an attempt as disrespectful to the original, while others see it as a manifestation of artistic diversity. This attempt to match the age actually reflects the trend of film and television producers pursuing younger people in order to improve the best rate and market success rate of their works. However, today, with the continuous emergence of new Xiaohuadan and Xiaoxian Meat, some senior stars still maintain competitiveness with their solid acting skills and profound acting skills. This makes us think, is acting really the only treasure? Is age really the only criterion for judging an actor's quality?
In today's society, the definition of age and beauty is quietly changing. Reverse growth and graceful aging have become accepted and admired words. The audience gradually transcended the shackles of age and began to pay more attention to the performance strength of the actors and the quality of the work itself. Youth is no longer the only pursuit, but a unique charm presented in the polishing of the years. This carnival of traffic is not just to attract attention, but to try to break the traditional concept of acting and find a more creative and in-depth way to perform. The influx of senior stars has injected more literary and artistic atmosphere, combining traffic and powerful acting skills to create more fascinating film and television works.
However, in the recently aired idol drama "Love for a Long Time", the performances led by powerful actresses such as Yang Zi disappointed the audience. Despite the actors' efforts, the performance presented a rigid feeling and lacked the expression of the soul. The audience also questioned Yang Zi's performance, believing that she was caught in some kind of emotional impasse in the play. In stark contrast, Zhao Liying played the role of a hearing-impaired mother in the movie "Article 20" and successfully demonstrated her acting strength, which resonated with the audience. This discussion made the audience pay more attention to the performance strength of the actors, rather than simply pursuing traffic stars and popular IPs.
This controversy shows that the audience's aesthetics are becoming more complex and diverse, and people are beginning to pay more attention to the performance strength of actors. On the one hand, some people questioned Yang Zi's performance, believing that she still needs to improve in performance; On the other hand, some people believe that Zhao Liying's success does not mean that all actors should follow in her footsteps, and every actor should have their own development path. In this era of entertainment pursuit, we should pay more attention to the exploration of the potential of actors, rather than chasing short-lived popularity. The performance strength of an actor does not depend on the transcript of the past, but more on the in-depth understanding of the role and the love for the performing arts. The movies and series on the air are a wake-up call for us to take art more seriously while pursuing entertainment.
All in all, the boundaries between the age of the actor and the role are being challenged, and the audience's requirements for the actor are becoming more diverse. In the selection of the audience, they pay more attention to the performance strength and quality of the actors, rather than just pursuing the youth and traffic of the actors. Acting is the core competitiveness of an actor in his acting career, and age is just a number. We should pay more attention to the acting skills and acting talents of actors, and give them more opportunities to show themselves, rather than just being limited to the framework of age and role. Only in this way can we truly promote the development of the film and television industry and bring more high-quality works to the audience.