The audience seemed to be pulled into the abyss of the TV series by a visual feast of family stories, and last night when the CCTV drama "Fireworks People" slowly unfolded on the screen.
The unusual name of "Fireworks People" reveals the unique sustenance of ordinary life from between the lines.
Chinese family dramas seem to have taken deep root in the hearts of audiences, and in recent years, each new work has led the audience to explore more and more like a raging wave.
My views on this craze are mixed.
Pyrotechnics is fascinating because it focuses on the growth of three generations of women, eschewing the clichés of Cinderella and Prince Charming, and instead focusing on the little people who work tirelessly in ordinary lives.
The storyline is different from the others, no longer obsessed with characters whose fate is controlled by a vampire family, but instead focuses on depicting how ordinary people skillfully escape from the difficult situations of life.
"Pyrotechnics", a family drama that breaks the tradition with a unique perspective, may bring a completely different surprise to the audience.
She and Her Archipelago is a stark contrast to it, bringing a completely different storyline.
Qiao Haiyun is the protagonist in **, he has lived in a poor small fishing village since he was a child and did not receive a good education.
The appearance of her husband completely changed her fate and changed everything completely.
Her husband not only taught her to read and write, but also showed her the wider world.
The story is a vivid portrait of a mother struggling to secure a better future for her daughter in the face of adversity.
It's not just a trip, it's a journey that has honed your character through adversity.
Just when the audience was moved by the success of Qiao Haiyun's daughter Li Yijin, the plot suddenly turned to an unexpected place - Qiao Haiyun's morbid desire to control.
The tension between mother and daughter makes the storyline even more confusing.
The characters are involved in complex family disputes in the play, gradually revealing the complexity and diversity of human nature and the profound connotation of family relationships.
The two dramas "Fireworks People" and "She and Her Islands" brought the audience a completely different experience of watching the drama.
The first focuses on the growth and interaction between family members, showing the details of life warmly and intimately.
The latter shows a more diverse and profound family story through complex family entanglements and the pursuit of success.
The audience ushered in this exciting moment with great anticipation, and they were full of anticipation for the performance of these two dramas.
As we cheer for the performances these episodes, we also have to reflect on whether the phenomena are really worth the wait.
Perhaps, the deeper controversy lies beneath this seemingly glamorous façade.
As a form of entertainment, does the fictional family plot depicted in the family drama really reflect social life?
Is it just to incite the audience's emotions and cater to the market demand and create a beautiful illusion?
TV dramas are like a mirror, which can reflect the audience's desire and expectation for family, but the truth in it needs to be pondered.
We need to reflect on the nature of family drama, which is a must-do right now.
Should games be seen as a tool for relaxation and entertainment, or should they assume more social responsibility and provoke the audience to think deeply about social issues by truly reflecting the plight of the underclass?
Perhaps, the significance of the existence of TV dramas is not only to cater to the taste of the audience, but also to be a medium that can guide thinking and stimulate social attention.
As we cheer for the brilliant storylines in the TV series, we may need to keep reminding ourselves that those are just fictional scenes.
Perhaps, real family life is more intricate and closer to reality than TV dramas.