"Mr. Red Carpet" Spring Festival stalls are not adaptable? Ning Hao: We don't lack very lively **, and I'm annoyed myself.
After the release of the movie "Mr. Red Carpet", director Ning Hao questioned the film market during the Spring Festival. He said: "We don't lack very lively **, and I'm annoyed myself." This remark has aroused widespread attention and heated discussions. Is director Ning Hao's point of view tenable? Whether the film market for the Spring Festival stalls has really fallen into a single.
1. The cliché circle? To find the answer to this question, let's take a closer look at this phenomenon.
The Spring Festival is one of the most commercially valuable time periods in the Chinese film market, and major film companies will choose to launch heavyweight works at this point in time to compete for a share of the box office market.
However, this fierce competition has also led to the content and subject matter of many films becoming similar and outdated. Film studios who are keen to cater to the taste of the market frequently launch film and television works of similar genres, which has led to the gradual accumulation of aesthetic fatigue and disappointment among the audience. This phenomenon not only reflects the utilitarian and market-oriented tendency of the film and television industry, but also highlights the audience's urgent need for higher quality and more creative film and television works.
In this context, "Mr. Red Carpet" directed by Ning Hao is particularly dazzling. With a unique perspective and a novel narrative method, the film profoundly depicts the distortion and struggle of human nature in contemporary society, and has aroused widespread social resonance.
Its success lies not only in the bold innovation of traditional themes, but also in the fact that it brings new thinking and experience to the audience by breaking stereotypes and breaking through clichés. It tells us that high-quality film and television works do not necessarily have to be luxurious in form, but need to have a solid content foundation and unique artistic expression.
At the same time, we also need to recognize that film, as an art form, also carries commercial attributes. Only works that can not only meet the market demand, but also maintain creativity and quality, can stand out in the market competition. Therefore, in order to change the "unsuitable" of the Spring Festival stalls, in addition to film and television practitioners need to pay more attention to creative quality and artistic innovation, audiences also need to have more rational and prudent choices when consuming.
Perhaps, we can find some inspiration from "Mr. Red Carpet". Just like the protagonist in the movie, in real life, we often face all kinds of pressure and confusion from society, family and even our hearts. We need to learn to maintain our independent thinking and judgment under such pressure, embrace change bravely, and find our own way of life and happiness. For film and television works, we should also pay more attention to the core of ideas and emotions expressed in them, not just the packaging and gimmicks of the ** itself.
Perhaps, when we treat film and television works, we can have more "aesthetic fatigue" emphasized by director Ning Hao.
We can be more rational about the packaging and hype of marketing, pay more attention to the emotions and connotations to be conveyed by the work itself, and feel the beauty with our hearts, instead of being confused by the hustle and bustle on the surface. When we can experience a deeper emotional resonance from film and television works, perhaps we can also face various challenges and pressures more calmly in real life.
Therefore, the views expressed by director Ning Hao in "Mr. Red Carpet" are not only a question about the Spring Festival film market, but also a question that the entire film and television industry should reflect on and improve.
When we can treat film and television works more rationally, and film and television practitioners can pay more attention to creative quality and artistic innovation, perhaps we can also usher in more high-quality film and television works like "Mr. Red Carpet" to bring more ideological enlightenment and emotional touch to the audience.
Perhaps, when we enjoy film and television works in the cinema, we can appreciate the emotional core of them more attentively, and think about the value and meaning contained in them, not just for the pursuit of temporary entertainment and relaxation. Perhaps, when we get out of the theater and return to real life, we can also face various challenges and pressures more calmly, and find our own way of life and happiness.